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Legendary 1974 eponymous album by Biglietto per l’Inferno! Reissued on 140gr. white vinyl!!!Born in 1972 in Lecco, in northern Italy, from the ashes of Gee and Mako Sharks, Un Biglietto per l'Inferno are still regarded as one of the most influential Italian prog bands, despite a single LP release, their magnificent eponymous album from 1974. The band had an intense live activity, that took to a very powerful sound driven by the twin keyboards of Baffo Banfi (of Klaus Schulze fame) and Cossa an…
Much more than a simple record label, the TRAX experience coordinated from 1981 to 1987 by Vittore Baroni and Piermario Ciani represented a very original contribution to the "networking culture" that, making its first steps with Fluxus, Mail Art and other avantgarde circuits of the Sixties and Seventies, largely anticipated the advent of Internet and its interactive modalities. Twenty years after the end of a project that involved over 500 international artists and musicians in the creation of p…
**We managed to get a few copies of the original LP box set of this renowned Roland Kayn masterpiece** A pioneer of electronic, computer, and instrumental avant-garde music, for the majority of his life, the German composer Roland Kayn remained one of the great unheralded figures in the landscape of 20th century sound - a founding member of Gruppo di Improvvisazione Nuova Consonanza, who delved into singular territories entirely his own. Fortunately, in the last few years, in part due to the rel…
Maggot Brain N° 15: What’s inside! Bjork: Our cover feature is a career-spanning piece by Tamara Palmer on Iceland’s most noted export since the foundation of their parliament in 930, with a terrifically gorgeous cover image by our illustrator, Marly Beyer. Marcellus Hall delivers a 30-plus page excerpt from a graphic novel about life in indie-rock in the early 1990s that’s just stunning and lyrical and we are so stoked to be able to run it. Hot on the heels of their world tour, it’s an enga…
On the cover: This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name. Inside: Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein. Tresa Leigh: An in-depth fea…
Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content -- art, music, literature, unpublished archival material, and more -- with a simple promise to only exist on the printed page. On The Cover: Unpublished Joe Dilworth photo of My Bloody Valentine, from sessions for their Isn't Anything record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike M…
"The front cover: is a gorgeous 1981 backstage photo of Lou Reed, subject of a phenomenal feature by former NY Rocker contributor Lisa Jane Persky. Inside you will also find: Grateful Dead - Kurt Vile tries to explain them to none other than Tom Scharpling; A special new piece about the making of the Velvet Underground's Loaded; Myriam Gendron - Track by track guide to her highly anticipated second album; Lee 'Scratch' Perry - Reprint of the best feature we ever read about him, by Erik Davis. Ki…
Raymond Pettibon on the cover! And on the inside, in a wide-ranging and sweet interview by Adam Woodhead, Pettibon walks us through his entire career, and even makes economics sound interesting. Columns: Lucy Sante (their first autobiographical writing for us, touching and brilliant); Mimi Lipson with a tear-jerker of an advice column; The forgotten hip-hop column is on the enigmatic Son of Bazerk!; A look at forgotten early Hawaiian music in the reissue column; We go into detail about why the m…
Cover art by Detroit-based graphic artist Lucy Cahill depicts Wanda Jackson as an alien because why not; with additional recent works by her inside the issue. Glasgow's justly beloved Belle & Sebastian, hot on the heels of a US tour and their best record in ages, deliver unto us decades' worth of posters and ephemera, with an interview with Stuart Murdoch on the history of the group's aesthetics. Novelist and longtime friend David Gordon lets us run the full text of his archival talk with celebr…
Crazy Doberman ? Erick's Bradshaw delivers an epic, well-illustrated tour diary of a brief jaunt with these noise greats. Composer TAYONDAI BRAXTON by Katy Henricksen! A meaty, beautiful feature on DR. PETE LARSON by Fred Thomas, worlds collide! An amazing LUCY SANTE column! Cassette tapes! Reissue of the issue is the 'Southeast of Saturn 2' comp of obscure Midwestern '90s shoegaze! The Bay Area's deliriously good new band GALORE by Jessica Beard! A beloved celebrity writes in to Mimi Lipson's a…
Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki. Altogether they performed the stunning extended improvisation Epiphany. In different, more i…
More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki. Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis…
** Issued on vinyl for the first time, Outernational Sounds proudly presents a monumental spirit music document from the Los Angeles underground** The saxophonist Jesse Sharps took over from Arthur Blythe as leader of Horace Tapscott’s Pan-Afrikan People’s Arkestra. ‘He became the Ark leader…he was hardcore,’ the pianist recalls. ‘They’d all be quiet and listen to him when he talked.’ This was the period of such classic PAPA recordings as Flight 17, Live At IUCC and The Call; lit up by the funky…
"Masses is an utterly unexpected, and utterly gripping, collaboration between the East London duo, Spring Heel Jack and a group of top-flight improvisers, drawn largely from New York’s ascendant free jazz network but also including Evan Parker and microtonal violinist Matt Maneri. If there are precedents for this particular mix, in which studio-processed audio environments are played back in real time as the triggers for, and fixed components in, a series of group improvisations, they feel few a…
**Sold out at the label. Limited edition of 1000 copies, one time pressing, don't miss this one** Aguirre Records present a reissue of Taj Mahal Travellers' 1 - August 1974, originally released in 1975. A monumental work by the Japanese experimental music ensemble. In April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As they crossed Europe and then made their way through Asia they made music in a wide range of locations. They also paid close attention to the ch…
Remastered and sounding better than ever, ‘Compiled 2.0 / 1981-84’ wraps up the most indispensible bits by Gudrun Gut and co’s all-female German post-punk unit Malaria! - effectively Berlin’s answer to The Slits or The Raincoats and one of the key Neue Deutsche Welle and post-punk units of the era.
2023 upgraded and remastered version of Robert Ashley's Perfect Lives -- in 1080P full HD video format, pressed on double-Blu-Ray (175 minutes; stereo; Region 0/worldwide). Perfect Lives has been called "the most influential music/theater/literary work of the 1980s." At its center is the hypnotic voice of Robert Ashley. His continuous song narrates the events of the story and describes a 1980s update of the mythology of smalltown America. Perfect Lives is populated with myriad characters revolvi…
“Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.
“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano an…
The studies with Goffredo Petrassi and the association with Gruppo di Improvvisazione Nuova Consonanza let the Avant-garde
playing an important role in the career of Ennio Morricone, who wrote many contemporary pieces for himself, but then the author composed soundtracks where dissonance played a major role. For the Italian edition of the film Space: 1999 (1975), the cult British TV series, he composed a very neurotic Jazz with muted horns. Also for the science-fiction film The Humanoid (1979) Enni…
"La donna della domenica" is a 1975 Italian- and French-produced crime film directed by Luigi Comencini and starring Marcello Mastroianni, Jacqueline Bisset and Jean-Louis Trintignant. The soundtrack of this film, composed, orchestrated and conducted by Ennio Morricone, highlights the typical elements of the Maestro's style, and is mainly made up of a beautiful main theme and numerous variations, alternating with more pressing moments, perfect for a detective film, evoking the atmosphere of "Inv…