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With his riveting performance in the inaugural Sequesterfest online festival in April 2020, Ken Vandermark inspired the Black Cross Solo Sessions. Already in the early days of lockdown, making good on the promise – or threat – of protracted off-road time, Vandermark had dedicated himself to the creation of a new book of works for solo reed instruments, which he debuted that day. The result of this watershed moment for the Chicago-based improvisor and composer was a body of works that reassert …
One of the architects of No Wave with his band DNA, a pioneer of noise guitar, sublimely inventive producer, and slinkily seductive songwriter, Arto Lindsay has worn countless musical hats. Invited to make a solo record for the Black Cross Solo Sessions, Lindsay boiled it down to essential ingredients, waxing a collection of bristling new songs and works for solo guitar; on six of a baker's dozen tracks, his angelic voice offsets the bracing dissonance of his acidic electric. Recorded at studios…
Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on …
Tuned metal percussion figures prominently in the sound universe of Roscoe Mitchell. Many of Mitchell's early compositions for the Art Ensemble of Chicago feature xylophone and tuned bells, and his immersive set-up known as The Cage arranges an array of percussed instruments in a circle around him, including all sorts of metallophones and gongs. On Roscoe Village, Chicago-based improvisor Jason Adasiewicz has transcribed and arranged a selection of Mitchell-penned pieces, performing them all on …
Red Vinyl, edition of 500. The archetypal Martin Rev sound – a perennial influence on generations of musicians – is most prominently in evidence in the works of Suicide, the duo he played in across the decades with with Alan Vega. However, the radical and distinctive nature of his music can be traced further back in time, originating in the base energy of rock’n’roll which the teenage Rev experienced as the ubiquitous soundtrack to his home city of New York.
Huge Tip! The composer, percussionist and instrument builder Limpe Fuchs has spent six decades exploring the outer limits of sound and its effects on the listener. Born in Munich in 1941, Fuchs is part of a generation of German artists who sought radical new approaches to art, music and social organisation in the period following the Second World War. Alloa, Bavarian for alone. Limpe likes to be alone, because she is never lonely. When she is not on concert tours, she cultivates the garden in fr…
Temporary Super Offer! The trio of Jimmy Giuffre, pianist Paul Bley, and Steve Swallow on acoustic bass, through their previous recordings and live concerts in Europe, had reached the precipice of complete improvisational freedom. The leap came with Free Fall. What I feel to be the more revealing and revolutionary aspects of this album, however, are to be found in the five unaccompanied clarinet pieces. – Art Lange
With this release we like to celebrate Jimmy Giuffre at 100. (26. April 1921 – 24…
Custom Color Twist Edition. The undisputed king of Japanese noise Merzbow returns, as the landmark album 'Venereology' celebrates 25 tinnitus-inducing years with its inaugural vinyl pressing! Remastered by James Plotkin (Isis, Electric Wizard, Full Of Hell, and more) and featuring reworked art, this is the most extreme recording of harsh electronic sickness you will ever own! 'Venereology' features a second LP with more than 20 minutes of unreleased bonus material. By 1994, Merzbow had a signifi…
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,
the beginning and end points of the most lasting and creative portion of his remarkable, though
sadly brief, career." – Brian Olewnick
*2024 Stock* Noisemaker[s] is the catalogue for the 1999 two-part exhibition by the same title held at the Blackwood Gallery, curated by then Director/Curator Barbara Fischer. This exhibition featured artists who isolate a diversity of noise-material for specific auditory, physical, and emotional effects. The exhibition presented works by Daniel Olson, Marla Hlady, Colette Urban, and Lewis deSoto. The catalogue contains an essay by curator Barbara Fischer, and includes fourteen colour images of…
*2024 Stock* Natalie Czech therefore accomplishes something completely unexpected, something rarely seen either in literature or the visual arts: her works are based on experimental designs that engender something new by subsequently amending found texts, while at the same time opening up known texts—by Apollinaire, O’Hara or Brinkmann—to new readings in a fascinating way, thus rediscovering these works in other contexts, through other media, as images, through the medium of photography, and he…
*2024 Stock* "Les chercheurs de sons" have left the certainties of traditional lutherie behind them to explore the "terra incognita" of music. Invented instruments, musical machines, sculptures and sound installations: a long subtitle to reflect the diversity of approaches to this musical field as diverse as it is inventive. Thirty contemporary French-speaking musicians specializing in sound invention present a selection of acoustic sound objects they have imagined and designed. By offering an …
*2024 Stock* Sounds Heard is not only a collection of writings intended for people who are interested or involved in contemporary music, especially those performers - including children - who lack a formal musical training. It also charts a wide cross-section of the activities of an intriguing musical personality. At different times in Hugh Davies' nearly 40-year career he has been variously described as "the world's leading electromusicologist", "the most informed person around on the general …
2024 Stock*. Workshop of the Film Form provides an in-depth overview of the achievements of Warsztat Formy Filmowej (WWF; Workshop of the Film Form), a group of avant-garde artists who were working at the Leon Schiller National Higher School of Film, Television and Theatre in Lodz, Poland, between 1970 and 1977. WWF was founded by the students and graduates of the school, now known as the National Film School, and included: Wojciech Bruszewski, Pawel Kwiek, Andrzej Rózycki, Józef Robakowski, Zbi…
2024 Stock*. A French-only book about Francis Dhomont with texts by Evelyne Gayou, Francois Bayle, Jean-Christophe Thomas, Francis Dhomont, Stephane Roy, Andrew Lewis, Anna Rubin, Katherine Norman.
2024 Stock*. A French-only book about Jacques Lejeune with texts by Pierre-Albert Castanet, Michel Rigoni, Jean-Christophe Thomas, Yves Krier, Gilles Racot.
2024 Stock*. A French-only book about Michel Chion with texts by Pierre-Albert Castanet, Martin Kaltenecker, Evelyne Gayou, Lionel Marchetti, Pierre Schaeffer.
2024 Stock*. A French-only book about Francois Bayle with texts by Gianfranco Vinay, Evelyne Gayou, Edith Alonso, Solange Barrachina, Regis Renouard Lavrière.
2024 Stock*. A French-only book about Bernard Parmegiani with texts by Pierre-Albert Castanet, Régis Renouard Larivière, Guy Reibel, Philippe Langlois.
Originally created as a 6-part radio series in 1965, and released in 1966 by Sveriges Radio. This is the first LP recording by either of these composers. Recorded at EMS (Elektron Musik Studion), the newly established studio facility at Swedish Radio. This pioneering work did not easily fit in any category that existed at the time. Inspired by the work of Öyvind Fahlström (who was a pioneer of concrete poetry along with the Lettrists and Futurists), a few young Swedish artists began exploring ne…