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Rearward presents Eraldo Volonté, “My Point of View” – remastered. All the tracks, recorded - from May to November 1963 - at Durium Studios, Milan are now released with liner notes by Arrigo Polillo.

*2022 stock* "I remember standing at the bar,' he recalls, 'and seeing Johnny Griffin arrive. He said to me, 'Gigi, you're going to hear some strong shit tonight.' And he wasn't kidding. The band was so powerful and driving, so together, like one tremendous all-purpose instrument." Gigi Campi "It was marvellous. People used to applaud in the middle of the arrangements – showing their appreciation of some of the tutti or soli passages. It was really one of the greatest musical experiences of my l…

*2022 stock* In every artistic field it is hard to understand how critically important first impressions are. I am talking about those quick and uncontrollable connections, like an electric shock, that originate from the direct proportion between the work of art standing before us (a picture, a poem, a piece of music) and our feelings. The critical judgement as such requires a deep meditation and the artistic work in question should be examined probably in the microscopic detail of the cultural …

*2022 stock.* Here is music for your strange mood. The piano starts the first track, slow tempo beat, a strict beat, a swinging beat. Lillemor—here minor harmonies give the tune a rural, romantic feeling of some place in Spain or France. The tempo changes to medium fast—the flute solos. Light phrasing contrasts beauti¬fully to the earthy, swinging beat of the rhythm section and the repeating piano figures. The trombone adds a new color, a counterpoint of sound and phrasing, backed by the pulsati…

*2022 stock* Gianni Basso represents one of the most solid institutions of the Italian jazz. He has been like this since the beginning, when he appeared in Milan after some years abroad. At that time he already had a long story behind him as an activist jazz musician: he started playing during his childhood in his hometown of Asti (where he was born in 1931) and then in Belgium, where his father emigrated with his family to work in the mines. It was there that he discovered the jazz music at its…

*2022 stock* There is a school of thought which maintains that it is something of a tragedy that Benny has had to earn his living and play his trade as an American emigre in Europe, far from the centre of major jazz activities in his native United States. His contribution, they argue, would have been so much larger and much more widely appreciated. He may have won more polls, true. But the personal contentment which life in the more relaxed atmosphere of Western Europe has supplied probably more…

*2022 stock* The opinion of jazz musicians concerning Charles Mingus’ compositions and his protean musical world is that for a long time they represented an area that should be avoided or, at most, dealt with care. Just a few years after his death, of which his thirtieth anniversary occurs this year, they started to look deeper into his repertory, except for a part of which had been proposed in the past (Goodbye Pork Pie Hat was the most largely used). Just like Duke Ellington various projects w…

*2022 stock* This reissue is great news for the jazz-loving community. The multi-national Golden Eight ensemble assembled by Gigi Campi featured Kenny Clarke and Jimmy Woode (USA), Francy Boland and Chris Kellens (Belgium), Dusko Gojkovic (Yugoslavia), Raymond Droz (Switzerland), Derek Humble (UK) and Karl Drevo (Austria). And it was the forerunner of the legendary Clarke-Boland Big Band. Seven of the eleven pieces in the album are distinctive originals by Boland, the remaining four tracks being…

*2022 stock* 2008 Release. This record is the fruit of five months of hard work in the recording studio, rehearsals and even sacrifices as told by Enrico Intra and I am obviously satisfied with it. But I sure don't want to consider it a goal. I feel like I'm going toward the right direction and I hope my next work is further confirmation of the effort, seriousness and true passion I've put into my music. Those who know Enrico Intra remember his face like a baby always living in cloud-cuckoo-land…

*2022 stock* Three – instead of – four this figure can mean a whole different world, when it comes to beats. Whereas the even number lets you march straight, turns right-angled, divides itself symmetrically, the odd rhythm goes around in circles and whirls. One heavy step, followed by two light ones, that can not go straight, that has to turn and turn and turn. The old Vienna and its young people was once ruled by “Waltz speeding” as today the beat shakes up even country dancefloors. Yet, that c…

