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In 2000, Henri Pousseur was asked by Philippe Samyn, a Brussels-based architect who liked to work in collaboration with other artforms, to lend his support to the plan for the construction of a business complex by one of the most important building enterprises in the country. There were four low buildings arranged like different parts of a medieval castle-village, grouped around a kind of large open central court. Leaning on the suggested image, Pousseur immediately suggested that the fir…
Either available separately as a 3" CD, or as a bonus disk within the new Tazartes boxset. "Les Danseurs de la Pluie", which gives title to the complete anthology, is a 12-minute mini-CD, presented on creative disc, including four previously unavailable tracks. Two 1977 killer recordings from the 'Eclipse Totale' sessions of a very wild and residential nature; and two colossal new pieces recorded in 2005.
"double lp reprint of the famous david behrman wave train compact disc issued a couple of years ago. experimental music from 1959-68: 'canons' featuring david tudor on piano and christoph caskel on percussion; 'ricecar' a prepared piece performed by david behrman in the early 1960s; 'wave train' a powerful feedback piece performed live with gordon mumma; 'players with circuits' a combination of live electronics and amplified acoustic sound; 'sounds for a film by bob watts' for outdoor environmen…
2004 release. Special edition of Sacred Bordello (originally published by Black Dog Publishing) bundled with a limited edition CD released by Alga Marghen. As one of the most influential figures of experimental music and performance, Charlemagne Palestine has remained an enigma. Unlike his illustrious contemporaries Terry Riley, John Cale, Steve Reich, and Phillip Glass, little has been written on Palestine and his continuing influence. In his own right, he was and remains today a pivotal person…
Negative Sound Study was composed in 1969 directly on a historical Buchla 100-System experimental synthesizer available at the Intermedia Centre of the New York University. Charlemagne Palestine was dreaming of an expressive continuous evermoving, everchanging sound form; an enormous sonorous, 3-dimensional sculptural canvas in mid-air using electronically produced sounds. The first experiments were done with simple sine tone generators emitting the purest sound waves without any overtones. With…
Originally released on the Barooni label and sold out since a long time. Charlemagne palestine and Alga Marghen have decided to make the two cds available in a new 2cd set edition. The cds are a new print of the original ones, both included in a newly designed slipcase. Godbear. Flying. In the stratosphere of the overtones. Turn out the lights. Close your eyes. Trance out. Into SONORAMAGNIFICATALAND. Pushed by Remy Martin cognac, the piano would replay the encoded performances exactly in three p…
First time available 2CD set art-edition of the Charlemagne Palestine performances at Sonnabend Gallery, New York City, 2001. Privately issued by the composer in collaboration with Sonnabend Gallery and issued in an edition of 300 signed copies in large silkscreened gatefold folio in 2002. This art edition was never officially distributed and after 10 years a limited amount of copies is now exclusively available for the first time from Alga Marghen. The first contact between Charlemagne Pa…
His record presents some of the most important experiments in cut-up and recording technique by the famous poet and artist, Brion Gysin. Originally recorded in 1958 at the histori- cal Beat Hotel in Paris: ‘Language is an abominable misunderstanding which makes up a part of matter. The painters and the physicists have treated matter pretty well. The poets have hardly touched it. In March, 1958, when I was living at the Beat Hotel, I proposed to Burroughs to at least make available to literature …
50/70 presents a set of fantastically stirring performances by sound-poet and heroic cultural activist Bernard Heidsieck. Fantastic verbal anarchy sure to appeal to anyone who has ever ventured deep into the margins of free-thinking labels like ESP, United Dairies, Come Org. Features '”Poème-Partition ‘B’”' (1957), for Bernard de Pontcharra, killed in Algeria; “Poème-Partition ‘M’”, suggested by a comment made by Henry Miller about “Déserts” by Edgar Varèse; “Démocratie II” (1977) and “Publicité…
