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Alternate versions, never before released on vinyl from Peter Brötzmann Octet's Machine Gun (1968). As Brötzmann has said: 'It was the feeling, the very naive feeling that we could take a little part in changing the world.' Adopting its title from Don Cherry's nickname for Brötzmann, 'Machine Gun' drew on the huge horn section of Lionel Hampton's 'Flying Home' for inspiration, translating the hilarious saxophonic power of the jump blues and Illinois Jacquet's booting and hollering into an abstra…
Recorded July 2nd and 3rd, 2017 by Øyvind Gundersen at Studio Paradiso, Oslo Mixed October 2017, by Andreas Werliin at Repeat Until Death, Stockholm Mastered by Lupo at Calyx mastering, Berlin Liner notes by Brian Morto. Mats Gustafsson (saxes), Ingebrigt Håker Flaten (b) and Paal Nilssen-Love (dr) have followed an interesting concept with The Thing. They take the power of blues and heavy rock and mix it with the freedom of improvised music using the riff as the foundation of their pieces.Mats G…
LP version. Live at Molde International Jazz Festival 2015. All music by James Blood Ulmer. Viking jazz band The Thing team up with one of the legendary men of jazz and blues. Guitarist and singer Ulmer combines (free) jazz, blues, funk, and rock -- always on the edge, melting it to some kind of free funk... In 1980, Ulmer recorded the genre milestone No Wave with John Zorn and Pharoah Sanders. Personnel: James Blood Ulmer - guitar; Mats Gustafsson - tenor and baritone saxophones; Ingebrigt H…
“Fetén” brings together a selection of recordings made in Spain between 1961 and 1974. The tracks selected were originally released on records that have become impossible to find, and which, in most cases, have never been reissued. These are unique recordings spanning modal jazz, hard bop and even avant-garde jazz by Spanish musicians such as Mantequilla, Juan Carlos Calderón, Ricard Roda and Vlady Bas, as well as by international jazzmen like Dusko Goykovich, Lou Bennett and Tino Contreras. Th…
In the early sixties, "Mantequilla" had the chance to lead his own combo, Mantequilla y su conjunto, with which he was to record the three splendid EPs that are compiled on the present album. All these 7" have become elusive collector pieces in the record market, with sellers demanding from 200 to as much as 950 euros per copy. In 1961 "Mantequilla" was at his best moment, his gigs at the Jamboree Jazz Cava had brought him back to the first line of Barcelona's jazzmen after he had been working a…
This splendid catalan Jazz LP was originally released on Edigsa in 1968 and sees its first ever vinyl reissue here. Barcelona has always had a boiling jazz scene, and since the 1960s a strong focal point of the city jazzmen has been the Jamboree Club, in the centric Plaça Reial. The Jamboree was a regular point for al American artists doing the European jazz circuit, as it was for all European acts and, of course for the local talent. Among these, a young quartet formed by alto sax & flute playe…
Annihaya present Rats Don't Eat Synthesizers, the long-awaited second album by The Dwarfs Of East Agouza. Hailing from the Agouza district of Cairo, Egypt, this brilliant trio consists of Alan Bishop (acoustic bass, alto sax), Maurice Louca (keyboards, drum machine), and Sam Shalabi (electric guitar). Following their acclaimed first album Bes (NAWA 005CD, 2016), this new full-length is composed of two hypnotic journeys: "Rats Don't Eat Synthesizers" and "Ringa Mask Koshary" which were recorded i…
This is the first presentation of a lost jazz concert from the Helmut Brandt estate, recorded March 1963 at SFB Sendesaal/ Haus des Rundfunks in West Berlin. That evening the Helmut Brandt Orchestra consisted of eleven soloists from the Berlin radio orchestras of RIAS and SFB, including Benny Bailey, Herb Geller, Nat Peck and Ack van Rooyen. They played a one-off concert of mostly unknown compositions, taped by producer Hans Gertberg for inclusion in the huge archive of NDR Jazz Workshop recor…
Today it is well known that Austrian pianist and composer Friedrich Gulda was at home in two different worlds: classical music and jazz. He once mentioned “There are so many great musicians alive, but none of them was able to tear down the border that was created by the music industry, which is the border between classical music and popular music. Jazz is still considered to be something deserving less respect.” Gulda was one of the few who tried to cross that border, working in both realms, wit…
Referred to an as 'American Iconoclast' by the New York Times, Roscoe Mitchell is an internationally recognized saxophonist, composer, and founder of the Art Ensemble of Chicago. Discussions Orchestra is derived from several musical improvisations found on Roscoe Mitchell's Conversations with Kikanju Baku and Craig Taborn. The songs have been transcribed and performed by a twenty piece orchestra.
