Wild Up
Julius Eastman Vol. 4: The Holy Presence
2024 Stock. Wild Up — the multiple-time GRAMMY®-nominated contemporary music ensemble that has been called “a raucous, grungy, irresistibly exuberant … fun-loving, exceptionally virtuosic family” by The New York Times and turned in a stunning NPR Tiny Desk performance last year — announces Julius Eastman Vol. 4: The Holy Presence, out June 21, 2024 via New Amsterdam Records.
Opening track, “Our Father, is an accompanied duet with both vocal parts performed by Davóne Tines. With open harmonies th…
Julius Eastman Vol. 3: If You're So Smart, Why Aren't You Rich?
2024 Stock. Wild Up’s Anthology engages with the complex history of Julius Eastman’s legacy and ideas, including the titles of his work. Each person involved in making this Anthology negotiates their position and relationship to the n-word; thus, the word appears in several permutations throughout. We chose to use Eastman’s given titles in the track listing to honor the composer’s intentions. With this seven-volume project, Wild Up aims to be part of the ongoing social, political, and artistic d…
Julius Eastman Vol. 2: Joy Boy
2024 Stock. On June 17, 2022, the acclaimed Los Angeles-based new music collective Wild Up will release Julius Eastman Vol. 2: Joy Boy, the follow-up to last year’s Julius Eastman Vol. 1: Femenine, a record that was hailed “a masterpiece” (The New York Times), “instantly recognizable” (Vogue), “absorbing” (Pitchfork, in its 8.1 review), and “singularly jubilant” (NPR, who placed Femenine among its top 10 records of 2021, across all genres).
Arriving, once more, on New Amsterdam Records, Julius E…
Julius Eastman Vol. 1: Femenine
2024 Stock. Out now, Los Angeles-based musical collective, Julius Eastman Vol. 1: Femenine is the opening entry in Wild Up’s multi-volume anthology celebrating Julius Eastman, the late composer whose amalgamated musical vision was repeatedly dismissed during its day, but is now being unearthed to critical acclaim. Championed by The New York Times for their “boisterously theatrical sensibility,” Wild Up slowly comes alive inside this recording of “Femenine,” the epitome of Eastman’s longform “org…
A Thing Made Whole
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …