Jazz /
Azimüth
2024 repress. Azimuth was the blueprint for the band's own 'samba doido'/ 'crazy samba' sound. Released in the summer of 1975, the album was a minor commercial success selling around 200,000 copies, but it's now recognised as an essential piece of Brazilian music history. Surely the rawest and funkiest of Azymuth's albums, every track exudes the brimming energy of three exceptionally creative young men from Rio, with incendiary results. Opener ‘Linha do Horizonte’ – a sublime piece of melancholi…
Bromio
*2024 reissue. 300 copies limited edition* In January 1999, after years of continuous daily rehearsals, Zu entered the studio to record Bromio. The album was released in October of the same year to immediate and enthusiastic feedback from the press and the public, and a few months later Zu began to play on stages all over Europe. But the band's inexperience in recording work weighed on them, because the impact they had live was not present in the sound of the CD at all. So it was that during the…
The Lost Demo
*300 copies limited edition* Since 1995, orphaned by their previous project, the three founding members of Zu (Jacopo Battaglia, Luca Mai and Massimo Pupillo) had been hanging out in the historic small room in Piazza Degli Zingari in Rome, every day, all day long, working nights and sometimes sleeping directly in the basement so as not to waste time. Looking for their own voice, without excluding any direction: electronics, tapes, sequencer (Film Nero) cello (played by their friend Francesco Chi…
Stadthalle, Sindelfingen, Germany October 8, 1964
The Miles Davis historical second quintet with Wayne Shorter - tenor sax, Herbie Hancock - piano Ron Carter, bass and Tony Williams - drums. A perfect coalition of young, creative individuals under Miles' direction. A turning point in the whole history of American Jazz. Recorded live in Germany in October 1964 this double album features hiper- adventurous renditions of classic tunes including Davis originals like "All Blues". "Milestones" and "Walking" and standards like Rollins' "Oleo" and Cole…
Glimmers of Quintessence
2024 stock. Claude & Ola return to the Steep Gloss label with Immara. Recorded from autumn of 2021 into 2022, this collaboration introduces new sounds and textures into each artist's catalog, while retaining and amplifying the varying degrees of abstraction inherent in their unique approaches. Claude and Ola Aldous are experimental musicians residing in the northern reaches of New York state in the US. They have previously released music on the Steep Gloss, TQN-Aut, Tone Burst, and Noise á Noise…
GNASH
"This overdue duo record by longtime colleagues Tashi Dorji (guitar) and Dave Rempis (saxophones) is a monument to the endless musical curiosity that links them. These two come at it from remarkably different backgrounds – Dorji combining his Bhutanese ethnicity with a love for metal, punk, American blues and folk, and anarchist political theory, with Rempis riding the outer edges of the jazz world throughout his career, while also inspired by his Greek ethnicity and a longstanding interest in f…
Live at I.U.C.C. 9/30/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - September 30, 1979. This is the seventh concert that Tom Albach recorded at Immanuel United Church of Christ. A wild and beautiful performance from beginning to end. Opening with an angelic take of Coltrane’s ‘Equinox’ which turns into a Coltrane medley, this recording is obviously a special one from the start… the existence of an unheard Sabir Mateen composition from 1979 (‘A C…
Live at I.U.C.C. 3/25/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - March 25, 1979. This is the third concert that Tom Albach recorded at Immanuel United Church of Christ. This recording finds the Arkestra on new feet following the departure of bandleader Jesse Sharps. Featuring two of Jesse’s classics, including a totally different take on ‘Mykowski’s’, and the now iconic live version of ‘Desert Fairy Princess’, this concert also marks the debu…
Live at I.U.C.C. 4/29/79
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 29, 1979. This is the fourth concert that Tom Albach recorded at Immanuel United Church of Christ. Featuring fiery takes of ‘Village Dance’ and ‘Mykowski’s First Fifth’, this concert also marks the only known recording of Tapscott’s ‘Song of Emanon’. Rounded out with the Jesse Sharps tune ‘Sea Wife’ and Tapscott’s homage to David Bryant ‘Dee Bee’s Dance’, this recording ma…
Haverford College 1980 Solo Piano
