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Empty Castles is the third document of Spectral, a working horn trio split between the cities of San Francisco and Chicago that’s been active since 2012. As with their previous two releases, 2014’s self-titled debut, and 2016’s digital-only Neutral Nation, this new recording showcases a free improvising band that fully embraces the term “instant composition.” While their performances are known for thoughtful pacing and development, methodically spinning off complex structures from scratch with a…
This transatlantic trio combines musical sensibilities derived from their experiences in two world capitals of improvised music, Chicago and Amsterdam. Rempis and Rosaly, both longtime staples of the Chicago scene, have partnered for more than 15 years, most significantly in the Rempis Percussion Quartet and Rempis/Rosaly Duo. The two met guitarist/bassist Jasper Stadhouders at the Moers Festival in 2009 where the three shared a stage on the legendary “morning sessions.” Despite being only 18 ye…
** In Process of Stocking ** Saxophonist Dave Rempis and percussionist Frank Rosaly share a musical relationship of the once-in-a-generation variety. These two improvisers have worked together for almost twenty years, beginning in 2001 when they met in the basement of the Nervous Center, a divey Lincoln Square café that served as a crucial breeding ground for young improvising musicians in Chicago at that time. From the spark of that first musical encounter, the two went on to work together in c…
** In Process of Stocking ** This debut release by the working trio Gunwale matches veteran Chicago saxophonist Dave Rempis up with two of the brightest up-and-coming stars from the next generation of Chicago improvisers. While Ryan Packard is known mostly for his extensive work as a composer and percussionist within the thriving contemporary classical scene in Chicago, Albert Wildeman has achieved notoriety for his meteoric rise from novice instrumentalist to one of the busiest players around a…
** In Process of Stocking ** The fifth release by this powerful working trio in as many years shows a band once again not afraid to come out of the gate swinging. As always, these three individual virtuosos combine their unique talents to put forth a churning mix of hard-driving grooves and well-forged power. However, as the band has continued to work and tour together regularly for the past five years, their music continues to find new avenues of expression. On this recording, Worse For The Wea…
** In Process of Stocking ** Four generations of Chicago saxophonists join forces in this collaborative quartet, each one separated in age by almost exactly ten years. This wasn’t a calculated decision when Rempis and Vandermark first brainstormed the idea of the group in late 2013. The lineup came together based purely on the musical affinity of the personalities involved. (Oddly enough, Mazzarella and Williams had also been discussing the idea of forming a saxophone quartet at that time). Howe…
** In Process of Stocking ** On August 31st, 2014, The Rempis Percussion Quartet celebrated its tenth year in existence with an increasingly rare hometown concert at Chicago’s venerable Hungry Brain, a bar whose dark, relaxed, and frequently hard-drinking atmosphere helped to define more than a decade of the Chicago improvised music scene. The band had cut its teeth with regular performances at the Brain in the mid-aughts, but sadly, this would be the last time they hit the stage before the bar’…
Dave Rempis and Tim Daisy are two musicians whose work has helped to define an entire generation of Chicago improvisers. Having performed together since they both hit the Chicago scene in the fall of 1997, these two have joined forces on hundreds of performances and dozens of recordings with notable groups including Triage, The Engines, The Rempis Percussion Quartet, The Vandermark Five, and countless other ad hoc groupings. Their duo pairing has a similarly long history whose roots date back to…
** In Process of Stocking ** Wheelhouse was formed in the summer of 2005, when bassist Nate McBride relocated to Chicago from Boston, and was looking for some similarly-minded musicians with whom to work. Having previously met Dave Rempis during the saxophonist's visits home to Boston, he approached him with the idea of starting a band together. Rempis recommended up-and-coming vibraphonist Jason Adasiewicz, who has gone on to become one of the most noted voices in the Chicago improvised music s…
Dave Rempis, alto, tenor, baritone saxophone. Ingebrigt Hoeker Flaten, bass. Frank Rosaly, drums. Tim Daisy, drums. The Rempis Percussion Quartet is a free - improvising whirlwind that draws inspiration from a shared interest in West African and Latin American rhythms, coupled with American funk and free jazz. Using these influences, the band creates spontaneous music which nevertheless maintains a focus on ensemble motion and compositional structures. Led by saxophonist Dave Rempis (The Engines…
