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Eternal Paralysis and Peony Crackers was the first two tape albums by Incapacitants released back in 1981 and 1983 by Toshiji Mikawa alone (in the beginning Incapacitants was a solo project) on his own label Pariah Tapes. Two cult and very rare tapes finally made available again, 40 years after their first release. Original tapes has been digitally transferred from the original tapes by din-i-ilahi (advaita records) and was completely re-mastered for best experience on CD format by Mr. Mikawa.
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"Mechanization Takes Command" was first released on Music-Cassette by Masami Akita on his own ZSF label back in 1983 and this, after 40 years, is the very first re-edition into CD format. A very special and historical album. The large part of sounds on this album have an analogue origin. Masami on this album plays Drums (?) and Guitar (?)... But also many other instruments and sound-surces such as TV ands Vocal samples. And of course Electronics, Loops, Effects, Drum-Machines... The overall is v…
*2022 stock* "Ante-facts : after the disintegrative period of my production (from “Symphony for a Genocide” to “Das Testament”), the purchase of a misanthropic echo-machine and the consequent decay of the electric-analogue machinery, my efforts was redirected to a pre-recording sound sublimation, so I started to re-compose the electronic metastasis of early times, filtering through dehumanizing effects of the echo-machine, keeping attention particularly to the explanatory process of my ancestral…
Deluxe 2CD edition collecting expanded & remastered versions of the ‘Dark Drippings’ and ‘A Darker Shade Of Fat’ releases, two projects assembled by M. S. Waldron using his archive of NWW live recordings. The former is mainly a collection of unusual live excerpts and rehearsal outtakes, while the latter uses the live recordings as raw material to create new tracks. 12 minutes of new material has been integrated into ‘Dark Fat’, and an entire, new 20-minute track has been added to ‘A Darker Shade…
New studio album featuring Bladder Flask. Originally issued as a limited edition Lp lathe cut. Contains 20 minutes extra material. New cover art by Babs Santini. Nurse With Wound and Bladder Flask first crossed paths in 1980. The following year saw the release of NWW’s fourth album, Insect & Individual Silenced and Bladder Flask’s debut (and in fact only) album, One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling (Orgel Fesper Music.) The LP quickly came to …
The unreleased sound source recorded in 2019 has been turned into a work! Sound source inspired by the book ‘Landscapes of the Metropolis of Death’ by Otto Dor Kulka, who describes his boyhood in Auschwitz.
Deadlined is an unfinished 2019 album stopped in it's [sic] tracks by Covid, making travel and recording plans near impossible for the unjabbed leper. Thanks to Colin Potter and Andrew Liles for their help and contributions.
The collage work of Babs Santini printed on the entire 6-panel digip…
Contains the full Opium Cabaret album plus an additional 40 minutes previously unreleased studio material. Housed in deluxe full colour digipack with new art by Santini.
Sinister Whimsy For The Wretched contains the long out-of-print albums, Sugar Fish Drink (1992) and Large Ladies With Cake In The Oven (1993). Both discs are remastered by Andrew Liles. You will never hear these better. Sugar Fish Drink, "Cod Surrealism", is a distinctly wet aberration on paranoid aesthetics occasionally coordinated by John Balance and Steven Stapleton. For Large Ladies With Cake In The Oven,
all tracks were previously released in some form or another. Songs
titles have been a…
*60 copies limited edition* Infinite Expanse follows up their first two LPs with a return to the cassette format, diving deep into the world of the underground cassette network with a focus on SoundImage, a label founded by Martin Franklin and active in Slough between 1989-91. Presented is a compilation of two compilations – Premonitions (1989) and Spiritual (1990) – featuring stalwarts from the scene, including The Vitamin B12, M.Nomized, Konrad Kraft and Hybryds, as well as a host of ungooglea…
** First pressing limited to 300 copies of which only the half are available for distribution outside switzerland. ** The subtitle of this album describes it as "Messa in scena arcaica per strumenti elettronici e voci ingannevoli" -- a play on words which could be translated as "Mass in an archaic scene (or archaic enactment) for electronic instruments and deceptive voices." The Italian graphic designer and musician Marco Papiro deliberately plays with different forms of religious music, and loo…
Alga Marghen presents one of the treasures of the French avant scene of the 1970s, published now for the first time. An ideal parallel to Jac Berrocal cult LP “Paralleles”, the realization of these pieces recorded by Daniel Deshays and produced by d’Avantage in 1977 that also conceived a very elaborated sleeve design, was mysteriously discontinued making this record one of the lost jewels of the French underground.Together with Michel Potage (voice and various instruments) and Jac Berrocal (trum…
long out print item by Jac Berrocal, a 10” picture-disc, text by Antonin Artaud spoken by Berrocal himself, including excerpts from 'Voyage au bord de la ville' a very abstract and dissonant track with music by Berrocal, Gilbert Artman and Jack Belsen. Private edition of 250 copies only.
* 350 copies * Alga Marghen proudly presents an LP edition including some of the seminal electronic/tape collage pieces by Malcolm Goldstein, created in close connection to the sulphuric New York pre-Fluxus environment of the early 1960s. The 1960s downtown New York City, rich with activities, doors opening upon a world fertile with possibilities: the delightful unknown. Malcolm Goldstein first worked at the Columbia-Princeton Electronic Music Center, then joined the Judson Dance Theater with da…
Beautiful edition! Takis was born in 1925 in Athens. Preferring, as a matter of principle, to teach himself rather study in a institution, he left Greece in 1954 and lived as a citizen of the world, traveling through Europe and the USA. Some of his earliest manifestations in the 1940s consisted of explosions carried out in open places. His first Signals date from 1954: they were rods consisting of piano wires which created musical vibrations as they stuck against each other in the wind. In fact …
"Metal Meditations is the culmination of many years experience and experiment with the properties of resonant metal objects, whether intended for music for not." Philip Corner. One side is taken from a 1974 performance at Merce Cunningham's studio, performed by David Behrman (electronics and performer) & others. There is also a 1975 performance with Bill Fontana and Corner ("long metal pipe with active microphone) as well as a short version from the Avant Garde Festival in Cambridge, MA, 1978.
Is it to "en finir avec cette idée des chefs-d'oeuvre" ("be done with this idea of masterpieces"), as Antonin Artaud proclaimed, that Gil J Wolman calls his recording Wolman et son double, in a détournement of Artaud's famous essay collection and "masterpiece" Le Théâtre et son double (The Theatre and Its Double) (1938)? Artaud's Tête-à-tête performance at the Théâtre du Vieux Colombier on January 13, 1947, had a major impact on the future sound poets of the "poésie physique," François Dufrêne,…
These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of Eduardo Kac yell-poems. Kac fused existing coarse and curse words with parts of words, neologisms, salacious buffoonery, the antinormative scribblings of toilet-wall graffiti, commonplaces, blasphemy, expletives, agrammatisms, incorrect orthography, slangy expressions, lexical exorbitance, g…
After an already productive year, Alga Marghen, in the guise of their sub-imprint, Planam, delivers, “…et après”, an astounding double LP of archival material documenting the collaboration between Luc Ferrari and Ensemble Laborintus. Issued in a limited edition of 250 copies on vinyl, and bristling with tense electroacoustic sonorities at the forefront of electronic and experimental chamber music, it's among the most challenging, exciting, and engaging albums we’ve heard all year.