*2022 stock* They called him the “Little Giant” long ago in Chicago – they still call him so. In order to understand why “Little” you have to see him – it’s enough to hear him to understand why “Giant”. But just to listen to him means missing out on so much. “I just look at Johnny and feel the power of positive swinging”, the “producer” says. Like most small people (let’s not exaggerate the “small” – he’s not exactly a dwarf) Johnny appears to have been blessed with an extra portion of energy. H…

**2022 stock** Originally released by Armando Sciascia on his Vedette label, it also features Sante Palumbo, Oscar Rocchi, Giorgio Azzolini and Tullio De Piscopo. Telling Oscar Valdambrini and Dino Piana's story could be pointless for those who have been dealing with Jazz for years here in Italy. They are two of the most esteemed senators in our Jazz scene; two musicians who could cut a fine figure anywhere. The older is Valdambrini (turinese, born 1924), who was first noticed as a valued trumpe…

*2022 stock* Had it not been for the post-war migration of many top American jazz musicians to Europe, it is quite likely that the legendary Clarke-Boland Big Band might never have come into existence. As it happened, when Gigi Campi set up the first big band record date in Cologne on December 13, 1961, (Jazz Is Universal for the Atlantic label), he was able to call upon such distinguished self-exiled jazz stars as Benny Bailey (originally from Cleveland, Ohio), Sahib Shihab (Savannah, Georgia),…

*2022 stock* Jazz music has more than its fair share of overshadowed figures that whilst contributing much to the music have little presence in its collective conscious. One such musician is the talented multi-reedist, Sahib Shihab. Born Edmond Gregory, as he was known before he adopted the Muslim faith in 1946, Sahib Shihab’s music background shows a deep and significant evolution, influenced by Thelonious Monk, Dizzie Gillespie (his experience in Dizzie’s band marked Sahib’s switch to Baritone…

*2022 stock* Myths take a long time dying, especially in jazz where the ability to confuse fact and fantasy has marked several generations of both critics and listeners. Perhaps the great Buddy Bolden could be heard for 14 miles on a clear night, but those who still believe that old one deserves to be interned in the same kind of institutions that housed Buddy in his latter days. The European jazz musicians, despite years of recorded evidence stretching right back to the wonderful Django Reinhar…

*2022 stock* One of consolations of the electronic age is that those great moments in music which once were ephemeral and irretrievable can be faithfully captured, preserved for all time and savoured over and over again. Thus, some of the great musical peaks in the ten-year lifespan of the great Kenny Clarke-Francy Boland Big Band are stored for posterity on more than a score of albums. Despite writer Bob Houston’s urgent appeal for a conservation order to be put on this improbable aggregation o…

*2022 stock* Climate- atmosphere is what we say.  Soul with beautiful expression, is what they say in the modern jazz scene in the US.  It’s a necessary component for good jazz, as well as for swing.   But to achieve an organic atmosphere which is therefore vital and alive, a relationship of intentions and views, and a congeniality of thoughts are needed.  When Tommasi was in Rome for a few days and had Santucci and Scoppa listen to the latest pieces he had composed,  the three musicians ideas, …

*2022 stock* A rare bit of 'early' free jazz from Italy – featuring a group led by soprano/tenor sax player Eraldo Volontè, and featuring trumpet, trombone, drums, and a piano-less double-bass rhythm team that gives the record a really unique sound! At some level, the feeling of the material is like ESP avant jamming – except for the fact that the freedom of the players is also firmly tethered to an ability to swing, as one of the bassists always seems to be working the rhythm, even when the oth…

*2022 stock* It was a really great idea to search for pieces, with the taste of a collector, and to produce this compilation, with jazz pieces and pieces extracted from refined sound tracks which have a subtle and intelligent taste, among the production of some of the biggest Italian composers in this sector. It is a piece that has never been reedited and it is of great taste, and consequent will to give works to an audience that otherwise are difficult to discover.  And therefore has taste for …

*2022 stock* «Crucial moment» the title assigned by Giorgio Azzolini. And as a fact, jazz in the past years has been going through a crucial, decisive period. On one side the conservation of traditional values of the language and its well-known inspiring of the cause; on the other side the intentions, sometimes only foolish aspirations, of subversion and reorganization, on quite different bases, of jazz expression. The transformed historical – environmental conditions in which the American jazzm…

