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Although following The 5th Elephant in its musical organisation - around grids of pulses and highly crafted, rich sonorities - this work is more evolved, more focussed and more internally economic. Following a narrative thread this time, the whole is bound into a complex and ramifying exposition of repetition, transformation and evolution, where a return is no return and where perceiver and perceived are lost to time. Tightly bounded by speech-derived (but massively re-formed) sonic mate…
Between electroacoustic procedural precision and more recent pulse driven electronica slips this placeless new work from composer Lutz Glandien, 2 years in the making, employing material collectively generated by Lutz himself, Chris Cutler and Tuba virtuoso Michael Vogt - heavily reorganised, processed, stretched and re-assembled to make extraordinary pieces that demand - and reward - concentrated listening.