Jazz /
Improvised Vancouver
Henry Kaiser, electric guitar; John Oswald, alto saxophone. Pre-vou (01.21), Vancouver (17.00), Vancouverification (38.00), Acouverstic (02.17), Vancouverymuch (56.00). Recorded at the Western Front, Vancouver; tracks 2 and 3 recorded on 7 February 1978; other tracks recorded on 6 May 1996.
Forlorn green
The press release is disingenuous in describing "Forlorn Green" as "lo-fi": even if Jason Lescalleet's work involves tapeloops using cheap recording gear and "trashed" speakers, his digital reworking and mastering is painstakingly perfectionist and perfect. Recorded in four different locations in the Boston area (a church, a gallery, an art school and the local Twisted Village record store) and crafted in Lescalleet's studio with what can only be described as loving care, the sonic alchemy of …
Night life
Korm Plastics is proud to present the eigth release in the brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative project; a …
Origin’s hesitation
Expectations exploded, intentions fleetingly revealed, faith justified. A new album from Keiji Haino's Fushitsusha is always going to be a major event. And to make the release of Origin's Hesitation even more significant, it is the first new album from the group in almost two years, the first studio recordings by the new duo line-up, and the first Fushitsusha album on PSF since 1994's stunning Pathetique. The popular perception of Fushitsusha has usually been as a rock band, albeit one that push…
Live
Keiji Haino's rock trio debuted to the world of recordings with a double live LP set (PSF 3/4 -- long deleted) and then followed it up with this one -- another double live set (completely different material). Mind boggling guitar/bass/drums extensions from the heaviest rock band on planet earth. This 150 minute double-CD (wrapped in stunning all-black cover) is one of the quintessential documents of the modern era.
Omnivm
Recorded 2005-6. 'FURT's new CD combines live sets from Durham and Belfast into a vertiginous journey lasting almost 78 minutes. Richard Barrett and Paul Obermayer once more redefine the outer limits of intensity, virtuosity and improvisational rapport in electronic music in OMNIVM, named after the essential inherent interior essence which is hidden in the root of the kernel of everything in Flann O'Brien's novel The Third Policeman
Freedom Of The City 2001 - Small Groups
Highlights from small group recordings from the 2001 Freedom of the City festival featuring artists such as Steve Beresford (electronics), John Butcher (saxes), Lol Coxhill (sax), Paul Rutherford (trombone), Phil Minton, and more in various arrangements.
s/t
Solo, duo, trio, quartet & octet improvisations by John Edwards (double bass), Sylvia Hallett (violin, voice, sarangi), Marcio Mattos (cello), Neil Metcalfe (flute), Evan Parker (soprano saxophone), John Rangecroft (clarinet), Mark Sanders (percussion), Philipp Wachsmann (violin, electronics). 152 minutes - previously unissued.
The ins and outs
This is a studio recording, and thus somewhat different in approach and tone to the group's continuous live sets; an example can be heard on a compilation from the 2003 Freedom of the City festival. Here the emphasis is more on developing specific ideas with a consistent logic than on modulating between passages of tension and climax. On the longest track, the 13-minute Absolute Xero, the logic is sure and compelling; Skzypce is more playful, with Wilkinson vocalising through his reed and Noble,…
Prints - Snapshots, Postcards, Messages And Miniatures 1987-2001
The short story: Prints is Fred Frith's first album of songs in 20 years. The long story: it is actually a collection of compilation tracks and unreleased studio sessions recorded between 1987 and 2001. No matter if you already own a few of these, a pop album by this man is a rarity -- and that is truly a shame. Of course, as a respected improviser, serious composer, and educator, anything lighter from this pillar of modern music will meet with severe criticism from people who take themse…
Abu Tarek
Franz Hautzinger: trumpet. Mazen Kerbaj: trumpet. All music improvised, no cuts no overdubbing. Recorded on august 26 2003 at Khalifesh studio lebanon by Raymond Khalifeh. Mix by Mazen Kerbaj and Raymond Khalifeh.
Slow blind avalanche
Snow blind avalanche is a completely different album than A Rock In The Snow also being released on Important though the two records were made during the same sessions. This vinyl only release is limited to 1000 copies with the first 200 on snow-white vinyl. Artwork by C. Spencer Yeh. Liner notes from Wolf Eyes bro John Olson aka Johnny Coors. The Flaherty-Corsano-Yeh power trio have emerged on album with a dual format dual release for Important. Snow blind avalanche finds the Flaherty-Corsano-Y…
A rock in the snow
Together Chris Corsano and Paul Flaherty have re-written the concept of modern free-jazz with their post-hardcore punk style approach of euphoric togetherness. Ferocious, spontaneous, explosive and aggressively lyric they've established their groundbreaking duo with loads of shows and a host of tremendous recordings. Liner notes by John Olson (aka Johnny Coorz!).
A cavall entre dos cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
Imponderable evidence
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.
Collective calls (urban) (two microphones)
The first published recordings of the duo of saxophonist Evan Parker and drummer Paul Lytton, recorded in London, 1927. Evan Parker, soprano and tenor saxophones, home made instruments, cassette recorder; Paul Lytton, percussion, live electronics, sound effects and noise.