Sink into a vision of a dreamy psychedelic universe which seems to have been Peter Dunton's own on Circus Days, the third collection of previously unreleased recordings from Dunton's late 1960's British psychedelic band, Please. If Sonny Rollins is the 'Saxophone Colossus', surely Peter Dunton is a top contender for Underground Psychedelia Colossus: Neon Pearl (1967); the Flies (1968); Please (1967 and 1969); Gun (1969); songwriting for Infinity (1969-70); and of course, the band he is best know…
**CD edition** Fire! Orchestra tracking new paths and reaching new levels of excellence, still honoring their 12-year-old vow of presenting a fresh approach to improvised music. Their debut album, You Liked Me Five Minutes Ago, was released in 2009 to wide international acclaim. "The basic strategy of pairing the expressive energy of free jazz with a sturdy sense of groove has yielded something potent and self-contained" --New York Times. Between this and Defeat there´s been five albums, includi…
Composed and recorded by Gaspare Sammartano. Sammartano plays walkman, sampler, field recordings, tape loops, found tapes, an old stereo 8 tape abandoned in Punta Rondinella. Punta Rondinella field recordings by Pierluca Ditano. Swimming coach: Donato Epiro. Mastered by Renato Grieco. Tag Design by Alef. Layout by Peppe Frisino. Gaspare Sammartano is an Italian underground musician and sound maker. His solo work is focused on gathering and manipulation of tapes and reflecting on the evolution of…
* Edition of 100. Yellow Tape * Recorded, mixed & mastered by Mike Pride at Farming Studios, Chester, NY on July 6, 2018. All music performed Mike Pride - drums, percussions, strung items and Jonathan Moritz - tenor and soprano saxophones.
* Edition of 150 * All tracks performed by Andrew Weathers on electric guitar, field recordings, organ. Recorded on December 11, 2019 by Adam Hirsch at The Creek, Oakland, CA, occupied Chochenyo Ohlone land. Most field recordings were made by Andrew Weathers between 2009 and 2019, some recordings were made by Harvey Day and Lindsay Keast. Mixed & Mastered by Andrew Weathers at Wind Tide, Littlefield, TX, occupied Comanche land.
Edition of 300 copies. Giancarlo and Massimo Toniutti’s Spazio di Hausdorff newborn label finally unveil this epic, years-in-the-making 5 CD retrospective/compilation of musics by Enrico Piva spanning the years 1978-1999 with critical texts by Giancarlo Toniutti and Vittore Baroni, and a complete discography by Walter Rovere. Enrico Piva has been a master of concealment. And a profoundly serious researcher who devoted himself to art in his various facets never blending it with mediocre and tamed…
Abu-l-Hasan al-Nuri primitive Sufi saint writes: "they possess nothing and are possessed by nothing" is the basis for five landscape studies, as an idea of emptying the soundscape in its concept and also in its practice, a laboratory of environmental recordings and sampling.
This work is visited by readings ranging from Céline to Novalis passing through Georg Buchner in his "Lenz" arriving at Arthur Schopenhauer, offering insights above all in his writings on music and in the "world as will an…
Prolific Swiss electronic composer Francisco Meirino (Misantropic Agenda, Entr'acte, Antifrost) and Basque country’s most prominent experimental musician Miguel A. Garcia aka Xedh (Crónica, Idealstate) team up and go for the rawest yet most carefully built electronic experimentation. No-input mixer, modular synth, field recordings & magnetic fields find themselves at the core of this true gem of radical electronic music, savvily handcrafted with by two experts of the genre.
"35.256031, 47.013321, 27.081979" is an experimental sound art piece created by the Iranian composer Porya Hatami. This piece is channeling the dark historical event. Hatami’s piece could be seen as a form of meditation on this event and all tragedy and sorrow involved. The front cover is a painting by Hawar Amini which is a version of the mentioned photo.
Porya Hatami (b. 1981) is based in Sanandaj, Iran and he works with field recordings and puts these against electronic tones in different way…
** Original Compilation, Numbered ** This compilation was originally released by BLUE-ist in 1993. Release title: "Jirai Wo Fundara Sayounara" (Step On A Mine And It's Goodbye).
Tracklist :Dr. Numa – TV-J; Harpy – A Sante Sate; 愛と誠 – 気狂い(キチガイ; 大陸男対山脈女 – King Of Cocation; Yellow Cab – 6-101093; 木のぼり猫 – サンデー・ホーム; Shepherd Moon – 白昼の追跡者; Colloid – Invalid; Blue-Ist – ドキュメンタリストに死を; Diesel Guitars – Grind Master II; ハニー山本とポルカキングス – たそがれの新潟スタシオン; Zsa Zsa Gabour – Infra Rouge.