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"The wash of flangers & shimmery reverb have been the foundation in Cali psych ever since the Byrds went electric. And while that sound might've dropped off occasionally, it never dropped out. The Velvets minimalist stylings were infused into the mix by The Dream Syndicate in the early 80's & thus a game changer was born. Clay Allison, Opal, Green On Red all took their charge from that current. Then the Shoegaze scene of the 90's looked at those bands as vectors, things got a little more drenche…
*300 copies limited release* "Sometimes it’s hard to resist the feeling that there was a crucial turn in life out of which everything else flowed. Maybe in our more reasonable frames of mind we can dismiss that thought and take our plans and intentions very seriously. But, there’s often a lurking conviction that, like the oak from the acorn or the movie from its opening scene, it is already all there. In the first moment of Relics of Our Life, anything could happen, anything could come next. But…
*300 copies limited release* "A new EP from Troth, following up their brilliant third album Forget The Curse. An EP of sorts, as these six wonderful tracks clocks in at over 31 minutes! A double one-disc EP? No matter what, Idle Easel sees the band in a transitional period, as the duo of Amelia Besseny and Cooper Bowman left Newcastle for Hobart, Tasmania during the recording sessions. The record has this heavy feeling of leaving something behind for something new, a feeling that is kind of boos…
*300 copies limited release* "In early 2000s New Zealand, Little Skull started as a small project. Smallness was perhaps the defining characteristic. Lathe cut 7”s in vanishingly small editions, the intricate, fiddly covers hand- crafted with what one would have to assume were very small hands. Or just with the aid of tweezers perhaps. The labels of these records provided no information beyond an illustration of a small – little even – skull. The music was also mysterious and miniaturized but al…
"People Skills could probably kill an hour or two watching you scrape the goo off your mukluks after escorting repeated tromps through the brack-befouled trench between music and non-music. You put on a show for him, he’ll put on a show for you. Everyone shows a little leg, we all go home winners. On his first new LP since the 2014 (Siltbreeze) and 2016 (Blackest Ever Black) touchstones, he blends “song-related” material with off-kilter signal garble to emit fidelity impaired pop-surrender by th…
*In process of stocking. 2022 stock.* Slugfuckers sole full-length 'Transformational Salt', originally released in 1981 and now back on vinyl, is an absorbing slab of Australian DIY, dense with thought and fury. The album brings together reprobate dub poetics and thug-drubbing spite in a mangled collage of post-punk disjunct and proto-industrial churn.
*In process of stocking. 2022 stock.* Penumbra, from the Latin paene (almost) and umbra (shadow), refers to the partially luminescent fringe of an opaque object, like the streetlight outlining the sole of a shoe hurtling towards your eye. Hypnagogic, from the Greek hupnos (sleep) and agōgos (leading), refers to the drowsy state before sleep. Crazy Doberman here comprises 17 players from the greater Europe of the Midwest. Basement glyphs. Who’s on the lease? And what’s under the rug. The owner pa…
**240 copies** Treasury Of Puppies is a new Gothenburg duo made up of Charlott Malmenholt and Joakim Karlsson. Recorded during the first half of 2020, their 8-track debut album for Förlag För Fri Musik brings together a vast amount of influences into something overpowering and genuinely immersive. Treasury Of Puppies approaches a tradition of text-sound compositions with bruised knees and a slingshot behind the back, merging lush Delia Derbyshire-like radioplay-styled narration, the crudeness of…
A central figure of the New Zealand underground since his days in The Rip over three decades ago, Alastair Galbraith has worked alongside scores of Kiwi legends as a multi-instrumentalist and solo artist. Morse appeared in 1992, a Siltbreeze/Xpressway co-release, and despite Galbraith's centrality to the magical NZ mix, the record is an 'outsider' classic, a peerless piece of Antipodean collage, diverted folk, and minimal psychedelia.Galbraith plays almost everything on Morse, with periodic assi…
*In process of stocking.* For a decade, Maxine Funke has cut an idiosyncratic path as a singer-songwriter, all the while avoiding the parochial retreads of that worn-out label. Funke's music is intimate and deeply intelligent, buoyed by a sense of effortlessness that belies a scrupulous attention to the smallest of details.Felt appeared in 2012 in a vinyl edition of 100 on the Epic Sweep imprint. This album has an altogether more crepuscular feel, making slightly fuller use of the sonic palette …
*In process of stocking.* For a decade, Maxine Funke has cut an idiosyncratic path as a singer-songwriter, all the while avoiding the parochial retreads of that worn-out label. Funke's music is intimate and deeply intelligent, buoyed by a sense of effortlessness that belies a scrupulous attention to the smallest of details.Lace was originally released as a CD-R in 2008 on Alastair Galbraith's Next Best Way label. Imagine the just-so arrangements of Josephine Foster and the knowing quotidian eye …