Steinbrüchel
Ralph Steinbrüchel (1969, Bad Homburg, Hessen, Germany) is a German musician and graphic designer living in Zurich, Switzerland. Steinbrüchel has studied communication design at Central Saint Martins College of Art and Design in London, where he acquired a Masters of arts and design with distinction
www.synchron.ch/
Ralph Steinbrüchel (1969, Bad Homburg, Hessen, Germany) is a German musician and graphic designer living in Zurich, Switzerland. Steinbrüchel has studied communication design at Central Saint Martins College of Art and Design in London, where he acquired a Masters of arts and design with distinction
www.synchron.ch/
Schleifen
**280 copies, 2019 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).
Paralell Landscapes
Parallel Landscapes is the first solo full-length album from Swiss artist Steinbrüchel on 12k, despite his relationship with the label and apperances on compilations, collaborations (Status, with Frank Bretschneider (12k1033)) and EP releases (Mit Ohne, (12k2010)). It seems that Steinbrüchel was waiting for the right moment to release such an illustrious album that is not only a release of music but of visual art as well. Parallel Landscapes consists of a compact disc in a cd wallet and a beauti…
Sinus
A simple synthetic-based, sine wave-generating freeware program was used as a sound source for creating single pulses and long static tones in several different tonal pitches. No additional sound design or other analog or digital processing was used during the creation of the sounds. The single sound elements were layered and sequenced into different movements of varying shapes and colors, focusing on the pure essence and aesthetics of sound. Each track interweaves longer, stretched, tonal…
Narrow
Steinbrüchel’s Narrow is an album of reduction and transformation. Like much of Steinbrüchel’s recorded work, the genesis of Narrow stems from a singular idea concerned with the notion of ‘static development’. Working with a limited palette of source material Narrow’s elegance is in its varying perspectives on related sonic materials. The title track is the nexus here - a somewhat more organic sound palette than heard previously in Steinbrüchel’s work - Narrow is a subharmonic oceanic-like compo…
Mit ohne
Mit Ohne is a sound documentation of an audio/visual installation by Yves Netzhammer and Steinbrüchel. The installation entitled “The feeling of precise instability when holding things” was part of the group exhibition “Wohnträume/Wohnräume” exhibited from 26.07. to 28.09.2003 at the Museum für Gestaltung in Zurich, Switzerland. The audio sections by Steinbrüchel where composed in sync with the visuals by Yves Netzhammer and succeed in translating and supporting the poetic vibrancy and slow morp…
Basis
'Basis' is based on recordings of acoustic instruments. All sounds were processed and layered into compositions by Steinbrüchel. Through this processing Steinbrüchel revealed hidden structures and melodies and isolated them, creating new melodic and organic textures without losing the soul of the original. These seven tracks reveal a new side in his music. Tonal harmonics have never before played such an important role and each track contains layers of subtle shifting and interweaving melodies, …
Opaque (+ re)
In spring 2003 Steinbrüchel received an invitation from the Swiss music festival 'Taktlos' in Berne to contribute a track for their listening room equipped with a surround 5.1 sound system. During the two-day festival in November 2003 Steinbrüchel's track 'Opaque' was played back in cycle mode (among tracks from various other artists). The listening room focused on the experience of being able to listen to music in a very quiet and large environment - unlikely to most home listening situations. …
Stage
Stage is Steinbrüchel’s second full-length solo release on LINE. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in several scenes are…
