Flutter & Scrape
"Flutter & Scrape" is a walking performance for prepared piano, aleatorically prepared room & objects, sine & square wave oscillators, tapes, voice, EMF signal, & time-based electronics. Performed by Sontag Shogun in 2018 in the studio at Machines With Magnets, recorded by Seth Manchester. Electronics & processing done in Montreal & Brooklyn in 2019.
Unhinged
Bob Bellerue's “Unhinged" is 85 minutes of physically heavy yet delicately executed amplified piano noise drone. Taken from two festival performances in 2017, the recordings capture the multidimensional articulation of the speaker systems used on and around the strings of a grand piano. Pickups and microphones are variously fed to small medium and large speakers to make feedback, which is combined to create cross-modulations that are petulant and unstable. Quiet groaning drones build to massive …
Zone 7
Overview 'On Zone 7 New York artist Christina Giannone creates sound worlds that act as portals to the interiority of our lived experiences. These portals appear like shimmering nebula, distant but compelling, calling our attention and sparking us to reach out towards them. Through a series of drifting passages her record maps out a possible trajectory into the recesses of our often under explored subconscious. This is not a didactic music, rather it is invitational and maintains a constant flow…
Oceans Of Milk And Treacle
From Mike Cooper ‘This is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personne…
For Leolanda
Melbourne based percussionist and composer Maria Moles charts out an electro-acoustic familial history with 'For Leolanda’. Drawing on family roots in The Philippines, she extrapolates rhythm and timbre from the diverse musics of that country and interweaves them with percussion, synthesizer and singing bowls. Her sonic meditations are open and generous, and they chart out the shape and pulse of memory; both real and imagined. Each piece tests for the relationships between frequency and harmony,…
Live Electronic Music
"Jeff Carney's sophomore effort for audioFile (1989) could not have been criticized were it to have remained in similar territory as the electronic wall of sound he had created on Imperfect Space Journeys. Instead, he created a more sparse, evolving tapestry of analog timbres. Using an exclusively vintage analog arsenal and recording live without overdubbing, Carney pushed forward with new ideas and uniquely developing sweeps of filter madness. The side-long 'Questions (Unanswered)' is immensely…
Absum
As in the Osvaldo Coluccino's own words: "Presence of the work, absence of the author. So muffled, vapor escaping from an old coffer, so dusty and apparently, in some ways, timbrically “primordial” and yet elusive, the first three compositions of the album unfold. The following three increase the dynamism and openness of the timbre. As always in my albums, also in Absum a journey takes place along the tracks that, joined together, make it up. Even in this “raw” timbre paste, emblem of adherence…
Cells #5
Atsuko Hatano is a contemporay classical Viola player who works with electronics to add textures and layers to her sound. Located in Tokyo, Japan, she is a commanding instrumentalist and composer who constructs innovative compositions with strings and layered electronics.Cells #5 is an orchestral collection and sequel to her previous album Cells #2 which will also be released on cassette via Imprec’s Cassauna label. Cells #5 required three years to complete and the work features the artist’s sig…
To Live A La West I
Every new St. Abdullah record is an attempt to present new ideas and To Live A La West is no exception. Spread out over a CD on Imprec and a cassette on sister label Cassauna, To Live A La West is simply moving, a collection of profound and spiritual tracks miraculously existing at the impossible intersection of free jazz and electro where mystery and clarity exist together. Neither complicated or complex but profound, St. Abdullah’s new work is partially inspired by their love for Jon Hassell’s…
Glide
The Fact of Being are happy to inform about the second step in a series of reissues of early works by Peter Davison. The long-awaited re-edition of a highly acclaimed and innovative album "Glide" 1981 to celebrate its 40th anniversary. "Glide" was the second artist's album. Released in 1981 on vinyl and urgently repressed in 1982 due to high demand it was sold-out fast again and has not been reissued since that. To date, this is one of the rarest and wanted ambient recordings that finally availa…
Musiques d'ordinateur
Sébastien Roux imagines new listening situations. He uses algorithms, games, movement, spatialisation, and diagrams to articulate two complementary notions: the perception of form and the forms of perception.