*2022 stock* Gianni Cazzola confesses that he would have never expected that an one of his albums from the late sixties would be re-discovered and re-issued. Thirty years after its release people are again talking about “Abstraction”. Recorded in November of 1969 in Milan, “Abstraction” is Gianni Cazzola’s first record as a leader, with Oscar Rocchi on the piano and composing and Cornelio Dattoli on the electric bass. The album was born from an idea developed in a jazz club in Milan. For those t…

*2022 stock* Giorgio Azzolini was never a front man bt played with the best Italian musicians of the day, as well as American Expats going through like Chet Baker or Bobby Jaspar. Here he has a trio which is amazing for 1966 in that it combines fuild renditions of standards like "When I Fall In Love" or Bill Evan's "Interplay" or Bird's "Moose The Mooche" but here with the along with Franco D'Andrea (who was pianist in the famous Basso Valdambrini Quintet and along with Renato Sellani the godfat…

*2022 stock* Night in Fonorama. And it was a night in the real meaning of the word, that the five jazzmen spent at the Fonorama, one of the most important studios in Milano. It was the night of May the 31st 1964. They met at nine o’ clock in the evening, and they saw the day-break on a working Milano while they still were trying to perfectionate the last tune. We said they «met»: and no word is more significative to indicate the meeting of the five musicians at the studio. There was nothing deci…

*2022 stock* 1999 Release. A lost Italian gem from the 60s! Bassist Giorgio Azzolini was one of Italy's best players during the postwar years, and this handsome reissue brings to light one of his rarer sessions from the 60s. The record's a lyrical septet session, with Azzolini's warm round basslines right up front, and beautiful solo work by a young Gato Barbieri on tenor, Franco Ambrosetti on trumpet, and Renato Sellani on piano. The session has the warmth and sensitivity of some of Horace Silv…

*2022 stock* Remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies.  One of the best scores signed by Piero Umiliani, a unique soundtrack settled in an immense Los Angeles as it has never been shown in an American movie.Piero Umiliani was contacted in 1958 by Mario Monicelli to compose the soundtrack of the movie “I Soliti Ignoti” (Big Deal on Madonna Street). It was not the usual kind of soundtrac…

Edition of 300 copies. Lovely archival recording by this incredible due comprised of Midori Takada - percussion and Kang Tae Hwan - alto saxophone. Recorded live on the 14nd March 1995 at Café Amores, Hofu, Yamaguchi, Japan by Takeo Suetomi. Concert produced by Takeo Suetomi. Mastered by Arūnas Zujus at MAMAstudios. Photos by Akihiro Matsumoto. Design by Oskaras Anosovas. 

*In process of stocking. 2022 stock.* Born in Seoul and now a resident of Brooklyn, Ha-Yang Kim is a cellist, composer and improviser who has developed a unique language of extended string techniques and electronics. Drawing upon influences as far ranging as Balinese and Karnatic traditions, jazz, rock, western classical music and downtown experimentation, she has created an original music of imagination and passion. Her first CD features a startling solo piece, two pieces for her long running d…

*In process of stocking. 2022 stock.* Ha-Yang Kim is a cellist and composer of striking originality whose musical influences draw equally from a range of western classical music, American experimentalism, rock, noise, and improvised music, to non-western musical sources from Bali, Korea and South Indian classical music. For her second CD on Tzadik she presents a major new composition for string quartet, performed here by the world renowned JACK quartet. Dedicated to Jewish poet Paul Celan, “Thre…

After the disintegrative period of my production (from “Symphony for a Genocide” to “Das Testament”), the purchase of a misanthropic echo-machine and the consequent decay of the electric-analogue machinery, my efforts was redirected to a pre-recording sound sublimation, so I started to re-compose the electronic metastasis of early times, filtering through dehumanizing effects of the echo-machine, keeping attention particularly to the explanatory process of my ancestral subjectivism. - facts:the …

