Sisal
My life in the Mangroves : From 2008 to 2011 I was living for different periods of time in towns along the coast of Yucatan peninsula in Mexico, working on my research projects, and Sisal was one of these towns. In the past Sisal was the most important port of Yucatan from 16th to early 20th century, but it was replaced with the arrival of the more modern Progreso port, and with the years it become gradually a fishing town. With the increase of human activities near coast towns the extension of …
Prima del terzo
One of my favourite walk is in the harbour of my hometown, because of the sound brought by the wind. For long time I have day-dreamt about including that sound in my own music. I got to the point reading the poem Prologo al buio by Erri De Luca (from Opera sull’Acqua e altre poesie, Einaudi 2002). In the poem there is a Hebraic quote from Genesis, before the third verse (hence the title of my composition, the Italian for “before the third”): “vrúah Elohím merahèfet al penè hammàim”, that means, …
Sound non Sound, tape n. 2 (electronic, voice, flute and time)
Recorded between summer 2012 and spring 2013. Second work of audio composition by Herbal Research, Cristiano Carosi solo project. 15 minutes of assembled sounds split on 2 sides, divided in small distinct chapters where he creates new connections between familiar sounds and noises of the western musical language of our days; audio fragments, re- contextualized and masked in digital editing. Voices, synthesis and percussions filtered and debased during the process of sampling using a delay…
Motherland
Inspired by Fulcanelli, Robert Garcet and Giordano Bruno's writings, Motherland is an evocative sonic journey through Umbria, Italy: an electronic evocation, a suite of abyssal ballads made out of field-recordings and traditional music samples, among other sources.
Phil Maggi (born in 1980, Liège) lives and works in Liège, Belgium. Since 2003, he’s working on disfigured sonic landscapes including atmospheric ambient music and the exploration of drone and noise territories, but also dark psych…
The Spoils of War
The Spoils Of War made some of the most inspiring but strange music from the \'60s, in the same awe-inspiring vein as early Mothers Of Invention. This is music with a hearty intellectual background, combined with well-crafted and well-performed music in the key of Zappa. Other influences might indicate early Soft Machine, Slap Happy, Henry Cow and Faust. For open-minded listeners, The Spoils of War are a must: experiments with electronic sounds, compositions and performances of beautiful harm…
A Readymade Ceremony
Relocated in the french Alps following a 5 years exile in Belgium, Felicia Atkinson returns on Shelter Press with A Readymade Ceremony, a concrete / post-digital oratorio in 5 parts.Composed and recorded at home and on the Oregon coast, the opus documents a full range of bridges happening in Atkinson’s work. It documents the gather of her early-musical studies with her actual musical practice, the reunion of her two main projects — under her own name and Je Suis Le Petit Chevalier — and finally …
Pacific Tubular Waves/Immersion
Restocked. Packaged with 3D cover art; includes Anaglyphic 3D glasses. "Pacific Tubular Waves" (1979): Electronic music for Synclavier digital synthesizer. "The first four movements frame different visions of the energy delivered by the rolling waves as a kind of auditory surfing on the crest and into the trough of the wave (movements 1-3), followed by a high speed crossing within the tubular cyclone (4). The piece ends with easing waves at dusk... In terms of the making, 'Pacific Tubular …
Grm works
Restocked. Argentine electroacoustic composer Beatriz Ferreyra describes each of the pieces included on GRM Works: Demeures aquatiques (1967): "This electroacoustic piece, articulated into two clearly distinct parts, draws its sound source from the classical and unorthodox instruments -- metal sheets, glass rods, etc. -- invented by the Baschet brothers. I wanted to show the contrast between the rhythmic repetition of a sounding object, which gives out a feeling of fixity, an electroacoustic…
Hecker Leckey Sound Voice Chimera
In 2010, acclaimed German sound experimentalist Florian Hecker and multidisciplinary artist Mark Leckey came together for the first time. Their combined Hecker Leckey Sound Voice Chimera -- a mutant configuration of two genetically discrete solo works -- was originally presented as part of a two-day performance event at the Tate Modern called Push and Pull, and is now presented on LP. In Hecker Leckey Sound Voice Chimera, Hecker decomposes, modulates, and re-synthesizes the vocal track from Le…
Whorls
