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Anything can happen and often does. This is John Cage. A seminal example of indeterminate music from an icon on experimental sounds. This work was originally used as music for the choreographed piece by Merce Cunningham, "Field Dances," with stage and costume design in the original version by Robert Rauschenberg (from 1967 the designer was Remy Charlip). Variations IV is the second work in a group of three of which Atlas Eclipticalis is the first (representing 'nirvana', according to Hidekaz…
A sculpture/happening an environment/collage by german Fluxus artist Wolf Vostell (1932-1998) from 1990. Sixty minutes with 2 stringquartetts, 4 wood-cutters, Zambombas, 20 TV sets, 5 soprano vocalists, 30 choir singers, 30 vacuum cleaners, trombone oboes, one car crash, 400 spectators, 10 scores, one "Equipmentmusic" (Satie). Comes in jewel-case with 6 page booklet.
Artist Roni Horn performs a 61 minute monologue reading from her writings on water. a monologue that she performed at the exhibition's opening, literary allusions became discursive. Dressed in black jacket and pants, she assumed the mannered cadence of a poet, showing slides and interrogating her work, her viewers, and herself. Emphasizing in her poses the androgyny of her name, her self-conscious attitude shifted to become by turns conversational, anecdotal, and seductive. Paired with the non-n…
Edition of 500 copies Double-CD of Hermann Nitsch’s Sixth Symphony for large orchestra performed and recorded November 1, 1980 at Museum des 20. Jahrhunderts, Vienna. Packaged in big 2CD jewel-case with 12 page booklet. "Hermann Nitsch is looked upon as the true successor of the great masters of symphony: Beethoven, Bruckner, and Mahler. He draws from Scriabin's, Schoenberg's, and Webern's experience, however, comes up with different conclusions than their (sanctioned) successors. That is to say…
Few copies back in stock, sold-out at source. First ever vinyl release of the works by Italian maestro Mario Bertoncini, relentless experimental composer, philosopher, artist and builder of sounds (as well as former member of the "Gruppo di Improvvisazione Nuova Consonanza"). The LP presents a selection of his compositions for aeolian constructions: in the early 70s he started to produce sound aggregates, true 'sound sculptures' based on the Aeolian sound principle. Amongst his more spectacular …
Eberhard Blum performs Dada / Sound-Poetry works by Raoul Hausmann (Kp'erioum, Offeah, bbbb, and Fmsbw from 1918), Kurt Schwitters (4 Parts of the 'Ursonate' from 1921-1932), and Emmett Williams ('Meditation No.1' from 1958). Comes in digipak with booklet.
First vinyl reissue of composer and Fluxus artist Yoshi Wada's second album, Off The Wall, originally released in 1985 by famed free jazz label FMP. Recorded in Berlin on May 11 and 12, 1984, by a quartet featuring Yoshi Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ (hand-built by Wada), and Andreas Schmidt Neri on percussion. Edition of 750. Mastered by Rashad Becker and housed in old-style gatefold jackets printed by Stoughton. "Off The Wall belongs somewhere between the e…
"The latest LP from veteran fluxus composer Philip Corner. OM Entering. and Once Enterd comprises four previously unreleased recordings with the Barton Workshop, taken from performances in the Netherlands, and South Korea, between 2000-2007. 'Om Entrance which one does....because the performance is a real "passage from the material to the spiritual" unless the "real" world is just as spiritual already which i like to think it is. As perhaps an everyday awareness is already to be entranced …
Recorded at December, 12th, 2012, at Meinbau e.V., Berlin (DE). Site-specific intervention. Through sound, sculpture, site-specific interventions, actions, and publications in diverse formats, Mario de Vega’s research explores the value of failure, vulnerability, and simulation. De Vega has led seminars, workshops and talks at the University of the Arts and the Technical University in Berlin, the Darmstadt International Music Institute, the Braunschweig University of Art, the Laboratorio Arte Al…
LP edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Paul…
Edition of 270 copies. Fullcolour cover and innersleeve by Dorothy Iannone. "When I was living in France in 1975, I made an audio cassette singing some lines from a famous German song: 'Wenn keiner treu Dir bliebe, ich bleib Dir ewig grün, Du meine alte Liebe, Berlin bleibt doch Berlin.' [When no one stays by you, I'll remain forever true, my old love, you, Berlin will always stay Berlin.]Maybe the song was on my mind because I had just received the news that I had been awarded a DAAD artist gra…
We perceive many things with our eyes. Many visual impressions are engraved in our memories. But, all the things that are going on around us, can also be detected by the ear; can be listened to with various feelings. What effects do silence and noise have? The sonic drawings unfold themselves, build up with memories of future and past, which lead us back to the sound of the moment. It is enriching to discover the musicality of a moment and to find oneself listening to that music. The release „So…
The Sounds of Christmas is an annual installation project by Christian Marclay, pioneer of the experimental turntable movement and leading artist operating at the intersections of art and music. Reinventing this work-in- progress for London, the artist presented his collection of over 1,200 Christmas records as a publicly accessible archive, alongside projections of the record covers and footage of previous performances.During the two-week installation, co-produced by Electra and Tate Modern, no…
**200 copies** "In fall 2014, I spent some time in New York City in preparation for a performance. During this time, I recorded as close to continually as I could given normal human and mechanical shortcomings – an SD card runs out of room, a battery dies, a person wakes too groggy to check the recorder or, in a flurry of activity, leaves it dormant. After a time, you start to forget the device is even there which is of course the purpose but also interacts in its own way with the frailties of h…
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms.
His first solo release reflects this diversity of interest…
Bisou records (Isabelle Magnon and Quentin Rollet) asked Jean-Louis Costes to do a book for children. This guy is mostly known for his extreme adult performances.Here he tells us the story of Plastic & Magic with drawings and a (free) CD of songs for… childrens !
Mayhem are the most influential Black Metal band in the world, and obviously no strangers to controversy. Death Archives offer never before seen photographs and unique insight into one of music’s most extreme subcultures.During the band’s ongoing career, now spanning thirty years, bass player and only surviving band member from the original line-up, Jørn “Necrobutcher” Stubberud, has collected enormous amounts of photographs, video diaries and memorabilia. In this unique documentary book, S…
*Special art edition* In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Sogetsu Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage …
In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Soget su Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage made his first visit …
All tracks deal with the concept to translate subjective experiences with sound into poetry. the poetic lectures and multichannel installations contain descriptions of sounds, background noises and musical structures and the recipient creates his own mental soundscape by imagining these discribed sounds. this process deals with the difficulty of accurate sound descriptions and our subjective perceptions and experiences of sound.The CD comes with 8 photocards in A5 format and was recorded in 2015…