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* Edition of 666 * Symbolically limited to 666 copies, housed in a deluxe wooden box, and also including an exclusive t-shirt and a 240-page book, this magnificent set feature no less than ten LPs and two 7" vinyl records covering the entire Nekrophile Rekords original output, with the welcome addition of two unreleased full-lenght albums by Coming To Now and Metgumbnerbone. Comprehensive edition about the legendary Nekrophile Records tape label. Founded in Vienna by Michael Dewitt, also known a…
*2022 stock* The set is a 34-song anthology of Early Recordings From Iran painstakingly restored from 78s at Abbey Road studio in London "Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 — with futuristic, overlapping trumpets and exquisite clarinet improvisation — through to a hauntingly soulful Hafez setting by Moluk Zarrabi of Kashan, from 1933. There are eight selections from more than three hundred recording…
"Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content -- art, music, literature, unpublished archival material, and more -- with a simple promise to only exist on the printed page. Cover story: Why feminist punk pioneers the Raincoats still matter. Unseen, amazing photos of AC/DC from their first US tour in 1977. Celebrated indie auteur filmmaker Jim Jarmusch's playful newspaper collages -- great interview plus …
*Limited edition of 200 copies.* Since the 1978 Brian Eno album Music For Airports, subsequent attempts to produce music to create sonorous ambient textures and/or to describe environments through sound have been numerous. With this present compilation, curated by Raffaele Pezzella (Sonologyst), ZeroK (in collaboration with, Gavin Morrow , Joel Gilardini, Esa J. Ruoho, Heikki Lindgren, Andrés Faliu, Dani Kloob, Adriano Ragni, Matteo Scaioli, Evgeny Pustota, Valter Abreu, Jarko M. Hedenius, Janne…
**300 copies** Konsequenz has released a new anthology that offers another incredible window into the Napoli’s remarkable experimental endeavours, another essential artifact for any fan of Italian border and avant-garde musics.
Avant-garde and experimental musics are intrinsically connected to community, collectivism, support, and collaboration. Audiences and artists, stretching to every corner of the globe, continuously rely on each other to push into ever more ambitious realms. This spirit of …
Includes five albums: etat16 - Various - I.D. Art #2 (LP) etat17 - Le Forte Four / Doo-Dooettes - Live at the Brand (2xLP) etat18 - Various - Blorp Esette Volume One (LP) etat19 - Smegma - Glamour Girl 1941 (LP) etat20 - Various - Sound (LP)
Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces opened at the Los Angeles Institute of Contemporary Art in the summer of 1979 (and was also on view later that year at PS1 in New York). Curated by Bob Wilhite and Robert Smith, the exhibition surveyed the field of sound art. The forty-four participants were painters pivoted toward performance, conceptual artists attracted to time-based mediums, self-styled creators of environments, and musicians (formally…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Approdi is a cultural operation involving thirteen composers and numerous other artists from heterogeneous segments of the Neapolitan visual arts. The guest composers of the first volume are Carlo Vignaturo, Enzo Amato, Max Fuschetto, Girolamo De Simone, Giusto Pappacena, Piero Viti, Vito Ranucci, Gabriele Montagano, Patrizio Marrone, Enrico Iannaccone, Alessandro Petrosino, Carlo Mormile and Gaetano Panariello. The album was then joined by the poet Luca Buonaguidi, with a lyric for the late com…
Modern-day noise music has escaped the preserve of academics and avant-garde thinkers, uniting conservatory-trained and untutored participants from the worlds of punk, jazz, metal, contemporary classical, electronic music, and sound art in an exuberant and egalitarian collision. While noise conjures up the image of a cacophonous maelstrom of sound, contemporary improvisers utilize a much broader tonal palate, often offsetting abrasive textures with environmental sound, field recordings, and even…
Another release in the ongoing CCC Archives series. From the archives vol. 8 with rare material by Black Panther Huey P. Newton, Charles Plymell, Edward T. Hall, Marshall McLuhan and a British acid radio program
The US ensemble The Hub is one of the pioneers of network music and live coding. The formation consisting of Tim Perkis, Scot Gresham-Lancaster, Chris Brown, John Bischoff, Phil Stone, and Mark Trayle emerged from the League of Automatic Music Composers in 1986. They revolutionized electronic music with democratically organized composition and performance processes operating in networks and received the Giga-Hertz Prize from the ZKM | Hertz-Lab. The publication depicts the collective’s work in a…
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…
* First ever reissue * Composer and saxophonist Gil Ok-yun was a central figure in Korea’s golden age of gayo (1960s to 1980s), and has given us countless gems through his collaborations with greats such as Hye Eun-yi and others. Gil never did let go of his jazz roots, and would occasionally release gayo records in the jazz-tinged kayokoku style with the help of musical colleagues during his time in Japan such as Keitaro Miho and Shungo Sawada. It was through his meeting with Korean classical m…
During the height of the turned-on 1960s and '70s Occult explosion, even the under-the-counter men's magazines got in on the act and began a surreal exploration of the haunting netherworld of Witchcraft and Satanism. This monumental art book reveals a world of diabolical smut that was so compelling and obscure that many people today would actually question whether or not the magazines were real or just an elaborate and detailed modern photo editing invention. A few salacious titles and images on…
For this recording project, the fearless French musical collective ensemble 0 (pronounced “zero”) began a new kind of collaboration with the Swiss percussion ensemble Eklekto and Gamelan Oksitan — this last the traditional Javanese ensemble of gongs and metallo- phones based in France. Their transcultural bridge has foundations that go back to Claude Debussy’s fascination with the radiant tones of gamelan music that he heard at the 1889 Paris Exposition. Yet neither Debussy nor many other sympat…
Second issue of Discreet Music Mag, featuring interviews with Greymouth and Jon Collin and a long piece on I Dischi Del Barone label. Full colour, written in English.