**2022 stock** "For the first time on CD, this is an authorised re-edition of the very first album by the band which was released as a tape on Sterile Records (the label run by Nigel Ayers / Nocturnal Emissions) in 1981. Sound on this CD was re-mastered by Nigel Ayers from the original tapes. SPK was one of the very first "Industrial" projects, formed in 1978 by Greame Revell in Sydney - Australia. SPK together with Throbbing Gristle, Cabaret Voltaire and few others, gave birth to what is today …

**2022 stock. 300 copies in digipack** Let's celebrate the 25th anniversary of this release with a re-release. Torturous Chapter was released on OEC as a tape 25 years ago and here comes for the first time the CD version of this historical album. Tremendous  old-school industrial-noise recorded at Spinalklast / Rust Industries - Summer 1995. Sounds by: Richard Ramirez / Rick Baily / Kevin Ogg / Ryan Hunt. No need to say more! Digital mastering and trasfer from original tape plus sound boosting b…

An unusual Merzbow double CD album, in lovely (digipak) packaging! Two very different CDs bounded in one unique release. While on one disc the sounds are more "ambient style", with a free piano, many field recordings, far and rumbling rhythms and noises (The Piano Lento Ma Non Troppo Madness), the other disc's sounds are diving deep into "poly-rhythmics", continously beating and popping plus additional sequencing and 'exploding' sounds (The Pop-Corn Psychedelia). The soundtrack for a new psyched…

* Compilation of the 1982 cassette releases Solonoise 1 and Solonoise 2. Limited to 300 copies. Released in digipak. * Merzbow re-edition of 2 historical tapes of the first Japanoise era! Special guest on "Solonoise 1": Kiyoshi Mizutani.This albums offers pure analog noise with varied timbre and string, keyboard, percussion.  Inspired by DADA & Kurt Scwitters from which he took "MERZ" for his project name, this might be considered a New-DADA experiment....These early tracks are not the overwhelm…

In search for unseen colors beyond the visible spectrum, Kangding Ray explored the outer fringe of club music and came back with a set of prismatic sonic crystals.  David Letellier made his new album at a crossroads. In more recent years, the electronic artist—who started out making what you might call ambient music—had solidified his music into techno, a gleaming, abstracted version of the genre often referred to with terms like "high definition" and "architecture." His music is always precise …

**CD version** Another amazing find of our research - this obscure album by The Braen's Machine is dated 1971 and is part of one of the most fascinating and enigmatic periods of Italian music history. Library Music, made for radio and TV mainly, pressed on a few vinyl copies..."Quarta pagina" portrays with great ability some possible - who knows if they ever had been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the Psych-Funk rides that have always characteriz…

**CD edition** Awesome library, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. Sweet keyboards galore‚ a wonderful sound library set from the Italian scene of the '70s‚ filled with Fender Rhodes throughout! The tunes are a mix of funky and mellower numbers, but all sport these really great keyboard lines up top‚ always rhythmic, even when moving slow‚ and with this sexy sparkle that's right…

**Double CD edition** “Music especially created for films, television, radio, publicity and industrial use”. The disclaimer coming with these two records – "Here And Now 1 & 2" – puts a smile on our lips and brings us back to more culturally innocent and naive times. A quick listen is enough to realize that this is top quality material (even if often hidden behind weird and mysterious titles), which can’t be compared to anything released in recent times. Paolo Renosto, the person behind the moni…

**CD version** Although library music has always had the purpose of accompanying TV and radio shows, documen- taries and TV news, it is difficult to track down most of these masterpieces composed by some of the greatest composers of those years. Anonymity is one of the distinctive traits of this music genre, being in most cases difficult, if not impossible, to find out where these tracks had been used. The liner notes of these works often spark the reader’s curiosity: the notes are in fact detai…

**CD version** Given his fascination with obscure and esoteric topics, an interest that lasted throughout his whole career as a composer of library music, Fabio Fabor must have been diabolic and mysterious for real. The Milan-born composer, who passed away in 2011, had always showcased a darker side compared to other fellow musicians of his era. A side that is well portrayed in works like the famous masterpiece “Pape Satan”, or “Satanas”, which is included in the very accessible “B 81” (Serie Us…

**CD version** A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ens…