Pierre-Yves Macé
L'Effet Rebond (Version Iridium / Version Silicium)
*In process of stocking* 'L'effet rebond' is not one album but two. Two parallel albums sharing the same title. One by Pierre-Yves Macé, the other by Sylvain Chauveau - two friends and regular collaborators for nearly twenty years.
Both works come from the same original material:a few tracks of guitar, piano, harmonium and vocals, initially recorded by Chauveau. The lyrics (in French, English, Japanese) are very short poems by or quotations from e.e. cummings, Thelonious Monk, John Cage, Basho, …
Phonotopies (Paris)
Tip! that bring together two established composers for the first time. On one side (who knows if it is side A or side B?) we find Silvain Vanot, who was at the forefront of 90s French indie rock alongside the likes of Dominique A and Jean-Louis Murat. He has also collaborated with Jim O’Rourke. The other (side B or perhaps side A?) goes to Pierre-Yves Macé, a stalwart of the label. A composer of instrumental (his work is regularly performed by the Ensemble Intercontemporain) and electroacoustic …
Rhapsodie sur Fond Vert
Six long years have passed since Pierre-Yves Macé's last album on John Zorn's prestigious Composer Series. In the meantime, the talented composer has been working hard and has gained eminence in the world of contemporary music. He has produced works for Ensemble Intercontemporain (founded by Pierre Boulez), the Paris Chamber Orchestra, and the Hong Kong Sinfonietta and has collaborated with directors Joris Lacoste and Sylvain Creuzevault on ambitious works mixing theatre and opera.Much to our su…
Segments Et Apostilles
Born in France and based in Paris, Pierre-Yves Macé is a composer of great imagination and passion. His first recording, Faux-Jumeaux, was released on Tzadik in 2002 and he has since released work on Sub Rosa and Orkhêstra to great acclaim. This second CD for Tzadik is his most ambitious project to date and includes a piece that premiered at the prestigious Festival d'Automne in Paris. Standing at the nexus of contemporary classical, electro-acoustic composition and sound art, Pierre is an excit…
Miniatures - Songs recycle
Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…
Passagenweg
After three albums on Tzadik, Sub Rosa and Orkhêstra, setting instrumental compositions - or improvisations - for small ensembles against electroacoustic treatments, the young French composer Pierre-Yves Macé now presents his first full-scale work of musique concrète. Passagenweg takes its inspiration from philosopher Walter Benjamin s (1892-1940) Arcades project, an unfinished lifelong attempt to document industrial modernity through Parisian iron-and-glass covered arcades. The Surrealists, suc…
Faux-Jumeaux
Four startling studio compositions by an extraordinary young French composer. Born in 1980, Pierre Yves-Macé began as an improviser, played in jazz-rock prog bands, studied classically, accompanied dance classes and has composed electronic music for theater, dance and the martial arts. Faux-Jumeaux, his first CD release, brings the aesthetics of French romanticism into a head-on collision with sampling technology, electro-acoustics and minimalism. A lyrical, adventurous mix of styles and sounds,…
Circulations
Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …