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One of the great rock vocalists of the 1960s, Tim Buckley drew from folk, psychedelic rock, and progressive jazz to create a considerable body of adventurous work in his brief lifetime. His multi-octave range was capable of not just astonishing power, but great emotional expressiveness, swooping from sorrowful tenderness to anguished wailing.
One of the great rock vocalists of the 1960s, Tim Buckley drew from folk, psychedelic rock, and progressive jazz to create a considerable body of adventurous work in his brief lifetime. His multi-octave range was capable of not just astonishing power, but great emotional expressiveness, swooping from sorrowful tenderness to anguished wailing.
Limited edition of 1000 individually numbered copies on 180gr. silver coloured vinyl. Tim Buckley released his fifth studio album Lorca in 1970 on Elektra Records and was one of Buckley's few avant-garde albums. The album is a journey into the mind of Buckley while he discovered new ground. He used a more abstract descriptive writing style, avoiding direct narratives and standard song themes. It was a reflection of the works of Spanish poet Federico García Lorca, hence the album title. Buckley w…
Remastered CD Starsailor is a culmination of Buckley's experiments and with former Mothers of Invention Bunk Gardner on sax and alto flute, the story is complete. This album endures as one of the most legendary albums ever made by a singer/songwriter. Tim Buckley's most experimental album and one of his most artistically successful. Buckley's recorded output was uneven; he never quite comfortably fit into the singer-songwriter mold and tried out all sorts of musical personas during a cut-short c…
Recorded in London's Queen Elizabeth Hall on July 10, 1968 this impressive 2-hour live concert presents the Washingtonian prodigy folk singer at his best. Tim Buckley was only 21 years old when he had this incredible chance to show the world his talent which would carry him through a short but prolific career -- 9 albums released between 1966 and his death in 1975. Accompanied by Lee Underwood, David Friedman and Pentangle's bass player Danny Thompson, Buckley caressed his 12 string acoustic gui…
An eight-CD box set that brings together the body of music the singer-songwriter recorded between 1966 and 1972. This set includes all seven of Buckley's studio albums from that era, as well as Works In Progress, the 1999's compilation of his 1967/68 recordings. Covering Tim Buckley's brilliant transition from folk to jazz styled material, the Tim Buckley Complete Album Collection (not exactly true as he did two more studio albums after leaving Elektra) gathers Buckley's best material with remas…
Blue Afternoon, released in 1969, was Tim Buckley's first self-produced record and his debut for Herb Cohen and Frank Zappa's Straight record label. This was Buckley's fourth album after Tim Buckley, Goodbye and Hello, and Happy Sad. Blue Afternoon used the same group of musicians as Happy Sad, with the inclusion of drummer Jimmy Madison. Several tracks on Blue Afternoon are songs Buckley had intended to record on earlier albums but had not completed. "Chase the Blues Away" and "Happy Tim…
One of the best albums of the late '60s and Tim Buckley's most underrated album, Happy Sad was a change-up pitch for the eclectic L.A. singer/songwriter. Sounding like a bit like Fred Neil's Capitol-era albums, Buckley and his small, acoustic-based ensemble create beautiful, jazz tinged folk-rock.