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A very nice book brings together a diverse collection of Cornelius Cardew's major essays and writings from different stages of his career, together with commentaries by other writers associated with his work. It reflects developments, changes and con…
Vex consists of three sections, each section features a different collaborator: Michel F. Côté, Louis Ouellet, Gregory Whitehead. Vex is a meeting place which is divisible by three: Erik Satie, Gilles Deleuze, Antonin Artaud. Vex is a series of acci…
New CD from German sound artist Christina Kubisch on Semishigure, a similar exploration of sound & silence as the first one, Diapason (SEMI 002). On Twelve Signals Kubisch used original miner bells from a German mine to produce an hour long piece of …
Germany most famous sound artist with a new album recorded exclusively with tuning forks. A meditative album that takes on a different meaning, feeling and association with every sound, in places almost microsound-ish and in others like a heavily del…
The second Christina Kubisch CD on RZ, from one of Germany's more important sound composers. This features is a composition for the clocktowerof the MA Museum of Contemporary Art. All the sounds derive directly from the original bells from the MASS M…
Four pieces from arguably the most cited sound-sculpt of our time, recently fêted via an exposé in The Wire (October 2001). 'Vocrolls II' (1988) consists of recordings of a glass sphere coming to rest in a Tibetan metal bowl, processed in physics-def…
All live improvisations should be this much fun! This live date between turntablist and electronic weirdmeister Christian Marclay and percussionist and electronics tinkerer Günter Müller is what the art of improvisation is supposed to be: fun, contin…
Since 1979 Christian Marclay has been experimenting, composing and performing with phonograph records. His interest in records, both as objects and bearers of sound, is expressed through sculpture, performance, video and music. In performance, he mix…
extremely limited LP by the artist/turntable god Christian Marclay’s ‘Guitar Drag’. The piece was originally a video, shown in 2000 at London’s Hayward Gallery, following an electric guitar lashed to the back of a pick-up truck in dusty San Antoni…
Private edition limited to 200 copies "A documentation of Charlotte Moorman activities as a performer is generally available only on the iconographic level in various catalogues which documents the crucial intersection with the work of Nam June Paik …
2004 release. Special edition of Sacred Bordello (originally published by Black Dog Publishing) bundled with a limited edition CD released by Alga Marghen. As one of the most influential figures of experimental music and performance, Charlemagne Pale…
Negative Sound Study was composed in 1969 directly on a historical Buchla 100-System experimental synthesizer available at the Intermedia Centre of the New York University. Charlemagne Palestine was dreaming of an expressive continuous evermoving, ev…
Originally released on the Barooni label and sold out since a long time. Charlemagne palestine and Alga Marghen have decided to make the two cds available in a new 2cd set edition. The cds are a new print of the original ones, both included in a newl…
First time available 2CD set art-edition of the Charlemagne Palestine performances at Sonnabend Gallery, New York City, 2001. Privately issued by the composer in collaboration with Sonnabend Gallery and issued in an edition of 300 signed copies in…
“Charlemagne Palestine made recordings of the Jamaica Day parade in New York City - where people from Jamaica, Guyana, Cuba, Haiti and other places come to dance, sing, eat and drink. These field recordings of shouting people, passing parade floats a…
'Autumn 1982, Brixton, London, Brion gysin, the eternal accomplice of William Burroughs, renews the methods of performance by reciting texts, hastily brought together: Tessa, a member of Slits, Steve, of Rip, rig and panic, Jail, of Penguin café orch…
His record presents some of the most important experiments in cut-up and recording technique by the famous poet and artist, Brion Gysin. Originally recorded in 1958 at the histori- cal Beat Hotel in Paris: ‘Language is an abominable misunderstanding …
Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle. Each installation was created as part of the Beyond Music Sound Festival in Los Angeles, an annual festival on sound practice …
50/70 presents a set of fantastically stirring performances by sound-poet and heroic cultural activist Bernard Heidsieck. Fantastic verbal anarchy sure to appeal to anyone who has ever ventured deep into the margins of free-thinking labels like ESP, …