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When Vital Weekly was called Vital, and printed on paper (1986-1995) the name Eric Lunde appeared with some regular intervals, simply because he was quite active releasing records and tapes. His performance like approach to noise music, his elaborate packaging which always raised more questions than it would give answers made a big impact. And then he seemed gone and now he has returned. I have no idea what he did in the years in between. His music doesn't seem to have changed very much (I am st…
The third LP in the series produced by Kommisar Hjuler and Mama Baer has just Mama Baer on one side and on the other side we find the highly respectable Runzelstirn & Gurgelstock. This originally Swiss project has moved to Japan ages ago, and there (and most likely anywhere else) he performs his pieces, aktions as they are called in the best performance tradition. Here a piece from April 2009 in Osaka and its quite a surprising one, if you know their previous work. Much of that older work consis…
Inspired split LP that pairs feral European art soundists Kommissar Hjuler and Mama Baer with the avant garage surrealism of LAFMS stalwarts Smegma. Numbered edition of 177 copies with colour paste-on sleeves. The Smegma side bundles an eerie track from 1975 with two pieces from 2008/2009 that use loops, electronics and waves of extended muzzy tone to confuse time lines completely. The Kommissar side is less about outlaw sound poetry and more plugged into their destructo rock style as documented…