Following previous Low Point releases, Glisten (2009) and Patina (2011), Whorls is the third collaboration between Tim Catlin, a guitarist and sound artist based in Melbourne and Machinefabriek, nom de plume of Rutger Zuydervelt from Rotterdam. Catlin made initial recordings drawing upon a wide range of approaches, preparations and techniques for instruments including acoustic guitar, bowed piano and zither which were then sent to Zuydervelt for the addition of extra sounds, editing and sequenci…
Untitled #274
Untitled #274 was composed by Francisco López and performed by Kasper T. Toeplitz at GRM Studios in Paris, France. Francisco López is internationally recognized as one of the major figures of sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from th…
Complete Analog and Digital Electronic Works 1978-2000
Released in 10-panel Digipak. Includes a booklet affixed to the sleeve. The Complete Analog and Digital Electronic Music 1978-2000 recorded between 1978 and 1980 by a key composer of Belgian electronic music André Stordeur. His musical career started in 1973 with a tape composition for the soundtrack to Gordon Matta-Clark's film Office Baroque. Later in the 1970s, he participated in avant-garde music ensemble Studio voor Experimentele Muziek, founded in Antwerp, Flanders, by Joris de Laet. Since…
Primitivo
Second release in Buh's "Sounds Essentials Collection," documenting the history of Experimental Music in Peru. Miguel Flores is, alongside musicians such as Arturo Ruiz del Pozo, Luis David Aguilar or Manongo Mujica, one of the most important representatives of that period that spans from mid 70s to mid 80s, when experimenting musically in Peru united modern composing techniques of avant garde music and the search of the sounds of mother land.A drummer turned into a multi instrument player,…
Composiciones Nativas
Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations - the first track's cycling percussion & looming slown-down dread is a dead-ringer for Xenakis' "Bohor" - to more edit-heavy Musique Concrète pieces, this is an incredibly eye-opening survey of the work of a composer of whose work I was…
Un-used Re-mix's 1994-1995
"We do not work on a release, a piece is done at a time. A CD is drawn from various tracks which can span a few days, weeks or a month, or a day, each release is different." --Bryn Jones, Grinding Into Emptiness interview, 1998Not only has Muslimgauze's work survived the death of Bryn Jones, so have his working methods; with so much worthwhile material still in the vaults and much of it having little in the way of information or context left by the artist upon his untimely passing, recent reissu…
Deceiver vol. 3 & 4
The original 2CD Deceiver from 1996 is a seminal release in Bryn Jones' sprawling discography, one of the first major ones to really pivot into the noisier/more abrasive side of Jones' sound as Muslimgauze. From its epic, vinyl-side-long title-track down to terse, rhythmic snippets like "A Parsee View," Deceiver set out many of the avenues that Muslimgauze would continue to explore before Jones' death in 1999. Since then, Staalplaat has continued to release the massive back-log of Jones' work,…
Minaret Speaker
While the human voice has often been an element in Bryn Jones\' WORK as Muslimgauze, rarely did he highlight it as much as in Minaret Speaker, the latest in the Muslimgauze Archive SERIES, and its concurrent release, Feel the Hiss(ARCHIVE 030CD). While elements of Minaret Speakerappeared on the 7\" of the same name released by Staalplaat in 1996, much of the strongest material here is previously unheard. Jones\' normal practice was to send in tapes to the label with only a title for each tape as…
Feel the hiss
Some of the tracks on Feel the Hiss, a release Bryn Jonesrecorded LIVE to cassette in early 1995 but never had the chance to remix and polish before he DIED, use the same kinds of devotional voices found on much of Minaret Speaker(ARCHIVE 029CD), but here other voices are present too. Conversational or angry, male or female, English or French or Arabic, almost inaudible or forcing their way to the front of the MUSIC, these "Zilver Tracks" (the name based on a note Jones wrote on the tape) engage…
Land Escaping / Once
Few copies back in stock, long out of print - Archive release from avant-garde harpist / composer Zeena Parkins and legendary deep listener Pauline Oliveros. Presenca Series 001 is the result of the formerly-defunct Lucky Kitchen label delving into the vaults of the Serralves Foundation, digging up a side’s worth of sound art for each artist. On audiophile-grade vinyl. "Lucky Kitchen was a legendary experimental sound publisher beginning in New York in the 1990's, drawing to a close in Barcelon…
4K7+
Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker, and the two formed a decades-long partnership. In 1980 Peter Baumann (of Tangerine Dream) heard a recording of Tietchens' music and offered to produ…