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158 p, ills colour & bw, 17 x 24 cm, pb, English/Italian edition. This book offers an in-depth analysis of the prominent role Italy came to play in the Fluxus movement, which emerged in the late 1950s. It explores the editorial experience of Fluxus, the creation of “editions” – objects, graphics, artists’ books – and the important role this had in the movement’s spread. Inexpensive to produce and easy to distribute, these works were accessible to the wider public and in turn contributed to the F…
Fluxus was a cultural, visual, and social adventure that began in 1962. Far from wanting to be a nostalgic celebration, 1962 is not offered here as a starting year, but as the first landing on a journey that began a decade before, in 1952, thanks to John Cage at Black Mountain College.During the Sixties, linguistic and formal experiments emerge in a teeming fervor, poised between Europe, the United States and Japan, in an innovative paradigm, extraneous to the aesthetic conventions experienced u…
*2024 stock* Briefly, Ballare is an artist’s book created by Riccardo Benassi as a response to an unexpected and enlightening event: in a Museum visitors’ book the signatories made complaints – which soon turned to anger – with regard to a work by the artist in question. So Riccardo Benassi decided to transform an apparent obstacle into an actual trampoline, doing so in story form. The artist attempts to analyse the succession of events, his role as cultural operator in contemporary society and …
"My first contact with the Pari&Dispari Archive and the Panizzi Library of Reggio Emilia dates back to nearly a year ago, when I was given the opportunity to collaborate in an exhibition project tied to documenting important performance experiences derived from the work and career of Rosanna Chiessi.This consisted in a visual trajectory comprised of images dedicated to many events, exhibitions, and performances organized by Chiessi for fairs in Bologna and several other places. The experiences d…
This book aims to illustrate a little-known aspect of '60s, '70s, and '80s art, the “artist’s invitation,” namely the material (be it a card or piece of paper) printed for the specific purpose of documenting an exhibition. The criterion employed to choose the material was that of privileging the participation of the artist him- or herself in the creative process that led to the object’s production. The artistic context on which this book focuses is that of Minimalism, Conceptual Art, Land Art, P…
** Expanded and revised edition, published on the occasion of the Whitechapel Gallery exhibition 2019-2020 ** "Keeping the rebellious nature of its wicked subject intact, Sense Sound Sound Sense nevertheless provides an impeccably researched, crystal-clear narrative of Fluxus's true revolutionary spirit." The Wire)Truly necessary catalogue accompanying an extensive exhibition dedicated to art works and musical scores and their relationship with Fluxus, an interdisciplinary movement of internatio…
** finally restocked ** Truly necessary catalogue accompanying an extensive exhibition dedicated to art works and musical scores and their relationship with Fluxus, an interdisciplinary movement of international artists, poets, composers and designers who experimented with fusing art and music in the 1960s and 1970s. The catalogue, published on the occasion of an exhibition curated by Patrizio Peterlini and Walter Rovere, delves deeply into this aspect of the Fluxus network. Rife with illu…
A deluxe edition LP, documenting and salvaging the sonic particularities of the Ravenna harbour."By “noise” we mean all the sounds that surround us every day, but the idea of an uncontaminated natural landscape, or of a singular sound event isolated from the context is impossible to realize and undeniably limiting. The artificial is now an integral part of contemporary sound and image landscape, sometimes almost a synonym thereof.In Ravenna harbour area, largely industrialized spaces intermingle…