Raymond Dijkstra
All my work is highly autobiographical, highly subjective and highly emotional. In this sense my work is the complete opposite of that from most musicmakers out of the experimental corner who's work is mostly without any emotion. The reason for me making music is to strenghten my connection with life. For me my music is not experimental, simply because it was Never made to experiment.
All my work is highly autobiographical, highly subjective and highly emotional. In this sense my work is the complete opposite of that from most musicmakers out of the experimental corner who's work is mostly without any emotion. The reason for me making music is to strenghten my connection with life. For me my music is not experimental, simply because it was Never made to experiment.
In The Face Of Faceless Eye
**Numbered edition of 25 copies only** Spoken Word and Music by Raymond Dijkstra (Mellotron, Organ, Gong, Oscillator, Percussion, Mixage, Effects) and Louise Landes Levi (Voice, Sarangi), Somewhere in 2019, Somewhere. Text: Henri Michaux.
Musique Irritante
**numbered edition of 10 copies** "Between 2008 and 2016, I’ve worked on a Series called Catalogue du Bruit / Musique Irritante, which was published in the same period on 3" and 5" vinyl records on my own imprint Le Souffleur. The Music was an Attempt to break through certain Types of Self-Confinement, by repetitive Behavior. As a Child I’ve suffered from Tics and compulsive Behavior, like blinking with my Eyes, making Sounds with Throat and Face Contortions. I also had to repeat certain Kind of…
Affen-theater
**numbered edition of 40 copies** Reïssue of Raymond Dijkstra's Affen-theater (Le Souffleur, 2005) with original Artwork. Affen-Theater is an early Le Souffleur Period Raymond Dijkstra Work from 2005, opening a new Artistic Direction in his Œuvre, with a high Focus on an expressionist Style of Playing Harmonium, experimental frotting and scratching of Glass Surfaces with different Materials, sometimes combined with manual Tape Manipulation and rudimentary Delay Effects. The Key Element in these …
Kunst In Gebreke
**numbered edition of 25 copies** Composed and mixed by Raymond Dijkstra & The New Blockaders. LP in Softcover Black Normal LP Cover. Original Collage Artwork by Raymond Dijkstra and Richard Rupenus. Signed by the Artist. Each copy is different.
Pana Pakshinaaam
**numbered edition of 25 copies** "I was in a Bus full with People... The Ceiling of the Bus was from an old victorian House... richely ornamented Stucco which was about to fall down upon us... Outside the Bus there was a Fairground Caroussel and Lots of playful Animals were running around... We were driving... I looked outside and marvelled at the fantastic old Jugendstil Architecture of Madrid... I was discussing this with the Woman next to me... Later we would walk Outside. I was hungry. We w…
Prima Materia
**numbered edition of 25 copies** "These Pieces are the Result of a long Process which lasted ten Years or more. I’ve been in Touch with Jon off and on, exchanging Music for each to work on. Working on Tracks and leaving them to rest. On the Surface, nothing much happened. The Music was somewhere filed up, almost forgotten. We didn’t make music together for Years to come. Then early 2018 there was a sudden Breakthrough. The Pieces now published on this LP are the Result from this... I strongly s…
Grommend, Blaffend, Brommend, Donderend, Spugend, Fluitend
**numbered edition of 25 copies** "These crude Electro-Acoustic Works I made during the Course of 2015 when I was experimenting with some 1950’s electronic Devices I had just acquired. Brüel & Kjaer Tube Filters and Oscillators, Philips discrete Oscillators, a modular solid State Vocoder, Rohde & Schwarz UBM Tube Feedback Filters, Krohn-Hite Tube Filters, EMT 140 Tube Plate Reverbs, AKG BX20 Spring Reverb, Tapedelays, etc. The Music shows the rudimentary electronic Treatments done and the acoust…
Destructieve Verlichting
**numbered art edition of 25 copies** Raymond Dijkstra and The New Blockaders have been collaborating since 2010. This is the first music published of this collaboration. Destructieve Verlichting (Destructive Enlightenment) is issued in ten parts on 5x 8" vinyl records on Des Astres d’Or. Comes in a collage artwork and bolted box / wooden dowel designed by and executed by Raymond Dijkstra. Each copy is different.
