★8th Records
Inspiration Information
**2019 stock** "Information belongs to the mind. It can be gathered, coded, processed and decoded, and used for any number of purposes. Inspiration comes from the soul. It is an elusive spark, one that cannot be bought or sold, nor artificially triggered. It is a gift. That the two can be combined into something quietly exciting is proven by the music on this, Shuggie Otis's third solo album. There is some old (several of the basic tracks were recorded over the last two years), and some new (for…
Freedom Flight
**2019 stock** 1971's Freedom Flight is perhaps, in its own way, every bit as adventurous and regal as Shuggie Otis' masterpiece, Inspiration Information. Produced by Shuggie's father, R&B legend Johnny Otis, the album features seven stellar, genre bending cuts, most of which were written or co-written by Shuggie. Oh yes, he was 18 at the time. Shuggie not only arranged the date, he played everything from guitars and bass organ to various percussion instruments. Additional musicians include Wilt…
Here Comes Shuggie Otis
**2019 stock** 1970's Here Comes Shuggie Otis was the debut album by the guitarist and songwriter, issued by Columbia, when Shuggie Otis was only 18. Produced and arranged by his father, R&B legend Johnny Otis, the set features nine original cuts co-written by the pair, and in some cases others, and one written by Johnny with Dan Aldrich. The album is evenly divided between vocal tunes and instrumentals. The cast for these sessions included Johnny, Wilton Felder, Stix Hooper, bassist Al McKibbon…
On The Corner
180 gram reissue of Miles Davis' expansive 1972 album. ""Here are killer groove riffs that barely hold on as bleating trumpet and soprano sax lines (courtesy of Dave Liebman on track one) interact with John McLaughlin's distortion-box frenzy. Michael Henderson's bass keeps the basic so basic it hypnotizes; keyboards slowly enter the picture, a pair of them handled by Herbie Hancock and Chick Corea, as well as Ivory Williams' synthesizer." (All Music)
Of Rivers and Religion
A deeply innovative musician whose style is credited as the foundation for the minimalist style of American Primitive Guitar, the output of John Fahey is both illustrious, far-reaching in its influence, and difficult to categorize. From the 1960s through the 1990s, Fahey's music frequently leapt between the realms of jazz, folk, world music, blues, country, and avant garde in equal measure, while demonstrating the wide range of flavors to be found in traditional finger-picking guitar techniques…