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This double album with compositions from the last two decades offers an insight into the diverse musical soundscape of Joël-François Durand. From Mirror Land (2005) to Geister, schwebende Geister... (2020), Durand’s work shows a unique development characterised by his use of microtonality. The poetic dialogues of the Fernando Pessoa-inspired Quatuor à cordes No. 2: Cantar de Amigo (2020) and Durand’s ongoing exploration of microtonal spaces in La descente de l’ange (2022) reveal a dynamic and tr…
The cycle Khôra, featuring saxophone quartet and microtonal accordion, explores the dynamic interplay between sound, philosophy, and space. Inspired by Plato’s Timaeus and Jacques Derrida’s reinterpretation of Khôra, the nine pieces challenge traditional notions of time and space. Performers from the SIGMA Project and accordionist Iñaki Alberdi create a fluid, immersive experience that goes beyond linear hierarchies. Capturing the essence of an ever-changing world, the album reflects Ernst Bloch…
In 1968, Steve Reich coined the term Process Music to describe compositional designs that resemble “pulling back a swing, releasing it, and observing it gradually come to rest,” explaining that “once the musical process is set up and loaded it runs by itself.” In the mid-1970s, Brian Eno began using the expression Ambient Music to refer to atmospheric compositions that “must be able to accommodate many levels of listening attention without enforcing one in particular,” music that “must be as ign…
* Italian Language Edition * 2024 Stock * Fernando Grillo (Foggia 1945 - Perugia 2013) contrabbassista e compositore, è stato tra i protagonisti dell'avanguardia musicale del '900, pioniere nell'esplorazione di nuove tecnichedi produzione del suono sul contrabbasso. Per lui hanno scritto compositori quali Salvatore Sciarrino, Iannis Xenakis e Luciano Berio. Karlheinz Stockhausen lo definì "il Buddha del contrabbasso", mentre Carmelo Bene, per il quale lavorò alle musiche dell'opera poetica "I ma…
CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…
*2024 stock. Custon CDr* Works by Talib Rasul Hakim, William Bolcom, Howard Swanson and Frederic Rzewski are presented here. Highlights include Bolcom’s "Whisper Moon" for chamber ensemble and three of Rzewski’s songs, whose lyrics are drawn from words by Frederick Douglass, Langston Hughes and Guatemalan revolutionary Otto Rene Castille.
*2024 stock. Custon CDr* Trumpets and trombones twist through dense pockets of sound in Lucia Dlugoszewski “Angels of the Inmost Heaven”; the voice of a lone guitarist punctures the silence in James Fulkerson’s “Patterns” II and VII; flute, bassoons, viola and vibraphone are intended to “turn some dancers on” in Carman Moore’s “Youth in a Merciful House”; and a guitarist laments to the hum of an Elizabethan-type string and woodwind consort in Stanley Silverman’s “Planh.” This is a thoughtfully b…
The inaugural release in Greyfade’s innovative new FOLIO music release format, composer Kenneth Kirschner’s Three Cellos is the culmination of a five-year collaboration between Kirschner, arranger & producer Joseph Branciforte, and cellist Christopher Gross.
*2024 stock. Custom CDr* This 1973 recording combines live performance and tape in order to “offer the best of both worlds, plus a dimension which neither live performer nor tape can reach alone.” There are four pieces on the album: “Terminus” and “Aldebaran” are each for a solo performer and tape, “Three Songs of Night” is for a large ensemble with intermittent tape, and “Cortege—for Charles Kent” is an entirely electronic piece. Liner notes contain a biography of composer Jean Eichelberger Ive…
The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…
*2024 stock* The openness of Lucier's instructions belie the difficulty in dealing with the idea of how one can translate a sound from one medium into another and what kind of transformation of information takes place in that exchange. While interpreting this work, a musician becomes intensely aware of the processes by which one listens, both consciously and subconsciously; how one is constantly decoding sounds in one’s environment, filtering out essential and non-essential information, discerni…
2024 Stock. First volume of solo piano compositions by Emahoy Tsege Mariam Gebru, finally back in print. Born to an aristocratic family in Addis Ababa in December of 1923, Emahoy spent much of her youth and young adulthood studying classical music in Europe. She returned to Ethiopia in the 40s, where the war interrupted her musical studies. In 1948 during a church service in Ethiopia, she found her faith and began years of religious training. Throughout her physical and spiritual journeys, Ema…
Over the years, the venerable New York based imprint, Mode Records, has operated to give Walter Zimmermann a solid platform, issuing both new work and reissuing lost classics. Mode continues this essential project with the first-ever LP reissue of Zimmermann’s first recording, the 1978 solo piano classic “Beginner’s Mind”, which will also be available soon in CD format.
*300 copies limited edition* Eva-Maria Houben (born in 1955) is a German composer, organist, pianist and musicologist. She is a member of the Wandelweiser Group. Her compositions, performed by herself and many other musicians, have been released on CDs and LPs as well as digitally by Edition Wandelweiser and other international labels. On May 15, 2023, composer Takahiro Kuroda (born in 1989) presented the concert "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x" in the performance space…
*300 copies limited edition* Eva-Maria Houben (born in 1955) is a German composer, organist, pianist and musicologist. She is a member of the Wandelweiser Group. Her compositions, performed by herself and many other musicians, have been released on CDs and LPs as well as digitally by Edition Wandelweiser and other international labels. On May 15, 2023, composer Takahiro Kuroda (born in 1989) presented the concert "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x" in the performance space…
Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music - Ihor Tsymbrovsky - Come, Angel.
2024 stock. "My intention … was to explore those situations in which a loss of orientation leads us more deeply into the moment itself. There is a certain aquatic feel to the music, in which the performers are joined with a complex and sonorous fabric of computer generated sound. […] The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized…
2024 stock. Pärt's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method. The overall sound is significantl…
2024 stock. This is a recording that explores the "extra"- ordinary potential of the CD not only as a carrier of traditionally recorded instrumental sound (CD 1), but also offering a different view through binaural encoding of the same materials spatialized (CD 2). - Please note: the binaural recording is only available as part of the 2 cd set. not as a downloadFirst you are presented with two solo compositions-Kokoro and Focus a beam, emptied of thinking, outward…-and the duo Process and Passio…