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Electronic /

Everyone Goes Home When the Sun Sets
The arrival of a new Andrew Chalk album is always a cause for celebration. Following last years 'A Light at the Edge of the World' (a single piece), the sequel, out on his Faraway Press imprint, finds a new collection of 19 pieces sequenced in story-like chapter and verse from memories and melodies of a nostalgic past. Played more in thoughtful focus and with a lyrical narrative. In recent years, Chalk's recordings have reconfigured away from the static drama of high minimalism and into collec…
Odyssee
Elodie here featuring core members Timo van Luijk and Andrew Chalk, playing live in Germany in 2015. Performing a pure duet of flute and string synthesizer over one episodic track 'Odyssee', a poetic and melancholy synchronous soundtrack to a film made and shown by van Luijk on the same evening. 'Odyssee' was mastered for CD release by Denis Blackham and is packaged in handmade gatefold mini LP style sleeve with Japanese language obi.
First, Second and Third Drop
Fully remastered and repackaged second release of the final Ferial Confine album 'First, Second and Third Drop' by Siren Records (Japan). Here presented in Japanese mini-LP style sleeve with obi, mastered at Skye Masteringby Denis Blackham in 2012. 'First, Second and Third Drop', although never actually released when it was completed in late 1985, became the final cycle of music by Ferial Confine and marked a departure from the closing moments of the preceding album 'Meiosis' (Siren 022). Its im…
Memory Care Unit
A new long-form offering of poignant, isolationist machine music from Secret Boyfriend. Eschewing the cryptic and compact song-sketches that characterised his 2013 Blackest Ever Black LP, This Is Always Where You’ve Lived, Ryan Martin instead guides us through vast interior topographies and nerve-damaged ambiences that comfort and deceive like memory itself. Beginning with "The Singing Bile" – minimal synth submerged and subjected to an almost oceanic pressure – the tracks are mostly crude, exte…
El Khela Al'Akhdar
Tip! Twenty years after its initial release, Amon's "El Khela" still shines out like a pillar in the dark ambient field. Mysterious, catacombal, bleak, monumental, cryptic ambience. This new edition contains a remastered, repackaged and graphically renewed version of the original album + a second CD with rare, unreleased and reworked tracks. Coproduced by Eibon Records and Silentes, "El Khela Al'Akhdar" comes in digisleeve + 2 inner sleeves."This album from Amon (Andrea Marutti) is a particular …
Plays Sudden Infant'
Joke Lanz travels down memory lane! Two decks a mixer and a dozen of old Sudden Infant vinyls to spin, scratch, manoeuvre, loop and juggle into a narrative new composition. Recorded and mastered by Rashad Becker in Berlin, this album combines Joke Lanz' unique turntablism and intuition for mutant-body-dramas peppered with a great sense of humour from the rhythms of amplified faders and his own breath to spoken interjections of Bryan Lewis Saunders' dream lyrics. You can dance, you can cry, …
Legacy Map
** Edition of 150 copies ** Sprung from the eclectic new wave of Italian noise and industrial music, Lettera 22 is a duo consisting of Matteo Castro and Riccardo Mazza, based in Vittorio Veneto. Their noise is dynamic and creative, balancing in the field between contemporary art music and harsh noise brutality: gritty, textured concrete sounds and field recordings are recorded and manipulated with analogue tape, drenched in tape hiss and finally crushed by a wall of distorted electronics and fe…
Gridshape
Gridshape is an intersection of heavily distorted violent sounds with points of kinetic aural quietness through the interaction between digital electronics and guitars. Franz Rosati: Electronics, distorted guitars. Francesco Saguto: Classic, distorted, prepared guitars.
Si
Sì is the first release by Routine. Recorded between 2000 and 2013 and composed by 2009, this work sprout by love for organic, raw, electroacoustic sounds and the merging of the typical song structure with musique concrète.
Sustains
Amnon Wolman - composer, was born at Jerusalem Israel, 1955. He has written more than fifty pieces which include symphonic works, vocal and chamber pieces for different types of ensembles, film music, music for theater and dance, and works involving computer generated or processed sounds. His music is recorded by Wergo (Germany) and the Stanford University Press (California, USA), and published by the Israel Music Institute. He is now the head of the electronic music department at Brooklyn Colle…
End-Music
In the follow-up to The Reoccurrence (2015),  Arek Gulbenkoglu presents End-music:  a series of insular sonic imprints via use of tape detritus, voice and abused electronics. End-music continues Gulbenkoglu’s fascination with sound at its most elemental level and comprises three sculptural pieces in which textures are examined from different angles, and threads are pulled bare. This is a transparent and tactile music that accumulates, shifts and contorts.
Surrender, Render, End
First and foremost, Surrender, Render, End is an electro-acoustic dialectic, unremittingly engaged in a pugilist conflict between art and accident. The Swiss noise-composer Francisco Meirino began working on the skeleton for this piece in 2014 as a multi-channel, modular synth patch, which has been in an ongoing state of modification through public diffusions and private rumination. Meirino posits the album as a metaphysical puzzle of manipulated tape, atonal synthesis, and concrete sound. He is…
Mema Verma
[mema verma] is the final step of a study about an indian shruti box G (low) tuned, mostly used without emitting any note (as in the first two tracks,  sampling and processing the breaths, whistles and noise produced by the reeds. The third track, is the only one in which the shruti is played in a more standard way, as well as its sound was recorded through a set of very old mid-range speakers, later sampled and processed. A split into three tracks but the whole project is sort of a metam…
Al-Bashariyya
'Al-Bashariyya’, the latest vessel from Vindicatrix, is an island of menacing political detritus sitting low in claret waters, drifting with intent…slate stenographers annotate proceedings without the need for an internet connection, their elongated taps and scrapes emitting coded cries for clemency…colloidal conservatives ruminate heartlessly as anchors feel hopelessly for anchorage in ‘designated zones’…both these wideband travelogues sift and navigate for answers in the desolate fug with pene…
Flipper
Over the roughly ten years of their musical activity, Nadja has undoubtedly become one of the most well-known and influential Drone bands around. Their unique soundscapes, characterized by epic soundscapes, radiating synths, and hushed vocals have a truly mesmerizing effect and capture you with their bizarre beauty. On this album, Nadja explore new territory and focus on the endless ocean of the mind. Aidan and Leah are joined by Peter Broderick on violin, and Angela Chan on viola.
Moments in Shapeshifting
New England's Lee Tindall has been a mainstay of the noise/electronic scene for some time. Working as Zerfallt and Belarisk, and in a variety of groups (including Astronaut with Daniel Lopatin), Tindall has been perfecting what he calls "Hy-Fy mutant music" for a decade, working on the fringes of a sound that has slipped in-and-out of focus. Moments In Shapeshifting is Tindall's most fully-realized release to date, bringing together his interest in abrasive noise, abstract electronics and h…
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Nonante-neuf fragments harenois
Haren is a Brussels commune where deserted industries have supplanted the farmlands. Here, plenty of rail hubs bind and unbind while planes don’t take off anymore from its missing airport, but from nearby Zaventem.Despite it being unattractive though desirable, I felt immediately at ease over there, at the frontier of abandonment & forgetting ; I could listen to & gaze at desolate spots with a constantly renewed amazement of still being in Brussels.The Wanson factories where I have recorded in 2…