★Elektra
20 Jazz Funk Greats
1997 reissue of this classic 1979 album. "It's a break in the clouds from Throbbing Gristle's pummeling noise and a first glimpse at the continuing pop influence on the TG/PTV axis, but 20 Jazz Funk Greats still isn't best described by its title. If there is such a thing as a funky Throbbing Gristle LP, however, this could well be it. 'Hot on the Heels of Love', 'Hamburger Lady' and 'Six Six Sixties' add only occasional bits of distortion between the rigid sequencer lines. 20 Jazz Funk Greats is…
Wee Tam
Originally released as a double album Wee Tam & The Big Huge for some reasons gets commercialized as two separate Cds, the first called Wee Tam and the next being The Big Huge. Again the Boyd/Elektra connection is present, the pastoral setting of artwork (both albums photos taken from the same shoot (same clothes) and the group was at its apex. This Cd reissue of Wee Tam should read side 1 & 2 of the double vinyl issue Well no matter how you look at it, ISB’s better moment had turned with Hangma…
The Hangman\'s Beautiful Daughter
Credited with being the first artists to fuse folk and psychedelic sensibilities, the Incredible String Band benefited from having two very complementary frontmen. Robin Williamson and Mike Heron were also extremely versatile musicians, as this, their third album, indicates: he two of them play 17 instruments here, including harpsichord, water harp, sitar, and oud. While Hangman's is a fascinating record dense with exotic rhythms and instrumentation, it also suffers in spots from the airy excess…
I looked up
New remastered edition, originally issued in 1970, I LOOKED UP represents the end of the Robin/Mike/Likky/Rose period of the Incredible String Band. Later that same year would see te release of the 2-lp set U, which would introduce new faces and influences into the melting pot that was the 'sound' of the ISB.Other than being the last album by this line-up, I LOOKED UP is notable for several other reasons -- for one thing, it was the last album they recorded that was mostly acoustic (I don't cons…
U
Their 1970 album intended as a soundtrack to their theatrical stage show, this was subtitled A Surreal Parade in Song and Dance. Includes the epic 'Rainbow'. Never before on CD, this the amazing Elektra remastered edition."U" is something special, and almost accidental. Its structure, dictated by its title, seems almost unapparent in the music itself. Look closely at the cover: it represents a "Siddhartha" like journey from the purity of innocence, down into the temptation and turmoil of the phy…
Changing Horses
They really don't write them like this any more. "Big Ted's dead / He was a great old pig," sings Robin Williamson. "He'd eat most anything / Never wore a wig." Although the Incredible String Band had always been delightfully ramshackle, 1969's Changing Horses found the innovative folk-rock duo of Williamson and his mate Mike Heron becoming almost a slipshod stoned parody of themselves--with assistance from their girlfriends Rose and Licorice. Of the six tracks, two ramble on at such length (ove…
The Big Huge
This quartet incarnation of the Incredible String Band featured primary songwriters Robin Williamson and Mike Heron as well as their significant others, Christina "Liquorice" McKechnie and Rose Simpson. The ISB's tradition of quirky, and at times atonal, acoustic material is well served by the nine compositions on this platter. The lengthy opening track, "Maya," foreshadows their less-focused upcoming works I Looked Up and U. Although there are a few moments of brilliant playing, the ambling nat…
The 5000 Spirits Or The Layers Of The Onion
The 5000 Spirits or the Layers of the Onion was the second LP by The Incredible String Band, released in July 1967. Since recording their debut album the previous year, the original trio had been reduced to two, Mike Heron and Robin Williamson. They recorded The 5000 Spirits... in London in early 1967. The album also featured Pentangle's Danny Thompson on double bass, Williamson's girlfriend Licorice McKechnie on vocals and percussion, master sitar player Nazir Jairazbhoy (credited as "Soma"), a…
Happy Sad
One of the best albums of the late '60s and Tim Buckley's most underrated album, Happy Sad was a change-up pitch for the eclectic L.A. singer/songwriter. Sounding like a bit like Fred Neil's Capitol-era albums, Buckley and his small, acoustic-based ensemble create beautiful, jazz tinged folk-rock.
All The Rage
"All the Rage" was developed from a recording I made of a riot in San Francisco in October 1991, which followed California Governor Pete Wilson's veto of a bill designed to protect gays and lesbians from discrimination. Bob Ostertag's "All the Rage" turned the evening on its head with a devastating roar of gay anger. Of recent concert pieces having to do with AIDS, "All the Rage" seems by far the most powerful example. Mr. Ostertag's stern, purifying gaze has swept away the sentimentality and me…
Lorca
a five stars masterpiece - continuing his jazz explorations, Buckley created the most 'out' album of his career. The 5/4 time signature title track is strikingly weird with haunted house pipe organ and two faster-paced numbers, the mellow contemplative love song 'I Had A Talk With My Woman' and the slightly funky blues-based 'Nobody Walkin',' are even fun. The band is Lee Underwood, John Balkin (bass, haunted house pipe organ on 'Lorca'), and Carter Collins (congas)