Musiques d'ordinateur (Computer music) gathers pieces written between 2011 and 2020. The tracks on this CD are the more or less predictable results of more or less complex programs. The sounds and their organization (the score) are calculated. There is no editing nor mixing. The algorithm …
Fallen Gods (2LP)
Fallen Gods is the third studio album by Rapoon aka Robin Storey, formerly of :zoviet*france:. Originally released in 1994, ‘Fallen Gods’ emerged amid a prolific early period for the Rapoon project, following in the wake of debut album ‘Dream Circle’ – originally released in 1992 – and second outing ‘Raising Earthly Spirits’, released a year later. Building on the haunting industrial ethers of ‘Dream Circle’ and the esoteric, rhythmic drone of ‘Raising Earthly Spirits’, ‘Fallen Gods’ consolidate…
Accident In Heaven
Accident In Heaven was originally released in 1987 as a hand-made micro-edition of about 40 cassette tapes. It was only the third ever release on the short-lived now near legendary SDV label which had been established that same year by Konrad Kraft, Bernd Sevens and Dino Oon in Düsseldorf.Finally finding a more substantial and appreciative audience on vinyl over 30 years after its original limited release, Accident In Heaven is a strong testament to the explorative experiments of Detlef Funder a…
Batang Frisco
Founded by Eric Jensen & the late Bill DiMichele (RIP), the lifespan of San Francisco based project Batang Frisco (‘San Francisco Kids’ in the Filipino dialect Tagalog) is inimitably distilled on this solitary self-titled record, an outlandish private press pearl of homespun minimal synth music.Recorded over the course of 1985/6 and self-released in 1986, the one and only Batang Frisco LP was the product of an inconspicuous DIY existence spent in the margins of the Bay Area scene in the 1980s. C…
Eins und Zwei und Drei und Vier: Deutsche Experimentelle Pop-Musik 1980-86
Spunky wave kraut from early ‘80s Germany, portraying the sound of the country’s first proper youth movement, with Conrad Schnitzler, Der Plan, Palais Schaumburg, Asmus Tietchens, Holger Hiller, Populäre Mechanik and many more
Material Interstices
Tip! Lawrence English teams up with Xiu Xiu's Jamie Stewart once again for another voyage into ambient music's punishing underworld. It’s their gloomiest slab to date - unfurling nightmarish Lynchian drones and seismic, overdriven rumbles that sound like a Thomas Köner and Wolf Eyes soundtrack to Dante's Inferno.
If the gaseous, clouded noise of 'Material Interstices' sounds as if it could be snatched from one of David Lynch's most unsettling dream sequences, we have to assume that's completely…
Return to Solaris
Acclaimed UK electronic musician Kevin Richard Martin (The Bug, King Midas Sound) releases a stunningly powerful rescore of Andrei Tarkovsky’s seminal 1972 movie Solaris on Phantom Limb.
The Sun Of The Night
Tokio Hasegawa was an original member of Taj-Mahal Travelers. After the band, he has organized Mithila Museum, a small museum for Indian vernacular art, in forest area in Niigata pref. since 1982. His action of introduction of the art is well-known and respected by India nowadays, however, he is still a musician.
This CD was released as realization of his cosmological thinking and sound. All instruments are played and mixed by himself (except voice and rhythm, by his daughter).
All Skies Have Sounded
Heavy cardboard mini-gatefold CD. "Gonzen, uminari or retumbos. Perhaps you've heard these sounds? They're known to occur all over the world and, as one might expect, humans have strained to offer various explanations for these unsettling emissions that materialize unbidden from the sky. We like to say that we've understood what's happening so that we can move on. Tidy up the loose ends and don't scare the horses. Nothing wrong with that in good measure, but there's something to be said for the …
All Those Born Must Die
**Edition of 125** The investigative sound artist Jeff Surak is quick to point out that this title should not be interpreted in a negative sense. merely a neutral observation. in fact, themes of detached inquest about disintegration have been quite welcome here at the helen scarsdale agency. surak has been a fixture within the experimental community for many years, curating the sonic circuits festival, programming for rhizomedc, and running his own zeromoon label. his own work manifests non-lin…