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Both a jazz drummer and ethnomusicologist, Jean Schwarz offers a unique vision that expands upon Luc Ferrari’s imagined Presque Rien environments and the tweaked rhythmic workouts of Bernard Parmegiani’s Pop’eclectic series of jazz collages. Throughout, Schwarz incorporates extensive usage of field recording, cyclic minimalist rhythm beds and the slow-moving resonances of electronic tone textures, playing with the sounds of French cafe musette, soulful jazz, and expansive audio vistas of desolat…
Composed in the Celia records studio, December 1993, and January 1994. Commissioned by INA grm. As per Jean Schwarz's own words “At the very beginning, there was rhythm”... Rhythm never stopped to be among the heart of all kinds of musical forms, such as traditional, non-european, jazz, occidental, experimental and electroacoustic styles. Each machine produces its own rhythm. The purpose of the piece is to orchestrate and play with rhythms of different machines as varied as possible in order to …
*2022 stock* Ongi, Welcome, Dilin Dalan, Oyez, Sing good people in this encounter with pure tradition, ethnomusicological travel, sound transformation and electroacoustics! The ancestral percussion, Txalaparta, rediscovered by the Artze brothers, dialogue with those of the orchestra and those of Alex Grillo's MIDI xylophone connected to a sampler. Befiat Axiary's singing is inspired as much by tradition as by contemporary creation, both in spirit and in form.
* 2021 Stock * Few copies available, engrossing electro-acoustic work from the GRM archive circa 1971, 1974 and 1974. Highly dynamic, even playful, with a keen sense of rhythm and movement between myriad prisms by the legendary French composer and ethnomusiclogist Jean SchwarzErda (1971), 26’55This first work is the illustration of research done during the discovery of the professional composition studio. After studying each device and making more or less hybrid connections, I chose to compose s…