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Mats Erlandsson

As a composer, musician and sound artist, Mats Erlandsson is part of the vibrantly reemerging field of drone music in Stockholm, Sweden, and is associated with practices characterized by the extensive use of sustained sound. Erlandsson has undergone studies in composition in Stockholm, where he received a Master’s degree in Composition of Electronic Music. In addition to his own artistic practice, Erlandsson holds a position as studio assistant at the world-renowned Elektronmusikstudion (EMS) in Stockholm.

As a composer, musician and sound artist, Mats Erlandsson is part of the vibrantly reemerging field of drone music in Stockholm, Sweden, and is associated with practices characterized by the extensive use of sustained sound. Erlandsson has undergone studies in composition in Stockholm, where he received a Master’s degree in Composition of Electronic Music. In addition to his own artistic practice, Erlandsson holds a position as studio assistant at the world-renowned Elektronmusikstudion (EMS) in Stockholm.

28/4/23
*90 copies limited edition* "28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.
Celestial Shores
The music heard on this album was originally the result of a commission to score the second half of the film Nico/Nico Crying made by Andy Warhol in 1966. The commission was made by Art Cinema OFFoff in collaboration with B.A.A.D.M for a screening of the film together with a live presentation of the score in September 2021 at Ancienne Belgique in Brussels. The recording presented here was made in the last week of that year and mixed soon after in January 2022. These recordings are essentially li…
Gyttjans Topografi
Edition of 500 copies w/ printed inner. Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on ‘Gyttjans Topografi’, imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material. The music on this recording is performed by a kind of fictitious chamber ensemble situated in an imaginary room outlined by textures that altern…
4 Track Guitar Music
4-Track Guitar Music is the unassuming title of a cassette by Swedish composer Mats Erlandsson, which was originally released on Kali Maloneʼs and Maria W. Hornʼs XKatedral label in 2018. Composed using only, as the album title implies, a 4-track tape deck and an electric guitar, the music was later modified on the computer and re-amplified in the machine hall of Ställbergs Gruva, a disbanded Swedish iron mine. The music is primarily composed using melodic motifs and canonical structures in whi…
Minnesmärke
Mats Erlandsson makes his debut on the Swiss label Hallow Ground with »Minnesmärke,« at once a nuanced sonic exploration of the industrial and political history of his native Sweden and a deeply personal album. One of the key figures of the Stockholm drone scene, the prolific composer worked with The Kilimanjaro Darkjazz Ensemble’s Hillary Jeffery, violinist and long-time friend Gaianeh Pilossian as well as sound artist and frequent collaborator Yair Elazar Glotman for a two-part composition bui…
Fältinspelningar från Terres de l’Ebre
** Green vinyl edition of 300 copies. Originally released as a tape edition of 100 in 2017 **Newly reworked by Maria Horn & Mats Erlandsson and remastered by Daniel Karlsson. XKatedral returns with this blistering terraform of sprawling ambient and electro-acoustic works originally released as a tape edition of 100 copies in 2017 and now newly reworked and remastered for this first-time vinyl edition. Highly recommended if yr into Eno, Jim O’Rourke, Fennesz, Ben Frost.  Turning field recordings …
Negative Chambers
This collaborative project between Mats Erlandsson and Yair Elazar Glotman draws on their respective musical backgrounds to create an imaginary, dislocated "folk" music for the current dark ages. The project brings together instruments out of their historical or national contexts and focuses on local sounds that have lost any connection to locality or folk and transforming them through current production techniques
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