Samuel Rodgers
Musician and sound artist working across improvisation, sound recording, performance and installation. Co-curates the Consumer Waste record label.
Musician and sound artist working across improvisation, sound recording, performance and installation. Co-curates the Consumer Waste record label.
Oxygen Room
“Oxygen Room is a wonderfully moody, at points downright haunting/uneasy trip into primally slurred and ritual tipped improv. The four-track CD appears on Slovenia’s Inexhaustible Editions, and I must say it’s a most compelling and often eerier ride of an album – really taking the improv form down a fairly original and distinctive path.The CD comes presented in a white six-panel digipak – this features on its cover and first inside flap two different green circles made up of different shapes, th…
Primary / Unit 11
Samuel Rodgers (co-curator of Consumer Waste) pairs up with sound artist Jack Harris on two explorations of minimal performance and sound creation. Working in a semi-urban ambience—open windows, barking dogs, distant sirens—the duo suggest both a specific location and a generic one. Their previous work has explored tensions between analogue and digital processes; here, sounds remain mainly non-instrumental in source: amplified object manipulation, cable hum, and different types of feedback intru…
What's That For, Mate?
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
Boring Embroidery
Boring embroidery features five beautiful, fragile yet raw improvisations for pianos and electronics performed by two of the UK's brightest talents. Picking up from where 2010's Turned moment, weighting release on Another Timbre left off, Boring Embroidery inhabits a slow, precise musical world that references Feldman and Tudor, yet remains resolutely improvised. Recorded in 2010 and 2011, this album possibly marks the end of the duo's piano collaborations but if so, it provides a perfectly matu…
Turned Moment, Weighting
'Stephen CORNFORD is better known for his work in sound sculptures and installations than as an improvising musician. But on ÔTurned Moment, weighting' (at-b07) he uses the piano as a source for feedback patterns, which he blends with the gentle Feldmanesque playing of pianist Samuel RODGERS to produce three extended improvisations of astonishingly delicacy. Samuel RODGERS has said that 'though being aware of and struggling with the tradition and limitations of the instrument, I have found the…