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a beautiful album, Riley composed the pieces on this album for the legendary ROVA Saxophone Quartet. The work is based on the Taín Bó Cuailnge ("The Cattle Raid of Cooley"), an invasion of Ulster by the armies of Medb and Ailill. Long out of print
this glistening, pulsating CD for No Man's Land soundtrack documents another stage in the flux of influence and invention that makes Riley's music. This album is much more closer to the 'real' minimalism, with Riley maily playing organ, but the tablas and sitar can be heard on almost every track, along with some voice and what sounds like electronically altered instruments. Few copies available, long out of print
Roedelius always surprises us with his imaginative, unusual, unexpected music. The four long electronic pieces that integrate this CD are each one a journey towards the unknown. All of them possess a decidedly mysterious, enigmatic character, like soundtracks for nocturnal walks in deserted cities. The music is mostly static, even though there also are passages with a slow percussive rhythm. The themes are a succession of whispers that come and go, sometimes intertwining. Other passages consist …
From the quietly atmospheric opening on 'nuncamais' to the percussive chaos of 'vostok', bq have assembled a shifting collage of electronic sounds that condenses five years worth of live performances throughout europe into a timeless stemless totality. masterfully assembled like a buroughs cut-up, the pieces have been skillfully juxtaposed with each other and within the album as an integrated whole. listening to it, we are wheeled between hi-tech and lo-tech, atmospheres and abbrassive rhythms- …
Emak Bakaia is the missn Muslimgauze album recorded between the extreme releases Intafaxa and United Sates of Islam Andrew Burton at Concrete Productions has remixed and remastered the album A Manchester, U K collective has been making records under the name Muslimgauze since the mid-80s As time has passed, those recordings have evolved into multi-leveled, hypnotic pastiches of Islamic percussion, melodies from the Maghreb to Teheran and modern digital technology.
“It is very difficult for me to speak of this work, since it is getting very close to my goal of creating a kind of language free space. I thus prefer to let it go without further comment other than that I dedicate it to my companion Heike - each gesture is both speaking of her, and speaking to her, without words.” Bernhard Günter
Computer music (2004-2007). With a text from Tim Zulauf (German and English) and drawings from Yves Netzhammer. Bernd Schurer is an artist who mainly focuses on the work with sound in a variety of contexts. He has realized compositions and audioworks for film, media- and soundinstallations, as well as for the stage and he has realized one opera score, all of which cover a broad spectrum of distinct aesthethics. His main interest lies in conceiving systems, that are autonomous, interactive or sel…
Beautiful picture disc LP featuring two full-color reproductions of visual works by Rick Reed and two new side-long solo compositions. Reed's fascinating, highly evolved world is represented well by these two new pieces, each of which offers up the kind of droning intensity and unsettling beauty that this veteran noisemaker has come to be known for. Reed's work is very obviously that of an experienced craftsman - one whose sound is a reverent nod to early electronic music underscored by an endur…
This ship in trouble was first performed live at the EEI festival 2006 in Labin, Croatia. It was reworked into single tracks during fall, winter 2006-2007. The music was originally composed on Unije island, using a single guitar chord from the piece with the same name by the band And Also The Trees. The six pieces carry names of ships that have sunk Ð six musical narrations of the imaginary fate of these ships now lying wrecked on the bed of the Adriatic Sea. Marcus Maeder realized his first mus…
RESTOCKED last copies, Eleh present their fourth vinyl-only full-length, Homage to the Square Wave. Featuring two sidelong tracks each clocking-in at over 20 minutes, Homage is dedicated to the highly influential artist Josef Albers. Eleh return with their battery of vintage modular analog gear to produce a recording of pure tone, pure sound, pure volume and pure analog. Side A features 'Black,' a slowly enveloping mass of intensely throbbing low end, activating the flight response. Time passes …
The latest in Asmus Tietchens ongoing Mengen series, this album maintains the bold adventurousness and strict minimalism of previous recordings whilst suggesting some sense of evolution along the way. The series was initiated as an exercise in composition based exclusively around spatial manipulations of white noise and sine tones, but this instalment seems to hint at a heightened level of sonic richness and diversity than that policy could ever reasonably hope to accommodate. Some of the pieces…
This magnificent collaborative album from two of the key minimalist composers of their generation originally crept out in 2004 as one of the very earliest releases on the Spekk label. The album now sees a significant overhaul for its reissue, with an extra two pieces thrown into the bargain plus a remastering job courtesy of Taylor Deupree. Although the original Spekk edition of the album went out of print within two months of its release, a digital version has been in circulation more recently.…
Pauline Oliveros (accordion with Expanded Instrument System); Peer Bode (live text with Bode vocoder); Andrew Deutsch (live mixing, archival recordings, samples, loops and electronics). Voice Coil was performed by the Carrier Band in the fall of 2003 at the Deep Listening Space in Kingston, New York. Pauline Oliveros performed on accordion and computer-based Expanded Instrument System, Peer Bode performed live text with his Bode Vocoder, and Andrew Deutsch performed live mixing, archival recordi…
A sequel to the Other Materials compilation (released via Richard Chartier's own 3 Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they're both shorter and more condensed than Chartier's conventional output, the most succinct of these being the two-minute sound sculpture 'Tracing (Sketch For)' lifted from Raster Noton's Frequencies [Hz]. You'll find more su…
Janek Schaefer's illustrious career as a sound artist, turntablist and composer has seen various standout moments over the years, from his postal travelogue 7", Recorded Delivery, on the Hot Air imprint to his collaboration with Stephan Mathieu, Hidden Name. Extended Play ranks alongside Schaefer's very finest works, and one of his most overtly musical, in the traditional sense. Originally conceived as an installation, Extended Play consists of piano, violin and cello each playing a predetermine…
Long out of print. Though it begins with a few minutes of depth-plumbing space music, Constellations soon evolves into a series of tuneless synthesizer squiggles tweaked to perfection by Schnitzler with help from his effects array (reverb, delay, echo, etc.). The assortment of electronics is reminiscent of '60s academia but loaded with emotion nevertheless.
Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.
Slowly pulsating drones, chirping electronics, distant radio static. Ambient or minimal? To answer the question, it might help to go back a couple of millennia to the Epicurians. Today their name mostly evokes indulgence in fleshly pleasures but that only one form of their thinking; the other sought to deny the body excess experiences. Though the difference isn’t always audible, ambient tries to envelop a listener in pleasant fluffiness while minimalism wants to remove any nonessentials to focus…
Another Schutze soundtrack, this is for a relatively big-budget, commercial film, and is consequently one of his most conventional recordings. However, it does showcase his talents as a composer and a manipulator of synthesized sound. Acting as a studio "one man band," Schutze has created a score which is lush and fully orchestral, with extensive use of string, horn and woodwind voicings, and some fine contrapuntal writing. Several sections even seem to follow traditional classical forms such as…