We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

Experimental /

Mémoire
*In process of stocking* Bruno De Angelis and Giovanna Gulinello unwittingly met in London in the late 70’s, after being introduced by a mutual friend. Both Bruno and Giovanna arrived with varying ambitions. Giovanna wanted to learn English or be a painter, while Bruno found work at the Royal Post Office, which he found testing. It wasn’t until Bruno rescued Giovanna from an awkward date that the pair became a couple. At the time, music was just something they did for fun. Bruno already had an a…
Shiny Battles
*In process of stocking* Rotorelief present an expanded reissue of Shiny Battles by The Bonaparte's, originally released in 1985. The Bonaparte's trio was born after the split of two bands, Kan Ji Zai founded by Pat Griffiths from 23 Skidoo, Ruben Azca, and Baroque Bordello. According to Giri, the boss of the Gibus, the punk public usually became agitated sitting very attentively at the Kan Ji Zai gig on October 4th, 1983. In 1984 after their first record the EP Today, the drummer Prad and the b…
Uudet Jes Opot
* Edition of 300. In process of stocking * Pekka Airaksinen (1945–2019) was a pioneering composer of electronic and experimental music. Despite his undisputed position as one of the most significant factors in Finnish experimental music, he rarely performed live since the early days of Finnish underground in the 60’s and 70’s. He composed and developed his unique, gentle and enthusiastic approach to music at his private meditation center, far from the pulse and demands of life in the city. Lucki…
Lard Free
Lard Free’s discography in slightly discounted bundle Gilbert Artman’s Lard Free (LP)Recorded in just three days and released in 1973, mixing jazz, kraut and prog rock, Lard Free’s first album is a musical landmark in the French underground scene. To this day, it still matches the perfection of their English and German fellows like Soft Machine and Amon Düül. A true masterpiece. I’m Around About Midnight (LP)Released in 1975 with a slight line-up change, I’m Around About Midnight shifts from roc…
Withdrawe, This Sable Disclosure Ere Devot'd
'If you are a Fushitsusha or Keiji Haino fan, you already know to just forget what the title of this CD means -- you are never going to know unless you have a lot of familiarity with the early decades of the English language. If you aren't a fan, then who cares anyway? This Fushitsusha date was recorded live at the Victoriaville Festival in Quebec in 1997. Guitarist Haino and longtime bassist Yasushi Ozawa broke in then-new drummer Ikuro Takahashi. The set is just over an hour long and is broken…
Black Vomit
'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…
Five Men Singing
'It was a match made in heaven, or rather on earth, at last year's 20th Festival International de Musique Actuelle de Victoriaville. Five vocal artists on one stage—Dutch Jaap Blonk, Japanese Koichi Makigami, Canadian sound poet Paul Dutton, Englishman Phil Minton, and German new music singer David Moss—was indeed one of the highlights of the '03 Victoriaville Festival. Only mad vocalist Mike Patton was missing. These five men had never performed together on one stage, though they have worked wi…
Hymnes Apophatiques
Tip! *2nd limited edition* During the summer of 2021, Delphine was invited for a residency at the church of St Saphorin (Switzerland), on the occasion of the Jolie Vue Festival. Having the opportunity to fully explore the organ the days before the actual festival, Delphine improvised a long, long series of tracks, of which you’ll find a small selection on ‘hymnes apophatiques’. She’s definitely full of respect for the organ, at some moments diving deep in the sound traditionally associated with …
Vertical
Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo. Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…
Gilbert Artman's Lard Free
** 500 copies ** Recorded in just three days and released in 1973, mixing jazz, kraut and prog rock, Lard Free’s first album is a musical land-mark in the French underground scene. To this day, it still matches the perfection of their English and German fellows like Soft Machine and Amon Düül. A true masterpiece."Lard Free is a French psychedelic band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their d…
I'm Around About Midnight
