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Michael Jon Fink's Celesta is a suite of a dozen quietly transcendent, gem-like celesta solos—a slowly unfolding ribbon of short pensive pieces composed over the past year and performed by the composer. The individual pieces, ranging in length from under two minutes to just over six minutes, are notable for the beautifully simple ways in which they reveal themselves through repetition and elegantly fashioned variation. The composer notes that these works “project a lyrical world of quiet intensi…
Michael Jon Fink's From a Folio, a suite of six short pieces for cello and piano and one central piece for six cellos, a set of songs without words, was composed for new-music cellist Derek Stein, with whom Fink has been performing in various small groups during the past few years.As the elegant, subtle music unfolds, radiating a deep, emotional sense of form, the listener is quickly drawn into a highly nuanced, lyrical sound world. Fink’s characteristically reductive but expressive style is evi…
Michael Jon Fink's A Temperament for Angels (written in 1989 and fully revised for this recording in 2003) combines equal measures of beauty and grit in a powerful, kaleidoscopic, elusively shaped textural music that is compelling from its first quiet violin note (to its full sixteen voices of strings and electronic/sampled sounds and percussion) to its final shimmer of decaying cymbals. Often dark and moody, this music speaks in broad, chromatic harmonies and light, nearly detached single pitch…
Five Pieces for Piano (1997), Two Preludes for Piano (1996-97), and For Celesta (1985)—the latter for an instrument that is very seldom featured in a solo setting—display Michael Jon Fink’s command of crystalline forms that are Debussyian in beauty (and occasionally in gesture) yet hold a distinctly contemporary artistic distance from their musical materials. These fragile and primarily extremely quiet pieces are performed with great aplomb by Bryan Pezzone.Living to be Hunted by the Moon (1987)…