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*2022 stock.* When does our experience of sound become "music"? In the tradition of John Cage and Morton Feldman, in which sounds – and silences – can just be themselves, Thomas DeLio plays with the spaces between your ears as much as the sounds he puts there. In short, be advised this album is replete with clicks, silences, and brief sound events. Stripped bare, it plays with time and space and the minimum conditions for music. It gives the term ‘experimental music’ meaning. DeLio’s approach to…