Leaning
**300 copies** Kaspi & Stride is a new project from Justin Tripp, best known as one half of the Georgia equation. Leanings has its origins in rigorous yet laid back studio sessions, dual personal practice sensibilities that seem to get at Tripp’s creative ethos as well as any descriptors might. The material here was born out of collaborative studio sessions with multi-instrumentalist Jimy Seitang (Conga Square / Stygian Stride) - the “Stride” of K&S. The music from these sessions has been rework…
III
**213 copies** III, as the title clearly implies, is the third album by Ihan (Yan Arexis, member of Coume Ouarnède, Stille Volk and Cober Ord). After the first Ihan album released on Mille Plateaux back in 2000, with this project Arexis continues to explore minimal electronics, rhythmical archaism and mineral textures. This is the fifth volume in the «Synesthetic Alchemy» serie curated by 213 Records and comes with a silkscreened insert.
Julien Louvet & Damien Schultz
**300 copies** Multi-instrumentalist Julien Louvet, owner of 213 Records and member of Devilish Cheat, The Austrasian Goat and many other groups and projects, teams up with sound-poet Damien Schultz for this untitled collaboration. Schultz declaim his verses in an energic and almost unstoppable fashion over Louvet's electronic layers made with Power Electronics elements, harmonium, piano and various electronic trickeries. Best cuts: 13 Juillet and Juste un Petit Bisous.
Mutia
**200 copies on 3 x Red vinyls - Artist Edition with Art Print + exclusive digital bonus track** "While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the…
Aéroproducts
**450 copies** Rotorelief presents a reissue of Alésia Cosmos' Aéroproducts, originally released in 1985, with bonus material. In the '80s, Alésia Cosmos was one of those pioneering groups that invented a handful of things: uprooted electro, pop-shifted funk. With some synths, rhythm boxes, magnetic tapes, crazy guitars and hallucinated voices, they rocked the underground for four years, with two albums, playing live in France and Europe. The dazzling epic of the magic combo has become legendary…
How To Die (Spell I - VI)
**125 copies** Rudolf Eb.er needs little introduction; except to those not yet privileged enough to be a witness to the madness and discomfort he creates. But maybe his work represents the segments of life that most of us chose to ignore or pretend that we are unaware of their existence. Yes, Rudof Eb.er’s work as a performance and sound artist is evocative, visceral and downright bloody frightening at times. He’s not simply a noise artist, an experimental musician or just a performance artist. …
On Shores
Buoyed by the success of Endless, their 2015 primer on forgotten electronic explorer Dimitris Petsetakis, Into The Light Records has worked with the Greek composer to compile a follow-up album that takes an even deeper dive into his archive of previously unreleased material. Like its predecessor, On Shores draws on music recorded in the '80s and early '90s. It contains just two previous released tracks, the humid Clearance (Part 2) and poignant On Endless Shores, both of which first featured on …
Cumulus
Credited as “Music For Relaxation”, Cumulus is the perfect music to encourage subconsciouschange, decrease blood pressure or pet the cat on the couch to. Recorded in a Toronto apartment in 1985 with a Fender Stratocaster and a harmonizer pedal, Cumulus is an ultra-rare private-press ambient cassette release which was circulated amongst a small group of friends within the avant-garde theatre scene at the time. Brent Snyder’s interest and discovery of Frippertronics and Brian Eno inspired him to s…
No End
**300 copies** "I guess it’s pretty difficult to look beyond the profile of a certain label if you think of new releases coming from it. With Bocian records who releases improvisational stuff or modern composition, sometimes more or less obscure drone noise aspects of the former two, I was pretty surprised to hear about Joanna John’s album. It was also intersting since I know her from her visual art side which doesn’t change the fact that it was a bit surprising to see her upcoming release on Bo…
Endless: Music for Performers
**300 copies** Since 2016, Wojciech Puś has been developing Endless, a sensual architecture of images, light, and sound that serves as a base structure for a poetic essay, a dream about identities in process. The music result is a fascinating electronic masterpiece showcasing his talent as a performer and producer creating his own unique universe. This works sound very ancient and probably very alien as well. This is music of hope, love, despair and sadness and probably all at the same time.