One-sided LP in an edition of 345 copies. "The new Ben Patterson piece, issued on Alga Marghen's VocSon series, is based on the basic principles of the polyphonic music of the Bantu tribes of West and Central Africa. First principle: the practice of interlocking individual pitches or tones performed by one person into spaces between other pitches or tones performed by another person, thus alternating pitches or tones of one part with those of another part to create a whole. Second principle: use…
2002 release. Alga Marghen proudly presents the first record ever produced by Ben Patterson: "This is not only my first CD, but also the first recordings of these works available to the general public." Starting as a virtuoso double-bass performer of classical music, Ben Patterson was one of the very first founders of the Fluxus Group in Wiesban. This digipak CD will introduce you to some American neo-avant garde music classics, a crossover between John Cage's exploding influences and the experi…
Limited edition of 345 copies. Fonemi, tracks 1 to 6 recorded in Torino, Italy, at the Studio di musica elettronica directed by Enore Zaffiri between 1965 and 1966. Poesia Liquida and Liquimofono, first experimental recordings, September 1968. The two recordings are here superimposed. The liquimofono was played and conceived by Piero Fogliati who also created the idromegafono. Previously issued as a book with a 7" record titled Il Liquimofono, Congegno Generatore Di Musica Liquida E La Poesia Li…
2001 release. The compact disc by Anton Bruhin issued by Alga Marghen is titled r o t o m o t o r and covers two different areas of the artist's research. The first one is represented by a group of works including the short and mysterious environmental recording "ORAX" as well as "Lange Tone," "VERSUCHPILZ 6," and "Paul Is 35," three excerpts from the epic "MC-10 zyklus" created between 1976 and 1977, recording various layers of sound sources on two cassette recorders with loudspeakers.The compl…
Paul and limpe Fuchs music, better known as Anima, represents the most original and obscure event among German Kraut Rock. Here they play a wonderful and very inspired duet on Paul Fuch's self-built instruments with the pot-production collaboration of Will Neubauer's Echolette Ringmodulater. Privately issued on LP record in 1972 for the artists' own label Altepfarhof, these two 17 minute long improvisations titled 'n da da uum da' and 'traktor go go go' can surely be considered as one of the bes…
Another Fylkingen-related release; both of these feature previously unreleased material, in limited editions of 545 copies. "Åke Hodell was a fighter pilot in the 1940s and came into contact with literature after a bad accident which resulted in a long spell in a hospital. In the 1960s Hodell made a comeback with strongly experimental art -- concrete poetry, picture-poems, multi-media work -- playing a a prominent role in text-sound composition. '220 Volts Buddha, Electronic Purgatorium' was com…
Alga Marghen presents one of the most impressive sound poetry anthologies ever published, introducing you to the sound works of the Nouveau Realiste artist, Francois Dufrene. His work, along with that of Gil J Wolman and Brion Gysin, was a strong influence for experimental poets like Henri Chopin, Bernard Heidsieck and Ake Hodell. François Dufrene could be considered the younger of the first generation sound poets. Already in the Lettrist Group when he was only 16 years old, with his own style m…
1st Edition. Alga Marghen proudly presents a new edition of the already historical Henri Chopin's Revue OU. All the original contents (4CDs + book + complete inserts) have also been included here, but presented now in a more modern and flexible way. The first press heavy boxset had been substituted with a lighter and colour slipcase while many important details and info about the contents of this anthology (missing in the original layout) are presented on a new colour obi." Incredible that this …
"'On tape from the Judson days. Remember? When you made these things at home, on the best equipment you or your other poor friends could find? Electronic music from the 1960s. And you had that Japanese taperecorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961.' This compact disc presents tape music recorded between 1962 and 1963 for the friends meeting once a week in a loft in NYC. The first track, 'Lucinda Pastim…
2004 release. Excerpts from the liner notes of More from the Judson Years (Early 60s) Instrumental-Vocal Works Vol. 2, written by Philip Corner: "Everything Max Has" (1964), Max Neuhaus solo, recorded at the ONCE Festival, 1965. "A performance of Max's taking down all of his stuff; tons of equipment filling entire stages." "Big Trombone" (1963), Jim Fulkerson improvisation over tape collage. "Homage to Revere" (1962) for ensemble of copper-bottom kitchen utensils. "Punkt" (1961) for ensemble of …