s/t
Sparse, minimal but sometimes heavy works from 1969-1978 by german composer Helmut Lachenmann (*1935), slow-motion instrumental breathing, plucking and string-scraping. Including the pieces 'Guero' for prepared piano (H. Lachenmann), 'Pression' for cello solo (W. Taube), 'Pression' for cello solo (M. Bach), and 'Gran Torso' (original version) for string quartet (Società Cameristica Italiana). Comes with 4-pahe 12" booklet.
Fur your bear only
Heimir Björgúlfsson is an ex-member of the longstanding Icelandic group Stilluppsteypa and Jonas Ohlsson is a reknown visual artist, at the time of the collaboration both based in Amsterdam, the Netherlands. Fur Your Bears Only is their second collaboration after the Unspoken Word Tour album in the Brombron series released by Staalplaat and Extrapool. Fur Your Bears Only is the most melodic and poppy music ever to have come out of Björgúlfsson & Ohlsson, providing 8 tracks that show how disco & …
Up in Flames
Haunted House is Loren MazzaCane Connors's much anticipated group, featuring Suzanne Langille on vocals, Andrew Burnes on second guitar, and Neel Murgai on percussion. Langille wrote two of the three monstrous tracks, the third being a cover of Lonnie Johnson's 'Blue Ghost Blues." They all permit MazzaCane plenty of space to roam. The 23 minute "Been So Long" is dominated by his solo 'dialogue' between two separate voicings, where he alternates slow, surging and quivering downstrokes with frail,…
Enclosure 2
This massive 4CD set is the second "enclosure" in the series. It is sub-titled "Historic Speech-Music Recordings from the Harry Partch archives," and includes "archival recordings, including works from the 30s & 40s, a lecture on just intonation, excerpts from the 1935 hobo journal Bitter Music, and a sound documentary featuring Partch at the piano
Minimum: Maximum / Orient: Occident
Perhaps best known for his piano work Book of Sounds these two works by German composer Hans Otte were composed in the 1970s. In that decade his aesthetic creed became increasingly clear: "the search for the character and individuality of sound as such, which must be rediscovered and re-experienced independent of superimposed structures. The composer understands the dialogue with sounds as the discovery of their nature." (Ute Schalz-Laurenze)While Hans Otte was an enthusiastic, one might say vis…
Sifantin och morkret
This is the fourth full-length release for Sweden's Hans Appelqvist, his third for the Häpna label. Hot on the heels of his last record Naima, released in November 2006, Hans has a new album ready, entitled Sifantin och mörkret, containing 12 new tracks and a beautiful video for "Tänk att himlens alla stjärnor," made by Andreas Nilsson (The Knife, José Gonzales and The Soundtrack Of Our Lives). The music shows Hans from a new side, the album being more open and spontaneous than previous works. A…
Hair Police
'Basement noise dirge death skuzz hell. Compiles the long out of print hospital cassette and mortuary servants ep while adding new exclusive mud-noise constructions from the drawn dead sessions.' Hospital Productions.
Flying Vegetables of the Apocalypse
Guy Klucevsek is teaching the accordion to whoop and wheeze in strange new ways. Once condemned to drunken requests for Who Stole the Kishka and Happy Wanderer, this virtuoso now plays deconstructed, reconstructed art songs and dance tunes, translated into a metalanguage of his own making. His is a musical Esperanto fashioned from hocketed melodies, giddy with arabesques; Henry Cowell-style tone clusters; the eerie difference tones of "acoustic phenomena" composer Pauline Oliveros; the hypnotic …
Time Travel
Recorded on October 17th, 2002 at Gok Sound, Tokyo.
