Peter Ablinger
Peter Ablinger was born in Schwanenstadt, Austria in 1959. He began studying graphic arts and was enthused by free jazz, but completed his studies in composition with Gösta Neuwirth and Roman Haubenstock-Ramati in Graz and Vienna. In 1988 he founded the Ensemble Zwischentöne. Peter Ablinger is one of the few artists today who uses noise without any kind of symbolism - not as a signifier for chaos, energy, entropy, disorder, or uproar; not for opposing something, or being disobedient or destructive; not for everything, for eternity, or for what-have-you. As in all these cases of music deliberately involving noise, noise is the case, but for Ablinger: this alone.
Peter Ablinger was born in Schwanenstadt, Austria in 1959. He began studying graphic arts and was enthused by free jazz, but completed his studies in composition with Gösta Neuwirth and Roman Haubenstock-Ramati in Graz and Vienna. In 1988 he founded the Ensemble Zwischentöne. Peter Ablinger is one of the few artists today who uses noise without any kind of symbolism - not as a signifier for chaos, energy, entropy, disorder, or uproar; not for opposing something, or being disobedient or destructive; not for everything, for eternity, or for what-have-you. As in all these cases of music deliberately involving noise, noise is the case, but for Ablinger: this alone.
Pusher 3 (Original Motion Picture Soundtrack)
Never before released score for Nicolas Winding Refn’s infamous movie "Pusher 3: I’m The Angel of Death" from 2005, composed by legendary Danish punkers Peter Peter and Peter Kyed. Released on solid purple vinyl.
Pusher II (Original Motion Picture Soundtrack)
Never before released score for Nicolas Winding Refn’s infamous movie "Pusher II: With Blood on My Hands" from 2004, composed by Peter Peter and Peter Kyed. Released on solid red vinyl.
Now! : Writings 1982-2021 (Book)
* 320 pages with many drawings, music examples and photographs * Peter Ablinger used to say that he communicated in sound, not words. But his literary legacy is substantial, as this book demonstrates. He is a composer whose work is questioning basic assumptions about music as time-based performance-generated art form. Even though conceptually homogenous, his works are perplexing when observed through the traditional contexts of musical presentation. Most of the clues for their understanding come…
An Den Mond
“An den Mond (To The Moon) is a recent release bringing together two compositions by Austrian composer Peter Ablinger. The first is for seven violins and is all about creating a feeling of searing/pitch wavering intensity. And the second is for chanted female voices/violin, and creates a feeling of witchy dread and fear. Together these pieces create a compelling, at points unsettling release, which uses two different tacks to unbalance the listener. The release appears on Slovenia-based Inexhaus…
Orchesterstücke
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablinger finally delivers some of his remarkable orcestra pieces in last ten years. Release contain three Ablinger's orchestra pieces, "Quartz", "Wachstum, Massenmord" and highly controversial piece "4 Weiss", for orchestra and white noise - the piece th…
Augmented Studies
* 2021 Stock * "When I imagine, as I sometimes do, that evolution were possible, Complexity is not its goal, but perhaps the safety net for a possible Immediacy. This opens up the possibility to exercise sufficient safeguards in an ever finer woven net of abstractions ? if not to escape directly ? to at least be able to risk a glimpse through the netting: a glimpse unfiltered through abstraction, signs, predetermined patterns, a glimpse of unaltered reality." - Peter Ablinger
Weiss/Weisslich
* 2021 Stock * One day I met something strange on a stroll through the fields not far from the Hungarian border. The corn stood tall and waited to be harvested. The hot summerly east wind went through the fields, and suddenly I heard the hiss. Many had explained it to me but still I cannot tell the difference between wheat and rye. But I heard the difference. I think it was the first time that I actually heard something without an aesthetic context (like in a concert). Or was it the first time I…
Augmented Study (2012)
**200 copies** "This is a study version composed in the studio from a single recording of a violin glissando. It was never intended to be performed live. The final version for 7 violins was the result of this study.""A single recording of the violin glissando of Johnny Chang has been turned into a multi-track recording. Here one violin becomes sixteen. Peter Ablinger’s Augmented Study Serie is focused on 'tension between redundancy of material and complexity of experience'. Because this work is …
Voices and Piano
Voices and Piano, written for Nicolas Hodges, is an extensive cycle of pieces, each for a single recorded voice, mostly of a well-known celebrity, and piano. The cycle is still in progress and should eventually include about 80 pieces/voices (arround 4 hours of music). The work is always meant to occur as a selection from the whole. At present I like to write works where the whole should not be presented at once. The whole should remain the whole, and what we hear is just a part of it. I like to…
Der Regen, das Glas, das Lachen
1998 release - While standing at the waterfall, we become aware of our thoughts, but not the waterfall itself; if we succeed in letting our thoughts stand still, we hear a melody within the turmoil. Everyone his own. (Peter Ablinger)
Anfangen (:Aufhoren)
One main focus of Peter Ablingers music is on the features of human perception. In his words, "human beings are creatures that think of simultaneous things as things happening one after another. This separation of simultaneity to consecutiveness is mental thought… Listening is the perceptive function most likely to be capable of simultaneity." But the composer is not interested in the linguistic character of music which emerges on the background of syntactic and structural principles. The alter…
Regenstucke Vol.1
You never know what to expect from Peter Ablinger: noise, silence, serious grotesque or black humor. And you always get a total opposition from what you have expected, which makes him so special and unique! On his first release for GODrec, he offers two pieces from his famous "Regenstück" series: "Ohne Titel / 3 Klaviere (1-6) and "Regenstück 1-6 / 6 (3) Schalgzeuger. "Ohne Titel / 3 Klaviere" involves one tone in changing octaves (and very seldom a few additional pitches). There are 6 sections…
Regenstucke Vol. 2
A sensational album by one of the most original composers of our time. Since Regenstucke Vol. 1 deals with rain aesthetic in pure instrumental form, Vol. 2 shows Peter Ablinger´s fascination with techniques of filed recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to higher level. This release represents only a minority o…
33-127 for Electric Guitar and CD
From orchestral works to installations, Peter Ablinger's oeuvre explores the differences between reality and our perception of reality. In '33–127' for electric guitar and CD, Ablinger confronts the rational, human division of sound into musical scales with the complex acoustical reality of any given moment - its "noise." In each of the 95 pieces that make up 33–127, these two realities come face to face again and again. In each piece, a scale descends, with gentle and unpredictable irregulariti…