Jean-Marc Vivenza studied philosophy and worked at the Modern Art Museum in Grenoble. In 1976 he creates the band Glace, first french industrial band in relation to the specificity of his work giving him a unique place in the sphere of this music called industrial, an etiquette he doesn't approve of saying that this word has lost its genuine meaning. Vivenza immediately places himself in the field of the theorico-political link attached to the Italian Futurists and Russian Constructivists trends whose bruitist-plastic propositions are the only theorical sources having ever been developped with consistency, and rather qualifies his music as « bruitist futurist ».
Jean-Marc Vivenza studied philosophy and worked at the Modern Art Museum in Grenoble. In 1976 he creates the band Glace, first french industrial band in relation to the specificity of his work giving him a unique place in the sphere of this music called industrial, an etiquette he doesn't approve of saying that this word has lost its genuine meaning. Vivenza immediately places himself in the field of the theorico-political link attached to the Italian Futurists and Russian Constructivists trends whose bruitist-plastic propositions are the only theorical sources having ever been developped with consistency, and rather qualifies his music as « bruitist futurist ».