Jazz /
Malik
Strut proudly presents the first official remastered reissue of Lafayette Afro Rock Band's elusive funk/Afro original album, 'Malik,' originally released in 1974.
Soul Makossa
Strut proudly presents the first official remastered reissue of the funk/Afro classic, Lafayette Afro Rock Band's 'Soul Makossa' from 1973.
New World
Nat Birchall returns with a new studio album with an expanded Unity Ensemble. Six original compositions played by a seven-piece group featuring the legendary UK tenor saxophonist, Alan Skidmore and guest percussionist Mark Wastell. Both musicians joined the group onstage at a John Coltrane tribute concert at London’s Café Oto last year, the resulting performance showing just how compatible all the musicians were, so Nat thought it would be propitious to record the group in the studio with their …
Causa y Efecto, Vol. 2
*200 copies edition* The New Album by Francisco Mela and Zoh Amba 'Causa y Efecto, Vol. 2' is a celebration of differences and unity. Creativity in general and experimental music in particular can serve as a conduit to the inner soul of its creators, a kind of spiritual path that goes two ways and allows a deeper understanding also of ourselves. It's a light projecting the humanity of the players that simultaneously reflects the creator and the humanity in all of us. The vulnerability of the art…
Teatro Amadeo Roldan Recital
For the third release in our Mr Bongo Cuban Classics series, we reissue the iconic 1974 debut album by the mighty Grupo Irakere. Led by Chucho Valdés, son of Cuban pianist and bandleader Bebo Valdés, the band would go on to become of the most influential and successful groups emanating from Cuba in this period. Their debut ‘Teatro Amadeo Roldan Recital’ is an in-demand and incredible Afro-Cuban, jazz-funk masterpiece originally landing on Cuba’s state-owned imprint, Areito. One of the jewels of …
Grupo Irakere
For the second instalment in our Cuban Classics series, we proudly present this sought-after slice of sublime Afro-Cuban jazz from 1976. It comes courtesy of one of Cuba’s most influential acts, Grupo Irakere. Founded in 1973 by Chucho Valdés (son of the Cuban pianist and bandleader Bebo Valdés) the group was home to many of Cuba’s finest musicians over the years. With an electrifying style and sound, they mixed traditional Cuban music with jazz, funk, and rock. This self-titled album includes t…
Mário Castro Neves & Samba S.A.
*2024 stock* The Brazilian composer, pianist and producer, Mário Castro Neves and his group, Samba S. A.'s self-titled album from 1967 is oozing with class. It possesses that archetypal 60's bossa nova, jazz, samba sound. We’d place it up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana. It’s a breezy ride that touches on easy listening at times, but it holds it together with a cool swagger. Biba and Thaís Do Amaral's vocals are on point, with a relaxed delivery that complimen…
Nio & Pigeon
"New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of their seminal work Perspective in 1969, they've opened up new horizons in big band jazz with their cutting-edge sound. This work, Niou to Hato, is one such representative work of the new hard movement, which reached its zenith in 1972. Bandleader Kozaburo Yamaki was then in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: Japan, the nation in and of i…
In The Groove
*2024 repress* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusion. This work i…
Nisse Sandström Group
Stellar Tip! Previously unreleased recordings of one of Sweden's most legendary jazz groups. A raucous and energic set of free jazz from the vibrant Swedish scene of the mid '60s – a perfect match for the groundbreaking German scene of the FMP generation! Quoting Jim O'Rourke from the hype sticker: “Someone quadruple booked the same session, because the music on this record is at the crossroads where FMP, Faust, The Insect Trust, and Catherine Ribiero met, but we know that road was never built. …
In Fiesta
"Hideo Shiraki, a key figure in Japanese jazz, left his mark with unique music and a strong presence. One of his standout works is Matsuri no Gensou, recorded in 1961. This incredible piece takes a Japanese melody and transforms it into a cool jazz style, making use of a special arrangement on the koto. The collection also features exciting tracks like 'Just One Or Eight' and the dynamic 'Cherokee, which proffers an amazing solo. Contributions from experts like Hidehiko Matsumoto and Yuzuru Sera…
Dah Nah
"Okinawa-born tenor sax star Ryusei Tomoyose famously studied under Sadao Watanabe in Tokyo words the final part of the 190s. Once his studies were complete, he went home and decided to focus on teaching and nurturing young musicians, which he did for the rest of his life while also becoming a pioneer in the Okinawa jazz scene. This album which was originally released in 1979 is packed with his playing passion and is a legendary record into which he pours his whole heart and soul. It was recorde…
Blues For K Vol.2
*2024 repress* Tsuyoshi Yamamoto Trio's new project is a reunion session with engineer Yoshihiko Kannari, who revolutionized the jazz sound as the exclusive engineer for the legendary Japanese jazz label Three Blind Mice in the 1970s!
Blues For K Vol.1
*2024 repress* Tsuyoshi Yamamoto Trio's new project is a reunion session with engineer Yoshihiko Kannari, who revolutionized the jazz sound as the exclusive engineer for the legendary Japanese jazz label Three Blind Mice in the 1970s!
Sweet For K
The legendary TBM tag team, Tsuyoshi Yamamoto Trio and Yoshihiko Kannari, have revived and newly recorded this superb Erroll Garner album.
Organic Music Society
** Temporary reduced price ** Quoting Dusted magazine "This is not a jazz album. This is the music of ritual. Any resemblance it has to jazz is purely coincidental and passing. This is the sound of utopia, of equality, of the universal egalitarian dream, of the earth, the water, and the life force in all its various guises." and "This is an album of education in practice. Don Cherry spent the summer of 1971 teaching at a youth music camp normally devoted to the study of classical music. Somewher…
Live in Stockholm
2024 Stock. Don Cherry lived in Sweden 1965-1985. This is a live recording made in Stockholm 1968 (and some tracks from 1971) that was supposed to be released in the beginning of the 70's but that has never been released until now! Don Cherry plays together with the best Swedish (as well as Turkish) jazz musicians from that time. World jazz or Multi Kulti, Don Cherry didn't think in genres. At Caprice Records we are very happy and proud that we can now release this music, both on CD and LP for t…
Oxtirn
2024 (lucky) stock, totally sold-out at source since many years. Limited edition of 300 copies, pressed on 180 gram vinyl. Oxtirn is a truly unique and powerful blend of free energy, modern composition, and mechanical music that defies genre. With two proper full-lengths and an array of self-releases under his belt, Eli Keszler has turned to ESP-Disk for the release of Oxtirn, his third, most composed, and large scale effort to date. Oxtirn captures Keszler and crew at their most frenetic, and a…
Truss
It’s not often that Aerophonic Records has put out recordings by bands that are first-time groupings. There are a few notable ones, including AR024 and 026 – Of Things Beyond Thule Volume 1 and 2 featuring Joe McPhee, Tomeka Reid, Brandon Lopez, and Paal Nilssen-Love. Another one was AR029 Stringers and Struts with Jeff Parker, Ingebrigt Håker Flaten, and Jeremy Cunningham. Those lineups and performances were just too stellar to let them pass without being documented (and those records are all l…
Shadows
John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded …