Peter Brötzmann
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Member of: Full Blast
Graphic Works 1959-2016
Peter Brötzmann has always created and still creates the covers of his recordings himself – sometimes also for other musician colleagues – and in the past also often the posters for various FMP projects (Workshop Freie Musik in the Academy of Arts or Total Music Meeting in the Quartier Latin, later in Podewil). “Looking at his early posters and record covers it’s striking how fully formed his visual sense was from the very beginning. He had a background from both advertising and Fluxus art…
Fragments
A superb collaboration between Sonny Sharrock and Peter Brotzman. Recorded live at the 'Elbo Room', Chicago, IL on 12/2/89. Limited edition of 1000 numbered copies, pressed on 180 gram vinyl.
Crumbling Brain
The core of Brotzmann reeds & Marino Pliakas on bass & Michael Wertmuller are joined by Peter Evans on trumpet, Mars Williams on reeds and Keiji Haino on guitar & voice. Recorded live at Jazzfest Berlin on November 2nd, 2008.
New Jazz Festival Balver Höhle (New Jazz 1974 & 1975)
Recorded live at the cave at Balve, West Germany, July 27/28, 1974 and May 31/June 1, 1975. Box Set with 11 CDs featuring the best of the New Jazz Scene from Europe and the USA in 1974/75. 32-page booklet with concert pictures, posters, flyers and newspaper clippings (in German and English). Includes complete performances and improvisations by Peter Brötzmann, Jasper van’t Hof, John Surman (with the legendary Trio Surman-Osborne-Skidmore) Misha Mengelberg, Han Bennink and many more!
RECORDED li…
Dead And Useless
This album features Peter Brotzmann on tenor saxophone and Peeter Uuskyla on drums, they are longtime collaborators and this album was recorded back in 2006 in Uuskyla’s home base of Sweden. Parts of the music on this album was previously released as part of the Born Broke 2CD set, and is remixed here for LP and MP3 and some of Brotzmann’s provocative artwork graces the cover. The title track is a continuous 36 minute improvisation broke in two sections for the vinyl. They open in a g…
Songlines
Peter Brotzmann, Tenor Saxophone, Alto Saxophone, Tarogato. Fred Hopkins, Double Bass. Rashied Ali, Drums. Recorded by Holger Scheuermann, Jost Gebers, October 30th and 31st, in Berlin, 1991. First released on FMP as FMP CD 53.'In perhaps the most understated performance of his entire career, German saxophone giant Peter Brötzmann played in a trio with American free jazz legends Fred Hopkins and Rashied Ali back in 1991 at the now mythical Total Music Meeting. () Brötzmann appears to have been i…
Die Like a Dog
German reedman-composer Peter Brotzmann is, despite an immense catalog spanning over forty years of activity in free music, criminally underrepresented in the format of a "standard" piano-less quartet. From reed-heavy octets and orchestras to the winds-bass-drums power trio, not to mention a long-running trio with percussion and piano, most of the possible formations have been covered. His Die Like A Dog Quartet was the one entry in this instrumental canon in the late 1990s, and produced five re…
FMP - Free Music Production Box
The first volume of the box "FMP - Free Music Production Box" brings the listener back to the 1977 into the FMP studio in Berlin where Alexander von Schlippenbach recorded the album "Piano Solo '77" (FMP 129): a fascinating album of music improvisation for piano solo. The second volume of the box "No Comment" (FMP 133) is dedicated to the trio of Stefan Keune (sopranino sax, high baritone), Hans Schneiber (bass) and Achim Krämer (percussion) appreciated for their always direct expressiveness wit…
The Message: Live at Kargart
2016 limited repress, edition of 200. A meeting with the giant. In this live session recorded in 2014, the konstruKt quartet's basic lineup reunites again with Peter Brotzmann, with whom they recorded the amazing studio album Dolunay (rec. 2008, rel. 2011) and Eklisia Sunday (rec. 2011, rel. 2013; also with Huseyin Ertunç and Dogan Dogusel). As the title says, all are invited to listen to the message hidden in these rhapsodic vibes, where the energy of an elephant stampede is channeled into a…
Nipples
180-gram vinyl. The legendary, rare Brötzmann album finally reissued on vinyl for the first time, with the special fold-out leporello on the front. One-time pressing of 1000. Originally released on Calig in 1969. Side A: The Peter Brötzmann Sextet: Peter Brötzmann: tenor sax; Evan Parker: tenor sax; Derek Bailey: guitar; Fred van Hove: piano; Buschi Niebergall: bass; Han Bennink: drums. Recorded at Tonstudio Bauer, Ludwigsburg, Germany, on April 18, 1969; recording engineer: Kurt Rapp. Side B: T…