Nivritti Marga
Dutch visual and sound artist Raymond Dijkstra has honed a direction with his work that is as complex as it is singular – following patterns both sonically and visually which create a sense of isolation as well as a powerful vision. And this one is not an exception, again with the help of Timo van Luijk (of Elodie, Af Usrin fame) and Frédérique Bruyas on vocals. "Part from these reservations placed upon the kind of relationship more or less intimate that I should maintain with you, my mouth is r…
Ce Phenomene Negatif d'une Maniere Satisfaisante
Awesome new Lp by the enigmatic Raymond Dijkstra, here playing Harmonium, Tuba, Fork, Feedback and Mellotron, helped by Timo van Luijk at Monochord and Frédérique Bruyas on vocals / from the label press "I remember having walked that Road adorned with beautiful old Oaktrees in my Hometown in Friesland… the Road swirling through a Landscape now filled with old big 19th Century Houses, some in Jugendstil Style, others in a more Classical Style, but everything was softly pulsating… It was covered i…
Dadaphon
(2003) 10 inch vinyl record. Blank recordsleeves with add on cellotaped collage. Some have stamp by Le Souffleur or are signed by the author. The LP is numbered 01 to 400; or is dated in which case they have original (one off) artwork. The photocopied collages consist of cut-up photo's collaged together with cellotape; after which they have been photocopied again, cut-up with a knife and repaired with cellotape. The collages with handwritten texts and printed texts are assembled from books and m…
L'opus Ch
Radical Dutch DIY artist/musician Raymond Dijkstra presents an album of personal sonic dramas for Dekorder. With countless self-released CD and vinyls he constructed a fascinating sonic universe for himself. This will be his most widely available release for some time, consisting of two extended improvisational enigmas using harmonium, scraping metal and glass, tuba, and strings to make an odd racket. He employs methods similar to "Automatic Writing" or "Surrealist Automatism" to channel h…
De schroef
Limited to 200 copies. De schroef consists of 10 short pieces. Each piece is seperated by a lock groove and a blank (grooveless) space.
Verzameld werk 4LP set
Awesome edition of 4 LP's in 2 gatefold silkscreened jackets in silkscreened slipcase. Year of release: 2008. Numbered 100 copies. The 4 musicpieces included in this set were originally released as separate LP's by muziekuitgeverij Le Souffleur between 2005 and 2007. Together they form a closed series. This series includes: Affen-theater (2005), Der Triumph (2006), Die sonne (2007), Die wille (2007). About my work : I like to go to the the sea: The sea is always the same. Still, the sea is never…
De Gelofte
The rawness of untreated acoustic instruments, and the raw playing of objects, without any effects, is like dopamine to me. It connects me to life and my Self on the deepest level possible. No make up, no fashion-style, just raw energy put straight onto recording." (Raymond Dijkstra)again an astonishing LP in red velours luxurous hardcover box with debossed black and debossed, gold print, Handmade boxes, Numbered / signed. With inlay and personal statement. Edition of 50 copies.
DE GEDACHTE
The most evident sound is a shrieking, frictional rubbing of strings and/or metals - like a wrecked violin or a creaking door's noise, but not quite. It's incessant, uneasy, anarchic and unclassifiable."(Massimo Ricci, Touching extremes) - an astonishing LP in red velours luxurous hardcover box with debossed black and debossed, gold print, Handmade boxes, Numbered / signed. With inlay and personal statement. Edition of 50 copies.
die Wille
another beautiful and totally spaced out super-deluxe 100 copies only box “my overall philosophy is to keep my kitchen closed. and the lid on the pot. i need to build up pressure; the only time i release pressure is when playing music. it's all about transformation. guess i need to have some distance between me/my music and the public. in fact i like to see the public as non-existent. releasing my work i only do for metaphysical reasons; to keep all psychic and physical channels open, and mainta…
die Sonne
Sculptor, painter, drawer and composer of electro-acoustic music. Active in music since 1988 both as a composer and in several different formations and projects. Releases have taken place on labels as Korm Plastics, La Scie Doree, etc. Since 2003 all his music has been published by Le Souffleur. In his solo-music the composer uses since a few years only acoustic sources, sometimes combining them with simple electronic devices to 'adjust the hard sounds of the outerworld to the soft sounds of my …