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Roots Of Electronic Sound
Here’s possibly... ah hell it IS the best looking Creel Pone yet - thanks to an extended spec and much nicer print-stock - a reproduction of a 1979 Victor label reissue of a 1975 LP on the legendary Alm label featuring a series of short tape music experiments, recorded between 1963 and 1966 by Matsuo Ono, with assistance from none other than Takehisa Kosugi. The artwork and libretto on the lp are full of references to “Atom” - better known to westerners as “Astro Boy” - a mid-60s japanese car…
The Complete Narco Recordings
After a several-months-long blackout, Creel Pone is back in action! What a fine little number to get the ball rolling with once again; a reproduction of all five LPs originally self-released by Nicolas “Nik Pascal” Raicevic on his Narco Records and Tapes label - rumored to be one of the first truly independent labels, with Raicevic simply walking into an L.A. pressing plant & placing orders for stock - between 1969 and 1975. The music is nothing short of genius; a fine beaded mist of exceeding…
Paesaggi Intravisti
The sole solo release by Il Gruppo di Improvvisazione Nuova Consonanza AND post-MEV ensemble "Elettronica Viva" member Walter Branchi, "composizione elettronica realizzata in occasione della mostra "Il luogo del lavoro" XVII Triennale di Milano." with Mauro Bortolotti - a student & assistant of Pietro Grossi at the latter's Florence studio. Branchi jointly founded the Studio R7 in 1967 w/ Franco Evangelista, Gino Marinuzzi Jr., "Syn-Ket" inventor & John Eaton collaborator Paolo "Paul" Ketoff, Eg…
Music To Wash Dishes By
Nice to see this 1982 “Private Press” LP by Chicagoland’s Tom Cameron in the program; I’ve long felt this was one of the better “One Man Against the World ... with Synthesizer” LPs self-financed during the late-70s / early-80s. Each side features an extended, gorgeous take on analogue “Automation” book-ended by two, shorter, more “Accessible” numbers. The A-side’s “Another Question” is an impeccably gaseous, floating void of minimal diminished-minor filigree that rates up there with thebest of…
Elettroformule
First in a series of 4 late-summer 2009 blasters from Mr. P.C. C.P. - a reproduction of this über-obscure 1969 Italian Leo-label library R@ER - in Mono, no less - from Giuliano Sorgini. If you already have Sorgini’s name on your radar, most likely you’re either :: (1) a collector of Italian library-music LPs, of which he has many under his belt as "Raskovich" or (2) an avid fan of Spanish director Jorge Grau’s 1975 film “Non Si Seve Profanare il Sonno dei Morti” - aka “The Living Dead at…
Pandémonium
Herein lies the entire recorded output - save for an appearance on the 1983 Broken Flag “Crusade” compilation tape - of French Musique Concrète composer Jean-Baptiste Barriere, issued as a pair of LPs on Atem magazine’s short-lived record label - where they sat, somewhat uncomfortably, alongside canonic RIO sides by Univers Zero, Art Zoyd, This Heat, Aqsak Maboul, Present, and Fall of Saigon.Composed from 1975-1976, then issued as two separate LPs in 1979, the “Pandemonium” suite encompas…
Suomalaista Elektroakustista Musiikkia
Reproduction of this superb 1978 pressing, realized at the Finnivox-studio & issued on their in-house Fennica Nova imprint, covering early- to late-70s work by a coterie of composers working largely in & around various public & private studios in Helsinki, including Yleisradion Kokeilustudio (Finnish Radio's Experimental Studio), Helsingin Yliopiston Musiikkitieteen Laitoksen Studio (The Electronic Music Studio at Helsinki University Music Department), Osmo Lindeman Kotistudio (Osmo Lindeman's p…
Electronic Music in Canada, vol.1 & 2
Epic, double-disc edition covering three LPs of formative Electronic Music from Canada; both volumes of the Melbourne-label "Electronic Music By Canadian Composers" series - presenting both cover-variations of each in a metallized variant of the de facto Creel Pone "grid" - then the internal Radio Canada pressing of "Music Canada Vol XIII Electronic Music in Canada." Starting with an amazing, side-length piece by "Sky-Sails" co-author Ann Southam (more about her later in the series) & continuing…
The Pulses of Time
Creel Pone of a 1981 LP privately released by the University of East Anglia containing three sparse Musique Concrète pieces composed between 1974 and 1979 at the GRM and UEA studios by New Zealand born/bred composer Denis Smalley. Widely considered to be one the classics of early British electro-acoustic music - alongside Trevor Wishart’s “Journey Into Space” & “Red Bird”, Desmond Leslie’s “Music of the Future”, and Basil Kirchin’s “Worlds Within Worlds”), the three pieces on “Pulses” each wor…
Flowers of Evil
Back again after last week’s mishap (don’t ask) with an absolute corker of a Creel Pone - the setting of a set of poems by Charles Baudelaire to electronic instrumentation & vocal treatments, as realized by Ms. Ruth White in mid-1969. A sampling of any of the included texts should tip you to just how creepy & dark the vibes emanating from within this record are exactly. Ms. White’s possessed monotone-through-echoplex-through-VCLFO’ed-gate throughout is just bone-chilling, her howling synth & noi…
