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Music performed and shaped collectively by Les Certitudes: Juliette Adam (clarinet), Félicie Bazelaire (cello) and Léo Dupleix (harpsichord). Score composed by Léo Dupleix. The ensemble Les Certitudes was created in 2021 as a means for developing acoustic music focusing on justly tuned tones and harmonies, taking as a starting point the physicality of the instruments –resonating wood and metal– in a long musical form.
*200 copies limited edition.* «13 Visions» is a series of compositions by Clara Lévy, performed by herself on violin. They are conceived as an imaginary meeting between two composers whose musical aesthetics share many common traits, despite the centuries separating them: Hildegard Von Bingen (c. 1098 – 1179) and Pauline Oliveros (1932 – 2016). The two composer's respective visions are thus intertwined by Levy in a cycle of thirteen pieces for solo violin. Somewhere between composition, arrangem…
*200 copies limited edition.* Guitarist Clara de Asís and flutist Mara Winter established Discreet Editions in order to locate and highlight links between ancient and contemporary, experimental approaches to music making. Adrián Demoč’s Sen, the label’s third release, treats that mission with especial seriousness. Dusted’s review of Adrián Demoč’s Žiadba meditated upon the ways that the Slovakian composer’s practice confounded the limits of statehood. This time, he has expanded one of that album…
*200 copies limited edition* Australia-based baroque violinist Lizzy Welsh has recorded three new compositions for solo baroque violin—the astounding result of a decade-long process of commissioning repertoire of such work during her doctoral research. Each of the works on « The Target Has Disappeared » initiates an intimate conversation between Welsh and her instrument, outlining the contours of memory and loss, weaving together fragments of old and new traditions in the sound of gut strings.
*200 copies limited edition* Music composed in resonance with Orlando di Lasso’s ‘Prophetiae Sibyllarum’ (ca 1555-60). The Sibylline Prophecies are a 16th century collection of vocal motets that could be considered prophetic, because they open up the music of its time to chromaticism beyond diatonality, posing new challenges to tuning. On the other hand, the sung text is an unambiguous appropriation of ancient Greek Sibylline oracles, claiming these predicted the coming of Christ —a fictional re…
Two years after the Speaker Crackle In The Garden publication which focused on New Zealand lathe cuts, Discreet Music publishes a new deep dive into fringe culture. The Unearthed Puzzle is written by Martin Nilsson and is chronicling 47 James Ferraro and Spencer Clark artefacts released between 2004 and 2018. A 76-page compendium of Crystal Promenades, Dark Temples and Washed-out Beaches.
A5/half-size. Print run of 300 copies.
* Edition of 200 * A composition for two bass Renaissance flutes. Performed by Mara Winter and Johanna Bartz. Rise, follow is a dialogue of long tones played by two bass Renaissance flutes, featuring subtle but persistent changes over the duration of one hour. It is performed in one sitting without interruption. The composition adopts the principle of instrumental ‘consort-style’ playing in Europe during the 16th century: a family of similarly pitched and constructed instruments performing polyp…