Vinyl anthology
In 1986, an Australian fellow by the name of Andrew Curtis posted an advertisement in a couple of record shops around Melbourne expressing a desire to start a band with somebody who shared his interests in Industrial music. The only person who answered the ad was Philip Samartzis, who has since gone on to international acclaim for his pristine electro-acoustic compositions published through Staalplaat, Synaesthesia, and Dorobo. Back in the late '80s, the Curtis and Samartzis collaboration result…
Live 1992 +
Otomo Yoshihide (guitar, turntables), Hirose Junji (sax), Kato Hideki (bass, voice), Uemura Masahiro (drums) and Yamataka Eye (voice). This CD includes unissued live performances and studio recordings (12, 13) right after Otomo formed Ground Zero. This happened before the release of their first album, called 'Ground-Zero' (God Mountain). Their playing is in the rough and sound quality is not quite best, but this materials should be kept a record of their intence performances of earlier Ground Ze…
Swimming in it
Another absolutely essential vinyl only album this time from New Zealander Greg Malcolm. Working as a perfect companion piece to the wonderful Es album, 'Swimming In It' sounds like an on-form John Fahey jamming with Morton Subotnick - it's really that good. As unusual synthesized bleeps and drones cut through Malcolm's lovingly finger picked guitar playing it is easy to realise how so many people have been touting this as a potential album of 2005. I was actually quite taken aback when I first …
If I never meet you in this life, let me feel the lack
Greg Kelley: trumpet. Recorded october 2001 by Greg Kelley at the VIle House, SomervIlle. Mastered december 2001 by Jason Lescalleet at GlIstenIng labs, Usa.
One
Comes with 8 page booklet. Originally released in 1973 as a private press LP, 'One' is the first document of GAEB, a mysterious sextet of Californian improvisors. Formed in the late 60's by artist Richard Waters and jazz drummer Lee Charlton, the group made music using Waters's kinetic sculptures. His most important creation was the waterphone, a sort of acoustic synthesizer which used water in its resonators to produce warbling, tone bending vibrations similar to th edeep sea harmonies of humpb…
Beo bio
GoodiePal is the Danish Kristian Vester, computerprogrammer for the world famous Lego-imperium, founded a long time ago by his grandfather. Relevant because this urge to program can be heard on 'beo bio'. 'beo bio' consists of 4 pieces, all coming from the same original, a track made years ago with the same name. Through different algo-rythms the work has been processed and arranged, without losing it's recognisability and character. Therefor it requires patience to discover the mostly minimal d…
Symphony N°5
Subtitled "Describing Planes Of an Expanding Hypersphere". Recorded in 1984 but held up in a post-production stasis until now, this is music for 5 guitars, mallet guitar, violin, drums, bass, keyboards, that is being touted as the "most dense, cacophonous Branca symphony yet." Glenn's music gets quite often inaccurately described as wall-of-sound/noise/guitars/whatever. A wall exists for the purpose of containment. 'Symphony No. 5' is expansive beyond limits, smashing the wall (at least sonicall…
Right after
Right After is a remarkably subtle album of duo electronics by two relatively young Italians with roots in avant-garde improvisation. While Giuseppe Ielasi began his career as a guitarist and Domenico Sciajno was an improvising bassist of note, both gradually moved into the area of pure electronics and sound manipulation. A fine balance of pristine, crystalline sounds and earthy scrabbling noises is shown from the first track, ²at a greater distance² which offsets pinging, high pitched tones tha…
Ora
A meditation on silence, ecstatic and radical hearing of a soul who catch the real essence of sound and frees his creativity without a doubt. The result of a deep inner search, involved and involving. The journey of a non-compromised artist that choose the hardest way to reach a definition of his research.For Gianfranco Pernaiachi it’s the overcoming of the “classic” position of the author. Here the author call the nature, he settle any compromise with the instrument, with the musical writing…
Les danseurs de la pluie
Either available separately as a 3" CD, or as a bonus disk within the new Tazartes boxset. "Les Danseurs de la Pluie", which gives title to the complete anthology, is a 12-minute mini-CD, presented on creative disc, including four previously unavailable tracks. Two 1977 killer recordings from the 'Eclipse Totale' sessions of a very wild and residential nature; and two colossal new pieces recorded in 2005.
5 Rimbaud 1 Verlaine
At last! This is the first new Ghédalia Tazartès record in 10 years! Not that this gentleman was done with his Impromuzic, but he prefers to watch his widowed canary flying & singing in his flatelier than to release records. Anyway, he's back with these memorable & noisy performances of Rimbaud & Verlaine, giving to their poetry the best of tributes.