Tqaseem Mqamat El Haram 2016-2019
**300 copies, red vinyl** Debut LP by 1127, Cairo’s darkest prince who has translated your deepest and sickest thoughts into an electronic narrative reminiscent of a krokodil induced Tim Hecker composition.«I enjoyed listening to this album – it’s beautiful, provocative and driven by a thoughtful balance between density and isolation. The clutter of elements tells a precise story, clarified by chaotic fusions and spontaneous, tangential ideas of sound. The 'pressure' of the thing feels important…
Spring 1975
The first side of this fine album features three tracks (Tanzmusik, Kometenmelodie, Klingklang) from a live show in Denver (Colorado) during Kraftwerk's first tour of America in spring 1975. The second side is occupied by a 26 minutes version of their first robotic big hit Autobahn, recorded in Köln in March during the same year. Another great document from one the groundbreaking electronic music bands of all times.
Alt i Stykker
Danish composer and sound artist Peter Jørgensen’s new album Alt I Stykker continues a trajectory into an expansive and highly personal sound-world. A remarkable series of compositions hewn from a multi-faceted mirroring of musical elements and life events. Alt I Stykker (All in Pieces) resonates perfectly as a title of his three new works. It hints at the emotional turbulence of their genesis and their passage into being through a rich complement of approaches and collaborators. This album furt…
Myotis
In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica. Laguerre is a versatile musician, composer, improviser and sound engineer. Growing up list…
Albédo
In Autumn 2017, eRikm and Anthony Pateras embarked on an acoustic encounter, a direct dialogue through their machines. Each brought their own experiences and know-how together with a shared desire to explore sound landscapes in complete freedom. From this meeting, Albédo was born. Their material was developed sometimes in the studio, sometimes in concert. This dialogue, articulated within the unpolished depths of the sound’s structure, is captured in Albédo with one side recorded live in Ljublja…
Accord ouvert
Sophie Delafontaine studied acousmatic composition at the Conservatoire royal de Mons / Arts2 - École supérieure des arts (Mons, Belgium) with Annette Vande Gorne, Philippe Mion, and Ingrid Drese. She obtained her master’s degree in 2014. In her practice of composition, Delafontaine likes to recover, recycle, and renew her sonic materials. Her acousmatic works are strongly influenced by her creations for dance and the theatre. She draws inspiration from the ambience, atmospheres, texts, stories …
2
The Lifted ensemble return for a second, fluid jazz excursion on their new album for PAN, this time with an expanded lineup that includes Beatrice Dillon, Bass Clef, Jordan GCZ, Dawit Eklund, Will DiMaggio, Aya (OOIOO) and Martin Kasey, plus Future Times boss Max D and fellow core members Matt Papich aka Co La, Jeremy Hyman and Motion Graphics. Sublime, late night listening for smoked-out jazz heads and fans of anything from Move D's Conjoint to those excellent first couple of Flanger EP's from …
MATstudio 2
**500 copies on clear vinyl** MATstudio is a collaborative alias of Jonny Nash and Suzanne Kraft for a series of releases on Melody As Truth. The project was born out of the working processes of their Amsterdam studio. Many hours were spent here experimenting with new methods, tools and ideas. This process allowed them to continue developing their interests in merging multiple production techniques to create a personal language. MATstudio works are collages of improvisations, experiments and acc…
Infinity
Infinity is the new release by Melbourne-based Leo James, and the second Patience production. Leo scratches a longstanding itch and delivers two sidelong excursions that inhabit a similar sonic space but spin off in opposite directions on the continuum. Desert Nightflower hums with vitality in a seemingly lifeless landscape. Impressionistically tracing the lifecycle of a flower’s bloom in the desert night – from the searing afternoon sun through dusk’s chill, the midnight blossoming and symbioti…
Art Takes a Holiday
Performing throughout the 1980s as Art Carnage to the gloomy hipsters of Portland, Attilio Panissidi III decided he needed a vacation. The result of his creative escape became Art Takes a Holiday, an album of fabricated FM synthscapes and MIDI environments that embrace elements of smooth jazz, new age, and pop. Attilio had been playing in bands since he was thirteen, and had opened live shows for countless acts, from The Shangri-Las to Bruce Hornsby. The experience of producing, performing, as w…