Sprawl
Trost presents the first vinyl edition of Sprawl, the intense and beautifully harsh collaborative project of drummer Michael Wertmüller (16-17, Alboth!, Full Blast), originally released on CD in 1997. Remastered and re-cut by Wertmüller and Alex Buess. The original release of this work marked the beginning of Trost's cooperation with Peter Brötzmann, after they organized an Alboth! show with Wertmüller. Wertmüller's intention for Sprawl was to gather the musicians he appreciates most and has wor…
Schwarzwaldfahrt
(excerpted from Peter's liner notes): "There was a time Han Bennink and I, sometimes with Fred Van Hove, would drive through the Black Forest to get to places like the jazz club in Villingen and Loerrach, to play. At the same time during the end of sixties, beginning of seventies Joachim-Ernst Berendt, chief of the SWF Radio was setting up a yearly meeting and driving through the forest Bennink and I had the idea of just going and playing in nature. We talked to Berendt about the idea an…
Red Cloud On Silver
Double LP. Brotzmann has worked quite often with Swedish drummer Peeter Uuskyla (e.g. on Dead and Useless) since 1997 and in general the reeds/drums line-up is something he feels very comfortable with. His duos with Han Bennink, Hamid Drake, Paal Nilssen-Love and Steve Noble belong to best releases in free jazz. Uusklya cannot quite keep up with these drummers because they are able to challenge him. Uuskyla is more the supporting kind of a drummer on this album.My favorite passage is on side …
Mollie's in the Mood
BRÖ presents Mollie's in the Mood by Peter Brötzmann & Jason Adasiewicz, the label's third LP since its revival in 2003 and the sequel to the Brötzmann/Adasiewicz 2012 tour-only CD. Recorded in "you-are-there" fidelity, the LP captures a performance at Chicago's Hideout on the duo's 2012 U.S.A. tour. Brötzmann played alto and tenor saxophones, b-flat clarinet, and tárogató; Adasiewicz played vibraphone. This is what happens when the most original vibraphonist of his generation slams into …
Munster Bern
Peter Brötzmann is described as mad by some and as the 'Godfather of free jazz' by others. His improvisational musical horizon ranges from violent outbursts and delicate, dreamy fantasies. The Live recording of his solo concert at the Münster of Berne from october 27th 2013 is an extraordinary contemporary document. "Solo performance has long been a vital part of Peter Brötzmann’s practice, but recordings of such sessions have been few and far between – at least until recently. Albums like 198…
Fmp 0130
* Very last copies * Pressed on 180-gram vinyl; presented in gatefold sleeve. Cien Fuegos presents a reissue of an untitled LP by Peter Brötzmann, Fred van Hove, and Han Bennink, originally released on FMP in 1973. Peter Brötzmann: clarinet; alto, tenor, baritone, bass saxophones. Fred van Hove: celesta, piano. Han Bennink: drums, khene, rhythm-box, selfmade clarinet, gachi, oe-oe, voice, tins, homemade junk, elong, dhung, kaffir piano, dhung-dkar. Recorded by Dietram Köster on February 25, 1973…
Two City Blues 1
A pair of discrete releases, each documenting a separate set of a concert given by the trio, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brötzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, sh…
Two City Blues 2
One of two different sets, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brötzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, shamisen; O'Rourke: guitar.
Soulfood Available
For their 3rd album together, the trio of saxophonist Peter Brotzmann, bassist John Edwards and drummer Steve Noble are caught live at the 2013 Ljubljana Jazz Festival for three blistering works of free improvisation. This is the second album by the Peter Brotzmann trio with John Edwards and Steve Noble, following “The Worse the Better” (they’re also together in a third one, “Mental Shake”, but with the addition of Jason Adasiewicz and his vibraphone). And just like that first opus, recorded …
Whatthefuckdoyouwant
There is only one prior release existing of Brötzmann and Sharrock as a duo (vinyl-only on Okka Disc 2003). This live recording from the archives of Peter Brötzmann was mixed by Lou Malozzi in Chicago, mastered by Martin Siewert in Vienna. Sonny Sharrock was one of the first American free-jazz guitarists. He played in the '60s with Miles Davis, Pharoah Sanders, Roy Ayers and many other greats. His career started again in the beginning of the '80s when he met Bill Laswell, who hired him to form t…