Electronic Music, Experimental Studios In Prague, Bratislava, Mu
Welcome back everyone! Hope you enjoyed those few weeks off from the natural Creel Pone "Cycle." We continue, as promised by Mr. P.C. C.P., "Unabated throughout the end of the summer." First up, "Electronic Music - Experimental Studios in Prague, Bratislava, Munich, University of Illinois, Warsaw, Paris" - this is just a great compilation, assembled by one Vladimir Lébl and released on the Czech Supraphon label in 1968 - on glorious, crackly Eastern-European wafer-thin vinyl no less - featuring …
Elektronski Studio Radio Beograda
1975 collection, the first to offer pieces from the Serbian electronic music studio “Elektronski Studio Radio Beograda,” with work from Paul Pignon (his “Hardware Performance” trilogy, split across two sides - supreme, distant analogian bleep of the highest order), Vladan Radovanovic (high-spec mutating bell-klang orbits & chopped-up ghost-vocal rituals), Natko Devcic (aleatoric clusterings of scattered stereo-field bleep), and Josip Kalcic (dark, filtered-out buzz, culminating into a dense bed …
Perspectives Musicales
Well ... Mr. P.C. C.P. has clearly taken a peek at my “Holy Grail” list - in it, nestled amongst such unattainable classics as Karel Appel’s “Musique Barbare”, Paul Boisselet’s “Le Robot”, and Il Gruppo Nuova Consonanza’s ill-fated Cinevox-label album is the LP in question; a split release featuring a pair of pieces made at the tail-end of the 1960s at the GRM by Jacques Lejeune and Christian Clozier, respectively. Released as part of EMI / Pathe Marconi’s mythical “Perspectives Musicales” serie…
Magyar Elektronikus Zene: Hungarian Electronic Music
Budapest goes sci-fi. Super obscure composers, but plenty of sine wave hooey for your Balkans buck. Tracklisting: Zoltan Pongracs-Mariphonia, Zoltan Pongracs-The Story of a Chord in C Sharp Major, Peter Eotvos-The Tale, Ivan Patachich-Ta Fonaenta, Ivan Patachich-Funzione Acustica, Mare Victor & Peter Winkler-Viscositas.
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It’s Friday, and here’s another Creel Pone - I’m sensing a pattern here - this time a thoroughly fantastic comp running down the cream of the early-mid 70s Budapest crop. One…
Recorded Music For Film, Radio & Television: Electronic SBH 3073
Recent claims made re: Tod Dockstader’s absence from the public eye since releasing his owl-label lps in the late 60s are somewhat off. In 1979 this and another “companion” volume were released on the boosey & hawkes library music label; consisting of a spate of sound-queues made by mr. dockstader for production/documentary use. this sounds like no other dockstader recording you’ve heard. There are a couple of “fat brass synth-fanfares for sci-fi” kind of queues, but for every one of those there…
Greek Electronic Music
A collection of late 60s pieces from 6 hellenic composers; only one of which even rates a single listing in the Hugh Davies book (that would be Michael Adamis.) See that on the cover? its the patch-bay of an ems vcs3, possibly the most legendary/covetable analogue synthesizer.Here is an exchange that i’ve fabricated as a possible explanation of how this record came to be:Adamis: “I’ve just come back from London and look what i have: it’s an EMS VCS3. It’s a(n) Electronic Sound Synthesizer.”Ada…
„Hör!-spiel” / Necrologlog 1961 / Fantasmata 1960
i have a stipulation in my concert-rider that reads thusly: ‘If the promoters of the show take me to a record store wherein I find one of my personal “Holy Grail” LPs for a reasonable price, I will perform that evening for free. Because of this, people are always asking me about my “Holy Grail” records and offering advice (“French & German electronic music from the 50s through 70s? You mean J.M. Jarre & Tangerine Dream?”, or “Pierre Henry? have you heard this really obscure one; ‘Messe Po…
Earth Horns With Electronic Drone
Yoshi Wada and EM Records presents the first-ever, world-premiere release of Earth Horns With Electronic Drone, recorded live in 1974. Combining four of Wada's self-made "pipehorns" (made from plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early minimalism, placing Wada rightfully in the pantheon with La Monte Young, Phill Niblock, Maryanne Amacher and Alvin Lucier. Recorded…
Ghosts Of Nakhodka
This is a gem of a recording! A new album, the sister of Ghost of Nakhodka in some ways (Siren Records 2009), but entirely new and different material. 'Ghosts' is all played on a monphonic synthesizer and recorded directly to two track tape. Evoking memories of dreamy postcard memories and snapshots of another time and place. Moving in 13 parts to a final conclusion- 'Map of the World'."You may be thinking, there was an album by Andrew Chalk with this exact same title. And you would be correct…
The Circle Of Days
Truly beautiful new LP, "The Circle Of Days", from UK sound/drone artist Andrew Chalk on his own Faraway Press imprint. Recorded in 2003-06 and created with field recordings, keyboards, guitar, bass guitar, and slide-guitar, "The Circle Of Days" includes a return for Chalk to his long-term collaboration with Daisuke Suzuki (Ghosts On Water, Lost Shadow, Siren Records et al), who features on five of the LP's 14 (relatively short) pieces. The field recordings, mostly captured from everyda…