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"I was in this land called Hasla. A far-off land in which everything seemed familiar and yet oddly alien; a place you have never traveled to and yet which in a strange way is similar to every city you've ever visited, which – no sooner did you arrive – you already left again. At least that's how I remember it. But how can I tell of a land that doesn't exist?"
Hasla consists of electroacoustic compositions that are inspired by a poetry of localization and spatialization of sound. Calmly and tran…