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Edition of 80. "Rompighiaccio Destiny" is an auto generated composition resulted by the random interactions of two different tape recorders left to play and mixed without any external intervention except for some subtile variations of equalization, pitch and modulation through a delay used in effect send. "We have an increasing desire in any case to get firm ground under our feet. The floe has been a good friend to us, but it is reaching the end of its journey, and it is liable at any time now …
The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early Organum material, David Jackman has resurrected the droned-based, p…
2000 release. The second of two CD anthologies of the Organum/David Jackman back catalog, following Volume One (ROBOT 017CD). The series is not exclusively limited to reissuing early vinyl releases in their entirety, but is rather a "collection" series that also includes alternate mixes as well as previously unreleased material. Meticulously mastered for truly maximum fidelity, Volume Two includes material primarily culled from theIn Extremis and Horii sessions (12" titles originally released on…
Los Angeles guitarist Peter Kolovos’ last release was the epic 3xLP Black Colors. While not quite as immense, A Wolf Should Only Be Lone, Kolovos' first cassette release since his days with Open City, hits the beautiful red space in fits and starts. These two tracks carry his distinct style of annihilating common notions of guitar playing. Bruce Russell once likened his playing to “Derek Bailey covering The Resident’s Duck Stab,” while David Keenan has described him as having the "dexterity of B…
Mappa invited me to make a work for cassette release. At the time I was putting finishing touches to a work for CD that was the result of 3 years of collection, distillation, presentation and consideration. I had made a conscious decision to stop composing in favour of making work for installation and performance.
However, the idea struck me to make a ‚format-specific‘ piece. For many reasons the cassette didn’t excite me in the same way as vinyl or CD. But then I considered the compact cassette…
The trio of guitarist Tetuzi Akiyama, saxophonist Gregor Vidic, and drummer Nicolas Field introduces Akiyama to Vidic and Field’s standing duo. The result is a magnificent set of exploratory improvisation. Vidic and Field’s playing has a rich, textural quality, developed through their use of timbre and dynamics. In this way, Akiyama’s multiphonic approach to guitar, and his innovative use of effects, offset’s Vidic brilliantly. Over the course of 45 minutes, Akiyama, Vidic, and Field generate a …
A rare soundtrack session from Japanese jazz legend Hideo Shiraki; Also with pianist Takeshi Inomata and saxophonist Hidehiko "Sleepy" Matsumoto "Inomata and saxophonist Hidehiko "Sleepy" Matsumoto as well! The cover's somewhat unassuming, but the music inside is quite vivid and rich – jazz tracks used as a film score, often with a quality that's like the best jazz soundtracks coming out of French and Italian cinema at the end of the 50s – with a very different vibe than some of Shiraki's later …
A marvelous jazz session from 1966 : Sadao Watanabe (alto sax) Terumasa Hino, Masahiko Togashi (drums) Masanaga Harada (bass), Masao Yagi (piano), Hozan Yamamoto (bamboo flute). "A totally cool Japanese soundtrack from the 60s – one that's as much of a
jazz album as it is a film score! The group features saxes from Sadao
Watanabe and trumpet from Terumasa Hino – part of a lineup that would
already make the music sound great on paper, although it's even better
on record! The tracks all have…
A totally cool little Japanese soundtrack from the 60s – done for a film
that features a bunch of younger teens who head out the beach – and
which is scored with music that perfectly fits the mood! There's a
really great range of 60s film modes going on here – as some tunes
feature wordless vocal scatting, others feature a bit of surf guitar,
bossa melodies, or even a few more playful themes – mostly served up in
short takes, and interspersed in a way that's nicely vivid and very
groovy!…
A tense crime soundtrack from Japan by the legendary Toshiro Mayuzumi a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music – served up in a host of shorter tracks with a really evocative feel! There's a definite jazz bent to some of the music, bu…
This rare 1978 album is a rather original example of experimental electro-acoustic progressive style, mainly based on synth effects and acoustic guitars and often reminding some of Battiato's early works. Despite the presence of five singers in the line-up, the vocal parts are short, spoken rather than sung. All in all an interesting album for the adventurous listeners in search of something different. Ref: Battiato, Cacciapaglia, Stelle di Mario Schifano. Audiophile quality repress
Limited edition pressing of 300 copies * Includes text insert by Akio Suzuki. Originally recorded in 1984, “Jumping and Standing” consists of a live performance at Musashino Art University by pioneering Japanese sound artist Akio Suzuki, accompanied by five toy rabbits. This long-awaited release epitomizes Suzuki’s approach to performance, imbued with a characteristic sense of humor and an organic interplay with his audiences, as evinced by uproarious laughter heard on the opening track. Now som…
Edition size 200 copies. Handmade album jacket swathed in dyed gauze. Each jacket features a one-of-a-kind collage by Akaishi. Takumi Akaishi’s music is like a delicate shadow box garden, a miniature sonic world unto itself. Following the release of his debut LP Music for Hurdy Gurdy (2012) and first cassette tape Naked Tape and Others (2013), Akaishi garnered critical acclaim for his fidelity to the hurdy gurdy mantle, filtered through a uniquely gentle, almost hazy touch. His tracks are inte…
Atmospheric music by the spiritual leader and composer One of the great mystics of the early 20th century, George lvanovich Gurdjieff was born in Alexandropol on the border of Russian Armenia and Turkey. As a young man, he began to travel east as far as Tibet, Afghanistan and Central Asia, in search of spiritual enlightenment. Visiting ancient temples, Gurdjieff learned from spiritual teachers and absorbed music from all the places he visited. On his return to the West, he gathered a group of fo…
Manipulating and experimenting in all directions, Pierre Bastien gets help from a lot of human-being (Percussions, piano, cello & accordion) but also from machines: toy robots play percussion, xylophone or even the guitar. The result is surprising, varied, funny, crazy but always very interesting. Part of the now famous collection Les Zut-O-Pistes, 'Les Premières machines - 1968-1988' includes the artist's debut works. Starting with the simple 'Sans Titre', recorded in May 1968 during his school…
**Edition 200** Reissue of a cassette that Colby released on his own Laughable Recordings label in 2014. Mr. Nathan is based up in Maine, where he recorded Sophie Dickinson's Cucucanady LP (FTR 177LP). Greg is from Maine as well, and the pair got together for this session in late 2013, with Ralph White sitting in on one track. The sonics recall everyone from early Neil to something that sounds more like a small cabal of stoned American ex-pats singing for their scalps in Denmark in the summer of…
"Made when she was just 18 years old, Barbara Rubin's art-porn masterpiece Christmas On Earth (1963-65) shocked NYC's experimental film scene and inspired NYC's thriving underground. For the next four years her filmmaking and irrepressible energy helped shatter artistic and sexist boundaries. A mythical 'Zelig' of the sixties, she introduced Andy Warhol to the Velvet Underground and Bob Dylan to the Kabbalah. But beyond shaping the spirit of the sixties, Barbara was seeking the deeper meaning of…