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2016 repress, spectacular archival package of primitive drone and minimalist rock/trance/psych from the Swedish underground -- believe the hype as follows; one of the most memorable audio documents ever. After years of research, Subliminal Sounds is proud to present the nucleus of the Swedish 1960s-'70s underground psych rock scene: the legendary Pärson Sound. This deluxe 3LP box set presents the most remarkable Swedish underground band, known in a later incarnation and continuation as In…
Vladan Radovanovic is counts as one of leading figures in Serbian and ex-Yugoslav avantgarde art. Beside music, his creative domain includes painting, literature, new media and polymedia synthesis. His researches are in the field of vocovisual, projectism, tactile art, polymedia and body action, tape music, electronic music, computer music and computer graphics. The central position in his creative poetics is reserved for the art synthesis. Triple vinyl set, Phonoverse, collects entire opus of …
LP version. Dennis Young is best known as the percussionist of the New York band Liquid Liquid, who are themselves known for their 1983 track "Cavern," sampled the same year by Grandmaster Flash for "White Lines." In parallel to his work with Liquid Liquid, Young produced his own solo work, including three cassettes released between 1985 and 1988 that form his tribute to the pioneers of electronic music. Wave: Electronic Music 1984-1988 contains the best pieces from these cassettes, as selected …
180 gram LP version. Bureau B reissues the eleventh solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1986 on the small Norwegian label Cicada. If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. More precisely, he must have become aware of the grand piano during the recording sessions for Jardin Au Fou (1979) andLustwandel (1…
This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to serve a radical avant-garde, and many years later, we're glad to be able …
Deluxe edition on colored vinyl housed in a gatefold sleeve. Includes CD. This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to…
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
“Kontakte” (1959-60), Stockhausen’s first piece to use both electronics and traditional instruments together, marks a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In “Kontakte” live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepare…
This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to serve a radical avant-garde, and many years later, we're glad to be able …
With his 1978 album Ambient 1: Music for Airports, English musician/producer/conceptualist Brian Eno coined the terms “Discreet Music” and “Ambient” as “music designed to induce calm and space to think.” The album, comprised of four dissimilar yet completely cohesive movements, was created with simple keyboard melodies, serial tape loops and embedded voices. The effect is sheer weightlessness, the disc's soft ebb and flow of synthesized patterns imbued with live brass and strings. More than just…
The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…
Another Green World is where Brian Eno creeps up behind me, and whispers how all pop music is about art, how all art is about life, and life is really a vessel for pop music. Where I forget what is a song and what is not a song, and where Eno realizes you can create something at once high art, low art, and not art at all. Most importantly, Eno discovers there is more beauty and worth in the discreet nuances of subtle sophistication than in all the blunted bluster in the world.
With Another Green…
Walter Bachauer has been an active part of Berlin's but all in all Germany's electronic and progressive music scene as long as he lived with his greatest achievements being the Meta Music festivals in Berlin in 1974, 1976 and 1978 while he worked as a line producer at RiasBerlin, the city's biggest radio station. In the early to mid 80s he got back to compose and play music under the pseudonym Clara Mondshine and this is his second out of three albums from 1983 “Memorymetropolis”. So let me take…
LP version. After the 2004 release of his last solo album, Get Off (HAPNA 019CD), Editions Mego founder Peter Rehberg embarked on a series of soundtracks for the French artist and choreographer Gisèle Vienne. Out of this collaboration were planted the seeds for the prolific KTL, Rehberg's guitar/computer duo with Stephen O'Malley. After a surprise return to live performance in 2015, Rehberg now returns to his Pita alias with the full-length document Get In. Get In extends the perennial Pita soun…
Pauline Oliveros surrounded by Belgian ensemble Musiques Nouvelles, performing two long pieces for orchestra. "Sound Geometries for Chamber Orchestra, Expanded Instrument System and 5.1 Surround Sound System" by Pauline Oliveros was premiered in Brussels. The 3 sections metaphors of the piece are intended to guide the players in their feelings and approaches to conducted, guided and improvisational music making to create differing atmospheres for each of the three sections. Players sounds…
Inspired by the current crop of very good rave music currently being produced by Lorenzo Senni and Evol, Goodiepal composed these two tracks and fired em over to EVOL to see the light of day on the duo's Alku imprint. Quick disclaimer - there is no audio for this release anywhere - we have been told told that the files got lost in a HD crash last week and there is no backup - so the only way to enjoy this glorious slab of wax is to stick it on your turntable and absorb the sounds that emer…
CD version. Ultra-rare recordings by '70s UK avant-rockers Red Square, the missing link between original free-noise practitioners like AMM, Nihilist Spasm Band, and Peter Brotzmann and post-no wavers à la The Blue Humans, Borbetomagus, Fushitsusha, and The Dead C. Named after the early Soviet Constructivists, Red Square is a pioneering free-improvising, avant-rock band. They bridged the worlds of psychedelic rock, noise, and avant-jazz, and many of the techniques and approaches to music that…
Norbert Möslang, cracked everyday-electronics. Ilia Belorukov, alto saxophone, electronics, laptop. Kurt Liedwart, analog synthesizer, electronics, ppooll. Norbert Möslang had been playing in Voice Crack duo with Andy Guhl in 1972-2002, they've been working with 'cracked everyday-electronics', modifying and recontextualising the use of home electronics. After the split he continued working solo and in different musical combinations using 'cracked everyday-electronics', among them a duo with eRik…
Berlin-based duo Driftmachine returns with another striking piece of music. "Colliding Contours" is a shape-shifting album made from kosmische, dub, Industrial and Avant-garde elements. It's all held together by tense grooves and a post-club, eerie electronic atmosphere. The latest work of Driftmachine offers a complex dialogue between genres and music styles, transcending the familiar by generating a peculiar mood through its unique take on modular synthesis and its obsessive bass-structures an…
You might not have come across Melbourne's Kane Ikin before, but he's far from a newcomer. A member of experimental duo Solo Andata, Ikin also released material on Taylor Deupree's influential 12k imprint, working with a variety of different sounds and elements over the last decade. Modern Pressure is a milestone for Ikin, written at a trying time that was the producer's hardest financially but most creative musically. Selling equipment to pay the rent, Ikin wrote track-after-track in quick s…