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In the wake of the late 60s/early 70s free jazz diaspora, where any notion of musical freedom bit the dust along with any notion of FUN writ large (as Richard Meltzer was astutely stupe enough to point out in Autumn Rhythm) adherents of post fire music disciplines became as rare as girlfriends at power electronics festivals. New England saxophonist Paul Flaherty kept a solitary flame throughout most of the 80s and 90s, with his work with percussionist Randall Colbourne providing a phantom umbilical from the original post-Coltrane/ESP-Disk energies on through the late 90s NY jazz revival and into the 21st century's formally diffuse free music explosion.
In the wake of the late 60s/early 70s free jazz diaspora, where any notion of musical freedom bit the dust along with any notion of FUN writ large (as Richard Meltzer was astutely stupe enough to point out in Autumn Rhythm) adherents of post fire music disciplines became as rare as girlfriends at power electronics festivals. New England saxophonist Paul Flaherty kept a solitary flame throughout most of the 80s and 90s, with his work with percussionist Randall Colbourne providing a phantom umbilical from the original post-Coltrane/ESP-Disk energies on through the late 90s NY jazz revival and into the 21st century's formally diffuse free music explosion.
Musician Paul Flaherty believes that the difference between pre-composed music and free-form improvisational music is a bifurcation of the mind, “The logical mind is reduced to a witness during free playing and the emotional mind is fully released.” …
"The question to be answered during this live performance was, "Will there be enough space for all the musicians' voices to be heard?" Recorded at Firehouse 12, in June 2019, this new ensemble is an adaptation of various duos and familiar trios. Saxo…
Co-released in 2011, this 7" features alto saxophonist Paul Flaherty, a major American alto saxophonist active since the 1980s, and Bill Nace, head of Open Mouth, an experimental label in the same country. Includes two improvised tracks with alto and…
"More than a decade since their first (and last) trio album, Dim Bulb (2005), 'Buffalo Steve,' Chris Corsano and Paul Flaherty are back on the attack. The three recorded as part of a larger ensemble on the Open Mouth LP, Wrong Number
(2014), but the…
Wherein we come upon three visceralists who have been collaborating for years - innumerable instances in a roulette wheel of settings -- finally shacking up in a studio and fashioning a proper trio record. Glory be. Let's listen in-- 'These.' It's…
Star-Spangled Voltage captures the first meeting of Mette Rasmussen (alto saxophone) and Paul Flaherty (alto & tenor sax). Providing connective tissue behind the drums is frequent collaborator to both saxophonists, Chris Corsano, who also recorded an…
Helios is typically credited for our solar well-being, but let's not forget that his four horses have been the ones doing the heavy lifting day in and day out all these years... They must have bailed on the bossman somewhere above Connecticut beca…
2014 Release. It has been eight long years since we've had a new duo album by Paul Flaherty and Chris Corsano. The two have played together in other configurations, but we all know there has always been something special and telepathic about their …
Once again teaming up with Vampire Belt bod Bill Nace, improvisational grandmaster Paul Flaherty returns for this new LP, An Airless Field, which features Nace on guitar and Flaherty on tenor and alto sax. Nace opens the LP with a sustaining, ste…
Baritone player Steve Baczkoski hails from Buffalo, rides his bike to gigs with his horn on his back (it's a baritone for Christ's sake!), and wails harder than most sax players either 1/2 or double his age or anywhere in between. This is a live reco…
Wally Shoup, Chris Corsano and Paul Flaherty make up this screamin' free punk jazz liquid solid noize trio captured LIVE 'in your face' style in Seattle, WA. Totally improvised double sax and drum explosions that break down into duos and solos and re…
Violinist/vocalist C Spencer Yeh & unrivaled saxophone elder-titan Paul Flaherty team up without the assistance of acclaimed drummer Chris Corsano for the first time.Along for the jamz is bonkers Boston trumpeteer Greg Kelley. After performing numero…
"It's not a church anymore, it's an ex-church, it's used now for cultural purpose, not for praying and religious madness anymore", those are the exact words some random anxious pedestrian yelled at Chris Corsano and Paul Flaherty, trying to stop them…
His 3rd solo saxophone album that merges rhapsodic avant garde music, patriotic dream verse, & morality into a frighteningly pure work of audio, visual & literary sledge. Limited to 500 copies, each contain a download coupon.
Paul Flaherty has been a direct lifeline to the radical free-reed lineage of Albert Ayler, John Gilmore, Peter Brotzmann and Arthur Doyle since first coming into our vision sometime in the '80s. In the '90s he began woodshedding hard with Northampton…
Don't call it a comeback. Bridge Out!, the first release in almost a decade by the duo of saxophonist Paul Flaherty and percussionist Randall Colbourne, is better thought of as a renewal, a reawakening of a collaboration which has lain dormant for to…
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Even before his 1978 debut, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Whirl of Nothingness, Flaherty's second s…
Snow blind avalanche is a completely different album than A Rock In The Snow also being released on Important though the two records were made during the same sessions. This vinyl only release is limited to 1000 copies with the first 200 on snow-whit…
Together Chris Corsano and Paul Flaherty have re-written the concept of modern free-jazz with their post-hardcore punk style approach of euphoric togetherness. Ferocious, spontaneous, explosive and aggressively lyrical, they've established their grou…