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Philip Glass

Philip Glass began from premises similar to Steve Reich's but shunned Reich's austere science and always remained closer to popular music than to classical music. He moved away from the arduous repetitive patterns of Music In Twelve Parts (1974), rediscovered melody and approached the format of the opera from a different perspective with Einstein On The Beach (1976). Movie soundtracks, operas and collaborations with pop/rock musicians became his preferred media.

Philip Glass began from premises similar to Steve Reich's but shunned Reich's austere science and always remained closer to popular music than to classical music. He moved away from the arduous repetitive patterns of Music In Twelve Parts (1974), rediscovered melody and approached the format of the opera from a different perspective with Einstein On The Beach (1976). Movie soundtracks, operas and collaborations with pop/rock musicians became his preferred media.

Philip Glass concert / Richard Serra film
Rare invitation card to a 1972 event at Leo Castelli Gallery in New York presenting music by Philip Glass and film by Richard Serra.
Anahit / Mikka / Mikka “S”/ Strung Out
Absolutely essential 1976 ambient/modern classical compilation of solo violin music by three legendary composers.
Solo Music
A Shadar milestone of electric minimalism, a great copy of the original Philip Glass 1975 LP for your aural pleasure.
Music in Similar Motion / Music in Fifths
Original 1973 first press of the second LP issued by Glass on his own Chatham Square label. A dizzying and glowing hypnotic mass of classical minimal avant-garde.
Music With Changing Parts
Original 1971 first pressinng of Philip Glass' 2LP masterpiece on the composer's own semi-private Chatham Square label.
4 Pianoforti
Great catalogue of this 1999 event of legendary minimal piano performances in Rome.
Goebbels/Glass/Radigue
*2024 stock* Erwan Keravec's 4th opus devoted to contemporary music, Goebbels/Glass/Radigue features a trio of contemporary music maestros. Evocative, minimal or sensitive, 3 very different ways of imagining music. Heiner Goebbels places the bagpipes in the mountains, then abruptly in an industrial landscape, all the while quoting Bach, while Philip Glass' music uses the repetition of 5 notes served by continuous breathing. Finally, Eliane Radigue brings the instrument closer to intimacy.
You're A Hook
** Original copies of this rarity. Factory sealed. Few copies available **  A Dial-A-Poem Poets life-centering collection of different ensembles of speakers with and without instrumental music. Works by Amiri Baraka, William S. Burroughs, Jim Carroll, Jayne Cortez, The Four Horsemen (B.P. Nichol, Steve McCaffery, Paul Dutton, Rafael Barreto Rivera), John Giorno, Brion Gysin, Rose Lesniak, Ned Sublette.  "Mutant Disco was the big thing downtown, and Giorno wanted a piece of it. The irritating ran…
The Nova Convention
** Original copies of this rarity. Factory sealed. Few copies available **  In 1978, Semiotext(e) founder Sylvere Lotringer approached John Giorno about organizing a tribute to William S Burroughs, bringing together European and American academics for a series of seminars, celebrating the writer as a "philosopher of the future", someone who best understood postindustrial society. Giorno was more interested in a counterculture event that would feature musicians, poets, novelists and artists along…
Big Ego
** Original copies of this rarity. Factory sealed. Few copies available **  The seventh in the Dial-a-Poem Poets LP series. Iconic cover featuring  Giorno posing with Philip Glass, Meredith Monk, and two children in a park. It also features Robert Ashley's “Interiors with Flash” a study for what would become 'Automatic Writing' "Yet another fine album title from Giorno Poetry Systems, which could apply to any organisation or person applying any form of censorship on the already dead forms of med…
Solo Piano
With Solo Piano, Glass presents himself “unplugged” - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. “Metamorphosis” was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, “Metamorphosis Two”, formed the basis of one of the main musical themes in the film “The Hours”. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. “Mad Rush” was written for the occasion of the…
Music In Fifths / Two Pages
Cantaloupe continues its recording series of the masterworks of the music of our time with this brilliant disc of two early classics by composer Philip Glass, performed by the Bang on a Can All-Stars. Glass is arguably minimalism's most well-known and influential composer. Before film soundtracks, operas, and universal acclaim, there were these intense, rugged, and demanding early works for keyboard. In Music in Fifths and Two Pages, Philip Glass's ideas are at their most basic, using only addit…
Behind the facts. Interfunktionen 1968-1975
** 2021 Stock. In process of stocking** Hard-cover. Cloth boards issued without dust jacket offset-printed sewn bound. Critical anthology of the art journal Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between …
Dance Pieces
“Glasspieces” was originally performed in 1983, “In The Upper Room” suite premiered in 1986, and both accompanied a ballet performance. This is the only place you can find the ensemble version of the “Funeral” from ‘Akhenaten’, which was a show-stopper from Glass's ensemble concerts of the mid-80s. There are a number of musicians on both pieces and “In the Upper Room” includes conductor Michael Riesman on piano and synthesizers. In addition to the keyboardist, there are a number of string, brass…
Film Scores : Jenipapo
Philip Glass’ original score to Monique Gardenberg’s 1995 political thriller “Jenipapo”, starring Henry Czerny, brought Glass another opportunity to composed against the backdrop of the Brazilian landscape and the tumult of political upheaval. The story of the film follows a reporter in his search to track down an influential priest who has gone silent during a political battle over Brazil’s forests. Glass’ score reflects the political implications of the film as well as the vast canvas against …
Orchestral Music
The second release to be drawn from Orange Mountain Music's Philip Glass Archive series, this disc - if you hadn't guessed - focuses on the composer's orchestral works, namely his compositions Days And Nights In Rocinha and Persephone. The former of these was inspired by the titular neighbourhood in Rio De Janeiro, best known for its celebrated samba school. Accordingly, the piece is redolent of a Latin American influence, opening with a languid romantic melody only to eventually augment itself …
Satyagraha
* Deluxe Lift-off Box Set. 180 gram audiophile vinyls * The second in Philip Glass' trilogy about men who changed the world, Satyagraha's sub-text is politics. The opera is semi-narrative in form and deals with Mahatma Gandhi's early years in South Africa and his development of nonviolent protest into a political tool ('Satyagraha' is a Sanskrit word meaning 'truth force'). The first two acts each contain three scenes; the last is one continuous scene. Each act is dominated by a single historic …
Einstein on the Beach
**180 gram audiophile vinyl. Deluxe Lift-off Box Set and it includes a 24-page booklet.** Composer Philip Glass and director Robert Wilson's Einstein on the Beach, widely credited as one of the greatest artistic achievements of the 20th century, launched its creators to international success when it was first produced in Avignon, France, in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. Einstei…
Again & Again
This is the third and final chapter of a project/research on "minimalisms" that the Italian flutist Manuel Zurria, acclaimed instrumentalist and passionate lover of the more adventurous contemporary music, began in 2007. The double CD include near two and a half hours of music, which reveal how much different the approaches to the beloved "minimalist" verb can be. And how much an inquiring and participatory interpretation can lead to exciting results. In this brilliant collection Zurria not only…
Desert Plants
**Essential reading!** Walter Zimmermann interviews Morton Feldman, Christian Wolff, John Cage, Philip Corner, Jim Burton, Phil Glass, Steve Reich, Robert Ashley, Alvin Lucier, Joan La Barbara, Pauline Oliveros, David Rosenboom, Richard Teitelbaum, Larry Austin, James Tenney, J. B. Floyd (about Conlon Nancarrow), La Monte Young, Charlemagne Palestine, Charles Morrow, Garrett List, John Mc Guire and Ben Johnston (about Harry Partch).
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