Leila Bordreuil
1991, Summer, Huntington Garage Fire
The A-side and title track of this cassette is a live document of one the best live concerts I've seen/heard in the past few years. It was recorded during a house party cookout in Leila Bordreuil’s backyard that I was lucky enough to attend. She played along to a video recording her partner’s family had made for their insurance after a garage fire back in 1991. The audio of the video was played through the PA and Leila slowly builds her electronics and cello into a psychotic inferno of wild nois…
Not An Elegy
Tip! First pinging our radar with her ‘Headflush’ album for Catch Wave back in 2019, Leila Bordreuil has a tactile, extreme approach to the cello, one that focuses on its visceral aspects in a way that mimics the most spirited, fraught and melancholy human emotions. Despite the complex nature of her playing, you can trace Bordreuil's lineage back to Arthur Russell’s defining ‘World Of Echo’ in methodology and spirit - Leila plays with no processing or effect pedals, everything stems from the pla…
I Used To Sing So Lyrical
The debut recording of New York double bassist Sean Ali's improvising string trio with violist Joanna Mattrey and cellist Leila Bordreuil, having worked together since 2015, each brings impressive technique and a somewhat twisted approach to their strings in a diverse set of extended improvisation from pensive and spacious to formidable density.