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Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under such a cloud when, after 1978, his songs, for a time at least, did not…
Bureau B reissues the first Deutsch-Amerikanische Freundschaft album, originally released in 1979. True D.A.F. connoisseurs will, of course, be aware of the early phase of the Düsseldorf-Wuppertal combo. But most fans of the subsequently world-famo…
**Limited, hand-numbered edition of 250 on white vinyl. Housed in 352gsm stock cover with white ink letterpress print, obi strip & insert** Engrossing field recording and electro-acoustic compositions from two compatibly disciplined sound artists. In…
"This lovingly produced and gorgeously packaged LP contains seven previously unreleased electronic pieces that Gagnon realized at McGill University’s Electronic Music Studio. Leading off the proceedings is “Gwendoline Descendue!,” an electronics/tape…
Brand new Andrew Chalk release packaged in an elaborate handmade slipcase with a Japanese language obi strip. Exactly the same style as the recent ‘Violin By Night’ LP, ie. super thick sturdy slipcase/box with a dowelling spine and a full colour inne…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church…
This was the 10 PM set on 9/11/11, and makes for a perfect pair with the Rowe solo - two very different extremes. Where the Rowe set is in your face visceral, Unami and Malfatti created a gentle atmosphere within the pitch-black room (lit solely by…
This was the much anticipated final set of Keith Rowe's week in NYC, following five duo sets with various collaborators. It took place on the 10th anniversary of 9/11, and the Manhattan atmosphere was uniquely charged. As he almost always does, Ro…
Field recordings made at Mariental-Dorf (Germany) 1970, Göteborg 1970 (Sweden), Wolfsburg 1969 (Germany) Sonnenberg, Harz 1970 (Germany) with a Uher mono recorder and a microphone Sennheiser MD 421 N
A journey to the Chinese Qinghai province (Tibetan culture region of Amdo) was commissioned by the Goethe-Institut China. Its purpose was to experience the province and to produce art works to be presented at The Third Guangzhou Triennial, subtitl…
Ultra-heavy bass from the depths by our friends Lee “Culver” Stokoe (also with Skullflower these days) and Karst (nothing else but Mutant Ape and Turgid Animal boss). Deep matter.
Rusalka is a female noise artist based in Vancouver with past works on What We Do is Secret, Ruido Horrible and Dead Audio Tapes.Under Foot is worship. The worship of women and sound. It is sacred filth. Based on the novel ‘Venus In Furs’ about sexua…
Corrado Altieri (CANDOR CHASMA, TH26, MONOSONIK) gives us an extraordinary synthesis of electronic noise music playing only analog and digital equipment without computer assistance. From power electronics to drone music with a master impro touch.
More music by Gianluca Becuzzi (see Vital Weekly 810 for his previous release), and another one that doesn't reveal much in terms of information. Just a titles and the year it was produced. Its however some kind of concept album. The opening and clos…
Untitled 12 (after agnes) takes it's title from a painting the American artist Agnes Martin made during her "gray" period in the 1980's. The work was completed in 1984. In this painting nothing in particular stands out, nothing garners any particular…
Realized at the Lutheran Church of the Messiah in Brooklyn, New York, April of 2010.Recorded live, mixed, and mastered by Adam Diller.Featuring the invaluable contributions of: Ann Adachi (flute), Adam Diller (tenor saxophone), Tucker Dulin (trombon…
Two pieces for hand-held agitated unfilled extended geometric figures made of synthetic ersatz substance with straight parallel sides and a circular round section at each end.Presented as recorded in real-time without any edits, overdubs or effects a…
In 2012 the University of Sheffield commissioned Mark Fell to collaborate with Dr. Jonathan Howse, a leading nanoscientist based in the Department of Chemical and Biological Engineering. Their collaboration led to several works including a multichann…
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lac…
...Mindblowing!!!! "Perpetually rolling, Japanese-American master percussionist Tatsuya Nakatani holds a relentless schedule, road-bound in continuous dedication to his passion. His solo sets thunder with coaxed nuances from his kit, overlaid in stag…