**small repress available** Honest Jon's Records present a reissue of Derek Bailey & Han Bennink, originally released in 1972. The third release in a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo (HJR 200LP) and in duos with Anthony Braxton (HJR 201LP) and Han Bennink, augmenting the original releases with marvelous, previously unissued music. The tussling vegetables in Mal Dean's cover-sketch some…
When pianist and composer Moses Taiwa Molelekwa died in February 2001, fans and fellow musicians alike were swept away by grief. He was so young – not yet 30 – and had shown such musical promise.Genes and Spirits was his second album, released a year before his death. While the composer’s voice and pianist’s touch are instantly recognisable from his debut, Finding One’s Self, the ideas underlying the music mark a conscious step into the unknown: what he called “finding a range of rhythmic altern…
When glancing over the history of indigenous French free improvised music, there tends to be two observable categories of musicians - those who worked and collaborated with their counterparts from abroad, and those who worked independently. The former is generally more celebrated, and among those the drummer Jacques Thollot, who worked with Don Cherry, Steve Lacy, Sonny Sharrock, Sam Rivers, Joachim Kühn, and numerous others, as well as with French pioneers like Barney Wilen and Jef Gilson, rank…
Small repress available, in process of stocking. The mid 80s were a pivotal period for Don Cherry. Much of his energies had been devoted to co-op projects like Codona and Old and New Dreams and he also helped jumpstart the Leaders. The time being ripe to form his own ensemble, Cherry created Nu, a quintet with saxophonist/flutist Carlos Ward, bassist Mark Helias, percussionist Nana Vasconcelos and drummer Ed Blackwell. Live at the Bracknell Jazz Festival, 1986 confirms Nu to be an ensemble that …
Late great alto screamer Kaoru Abe is the lost wild legend of '70s Japanese free jazz. This was the very last recordings he has leftIn the short space of his tempestuous life, he burnt a path which has served as a map for a whole generation of Japanese artists to follow who would call themselves 'free' in any sense of the word whatsoever. Though he performed live frequently in his day, his releases were sporadic, many of them emerging after his untimely death in 1978, and on a string of Japanese…
**Very Last Copies - Original 1983 copies of this obscure classic, slightly warped** few copies available. Over the last decade we’ve begun to form an image of Italy’s long neglected musical avant-garde. This movement, with artifacts stretching from the mid-1960’s to today, remained landlocked for decades, almost entirely unheard beyond the country of its birth. With a small number of exceptions, despite the remarkable creative diversity reissue culture has managed to represent, the majorit…
“The debut record of Luft (the duo comprised of Mats Gustafsson and Erwan Keravec) - is a two volume album of exceptional explorations within the bagpipe and reed universe ——unknown music of poetic beauty and high energy cascades. Fast moving changes in texture and layers vs static repetitions and alternatives densities and melody treatments! Vol 1 - is focusing on the interaction between the two persons/ instruments - with a huge variety in extended techniques and various ways of treating the i…
Trost presents the first vinyl edition of How To Raise An Ox by Zu and Mats Gustafsson. Initially released on CD in 2005 by Atavistic. Features new cover artwork. Long-running intense jazz/noise-core band Zu from Italy teams up with Viking-saxophonist extraordinaire Gustafsson (The Thing, Fire!). Mastering by Andy Moor (The Ex) and Colin McLean.Personnel: Mats Gustafsson - baritone saxophone; Luca Tommaso Mai - baritone saxophone; Massimo Pupillo - bass; Jacopo Battaglia - drums.
London based saxophonist Colin Webster is quickly establishing himself on the European avant-garde scene. Working with a broad range of collaborators, Webster is known for working from extreme sonic palettes -- from minimal to maximal, constantly pushing boundaries. Webster first worked with Dirk Serries on the landmark Endless Voids performance led by Dead Neanderthals at the 2014 Incubate Festival. Since this initial meeting, the two have worked on different collaborations both live and i…