** 500 copies ** Released in 1975 with a slight line-up change, I’m Around About Midnight shifts from rock to a more electronic ap-proach thanks to Richard Pinhas (Heldon) skills with keyboards. More experimental and sophisticated than ever, it shows a band searching for constant musical absoluteness.Lard Free's second album was recorded in Paris in a three day session and released in 1975 on Vamp. The lineup is totally different from the first LP and as mentioned it features long time friend Ri…
Lard Free III
** 500 copies ** Released only one year prior to their split, III digs even deeper into electronic and experimental territories. Lard Free’s music has never sounded more cinematographic and spacey than on this record which perfectly blends the players, their instruments and some kind of dialog with the Universe.This is the most electronic effort of the group and the instruments on this album consists of mostly synths. In addition we have piano, drums, vibes, guitar - and clarinet as the first ti…
Unnamed
** 500 copies ** Never heard before until its release on CD in 1997 (on Spa-lax Records), Unnamed was recorded a year before Lard Free’s first album and shows a band that totally foresaw the Rock In Opposition movement. Aventurous, never afraid to explore unknown musical lands, Lard Free definitely owns its place in the great History of Rock Music.Recorded in 1971/1972, these  Lard Free "lost" recordings document an interesting, primitive period of the band and shows Artman and Co. moving freely…
Live In Trentville
Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
The Imitation Of An Action
These recordings are based on the idea of acoustic instruments imitating electronic sounds created by a live performer. The core, structure, and length of the pieces are defined by a graphic score that leaves room to the musicians for the imitation of those sounds. This work is a commission by Archipel Festival and Ensemble Contrechamps, with the support of the Nicati-de Luze foundation.
13'36 10'42 12'48
*In process of stocking* These live recordings were lost and forgotten in our archives, more than a decade later, they were found on a dusty external hard drive in Meirino’s home studio. Re-discovered, edited, mixed, and mastered in 2021.Artwork and mastering by Francisco MeirinoComes in a digipack with matt printing, features artwork collage by Francisco Meirino and live pictures by Lisa Seitz & Megan Jankowski.
Solo Acoustic Guitar Improvisations II / III
*200 copies limited edition. In process of stocking* "These performances are all about the process, about exploration and they more than once reminded me of a quote by Derek Bailey about the creation process as a kind of jigsaw puzzle: “Emptied out of the box, there’s a heap of pieces, all shapes, sizes and colors, in themselves attractive and could add up to anything— intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture o…
Štiri dela
Roko Crnić (electric bass), Bertrand Denzler (tenor saxophone), Marina Džukljev (piano), Lionel Friedli (percussion), Tomaž Grom (double bass, electronics), Jonas Kocher (accordion and artistic direction), Nenad Kovačić (percussion), Samo Kutin (hurdy-gurdy), Srdjan Muc (electric guitar), Tena Novak Vincek (violin), Robert Roža (electronics), Irena Tomažin Zagoričnik (voice) Recorded in concert by Radio Slovenia on January 17, 2019, at the culture center Španski borci, Ljubljana.Mix and master b…
Perspectives And Echoes / Tautologos III
-bRt- group for music creationGaudenz Badrutt, live electronics / Estelle Beiner, violin / Jacques Demierre, piano / Jonas Kocher, accordion (Tautologos III) / Stephen Menotti, trombone / Manon Pierrehumbert, harp / Christian Wolfarth, percussion Artistic direction: Gaudenz Badrutt & Jonas Kocher Liner notes by Lê Quan Ninh:Free improvisation is defined, among other things, by its practioners' refusal to rely on a form composed by others. Partially, perhaps, from pride, but above all from playfu…
Underground Altena
Alga Marghen returns with an absolute stunner, the LP “Underground Altena”, comprising a never before heard or released series of recordings capturing Anima - the duo of Limpe Fuchs and Paul Fuchs - in 1973. Largely rendered on a striking array of instruments, invented and played by the couple, its otherworldly, visionary sounds upend nearly every perception held about underground music transpiring in Germany during this period. Wild, wonderful, truly free, and inspiring as records come.