Tim Barnes
New York City percussionist, sound designer, and experimental musician
New York City percussionist, sound designer, and experimental musician
Hiss Lift
"What I remember … a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast. Seemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking t…
It Wasn't Until Weeks Later (LP)
Jack Callahan & Asha Sheshadri’s 'Misfired Empathy' was recorded and processed in April and May of 2020 in a number of temporarily shuttered venues and the artists’ apartments. This is their first record as a duo.
Asha Sheshadri is a New York based artist. Her multivalent work commingles memory construction, questions of citation and translation, and lost or silenced histories and diasporas. In her essayistic videos, recordings and performances, she layers her own voice with original writing, te…
Goethe
"Across a dozen years, the duo of Jerman and Barnes has offered powerful, minimal music rooted in a shared dedication to the creative act of listening. Jerman is a veteran of the creative music scenes in Denver and Seattle, and in more recent years has been thoroughly investigating the sonic possibilities of the desert Southwest where he lives and works. Tim Barnes's resume as a percussionist, engineer, and curator is studded with all-star collaborators including Tony Conrad, Sonic Youth, Ken Va…
Versatile Ambience
On the second side of Versatile Ambience, Jeph Jerman utters an all too accurate observation of our overheated culture, describing us at “the smithy’s forge, replacing art with scrutiny.” Throughout their new record, Jerman and Barnes show us another, alchemical possibility—fusing art and scrutiny together. Across a dozen years, the duo of Jerman and Barnes has offered powerful, minimal music rooted in a shared dedication to the creative act of listening. Jerman is a veteran of the creative mus…
Matterings
Field recording artist Jeph Jerman and percussionist and sound designer Tim Barnes are finally out with this fantastic collaborative work - here’s a certain patience that’s required to fully engage with Matterings. It’s a good twenty minutes longer than the other recent Erstwhile releases but it goes beyond album length—when your source material is different aspects of nature, the process of recording, editing, and compiling tracks feels like excavation. It’s with these slowly unfolding tracks t…
Objects In Mirror Are Closer Then They Appear
"Objects in mirror are closer than they appear" starts from field recording session made by Attilio Novellino and Saverio Rosi in August of 2013 at the woolen mill “Lanificio Leo”, the oldest textile factory active in Calabria, founded in 1873 in Soveria Mannelli (Cz), currently one of the most signifcant cases of company-museum in Italy and winner of Guggenheim Management Culture Prize in 2011.The sounds produced by machines from the late 19th century, with their distinctive timbres and unusua…
Koncertas Stan Brakhage Prisiminimui
The sixth edition of the SYR series is a live recording of the April 12, 2003 benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery.
The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth prov…
All acoustics
'All acoustics' is a re-issued recording of two solo percussion improvisations recorded and performed by Barnes without overdubs on July 18, 2001. Located at the heart of what Allows Barnes to pull off All of his scene-stealing rhythmic feats, the album sums up to nearly an hour of Barnes exploring his entire percussive palette - no guitars, no strings, no synths, no horns, just drums. by Daniel Dineen.
Futuro
In early 2003, AKIYAMA (guitar) and BARNES (percussion(s) began a tour that took them from Kyoto, Osaka and Tokyo in Japan, to New York, North Hampton, and Boston. Along the way, they picked up many friends (Ami Yoshida, Matt Valentine, Sean Meehan, Toshimaru Nakamura) to perform with them as trios. One night in particular, a below freezing evening in Osaka, AKIYAMA and BARNES were joined by one of the most exciting trumpet players to emerge from Japan in the last 20 years -- Masafumi EZAKI. Pro…