Sun Ra, notorious for his aggressive keyboard attack and seemingly schizophrenic stylings, here offers a unique selection playing the celeste-like Fender Rhodes electric piano, which has a distinct sound (think Doors' "Riders on the Storm") and an interesting history. This is Ra sound at his most relaxed and contemplative state.This Sun Ra 1980 solo set at Haverford College has been kicking around the internet and in the digital libraries of Ra collectors for years, though it has not previously …
Eleven Tension
A duo of irony, smoke, and mirrors, computer musician Tom Mudd and percussionist/violist Áron Porteleki operate at either side of the same see-saw, teetering between realms of digital and tangible soundscapes. Mudd's artistic voyage is anchored in the realm of physical modelling synthesis, an exploration of the nuanced interplay between software and improvised music, delving deep into the multifaceted realms of algorithmic composition and digital sonic artistry. Meanwhile, Porteleki's expansive…
Silent, Listening
Silent, Listening is a major addition to ECM’s distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch. The album features seven original creations and a handful of well-chosen standards, including Billy Strayhorn’s “Star-Crossed Lovers”, Sigmund Romberg’s “Softly, As In A Morning Sunrise”, Alec Wilder’s “Winter Of My Discontent” and Russ Freeman’s “The Wind”, all played with the focus, sensitivity and gracefuln…
Gateway
With “daring and visionary spirit”, to quote a Downbeat review from the year of this album’s release, master improvisers John Abercrombie, Dave Holland and Jack DeJohnette forged a unique vision of trio interplay on their first joint effort under the Gateway moniker. The trio tackles Dave Holland and Jack DeJohnette originals with a visionary idea of what three-way conversations in jazz could sound like. As The Observer remarked in an article of the time, “the telepathic ensemble playing and per…
Angel Song
“Destined to go down in history as a jazz classic” was the verdict with which The Guardian greeted this album on its release in 1997, saying, “Wheeler’s compositions and four of the world’s greatest improvisers make for a tranquil set that rewards with every listening. This is beautiful, golden music.” Angel Song is among the apexes of the label’s catalogue, uniting four master-improvisers – each with a unique artistic identity – in an intimate, drummer-less quartet session. Kenny Wheeler is the…
Accept When
"We wrote “Accept When” between 2022 and 2023, after a long, beautiful period improvising together intimately in the safety of a friend’s practice space. Our friendship, the quality of attention that colored the light of that and all our other practice spaces, became the basis for our activity and growth as songwriters and our relationship as improvisers. Friendship, how we relate to each other, is our nucleus: the central and essential part of our movement; the positively charged central core o…
458 R.T. / 60 Winslow
2024 stock. Valuable of 1975 reissue of Finnish Jazz. Day is Over, an album often credited to Esko Linnavalli Quintet but without any mention of performing group on the cover, was born during a series of Finnish Jazz Music Workshop events, led by Heikki Sarmanto and Esko Linnavalli, out which the New Music Orchestra UMO was born. A UMO-anticipating 14-headed workshop band gathered to rehearse at the rock club Tavastia in 1974. Out of that group emerged a quintet, who took a trip to Stockholm to …
Eye of the Universe
Eye of the Universe" is the latest offering from Finnish sax player and composer Markus Holkko. Grounded in his musical heritage, the album explores a range of influences, from straight to Latin and spiritual jazz, with subtle hints of west coast cool and psychedelia.
Pajazzo
The Finnish/Italian improvisational collective makes a comeback after the acclaim of 'Gan-Ri-La.' This time, they grace Pelto Studio with their presence, offering a groovy free jazz encounter filled with unexpected twist
Everyone’s Children
*2023 stock* Everyone’s Children is the stunning debut album of spiritual avant-garde music from keyboardist, composer Surya Botofasina, out on Spiritmuse Records. The record combines deep jazz excursions with expansive synth passages and intimate piano turns to create a hypnotic, meditative and devotionally expressive suite that soothes, enriches and uplifts the soul. Botofasina’s upbringing at the Sai Anantam Ashram in the Southern Californian hills involved daily bhajans (traditional Hindu de…